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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 160 120 217 0.672 it is the complementary color RGBA 95 135 38 0.672. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 160 120 217 0.672. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 160 120 217 0.672: RGBA 165 120 212 0.672, RGBA 182 138 231 0.672, RGBA 199 156 250 0.672, RGBA 216 174 255 0.672 and RGBA 233 192 255 0.672

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 160 120 217 0.672. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 160 120 217 0.672: RGBA 160 120 217 0.672, RGBA 143 102 198 0.672, RGBA 126 84 179 0.672, RGBA 109 66 160 0.672 and RGBA 92 48 141 0.672

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 30 / 0 / 10

HEX #A078D9AB

RGBA 160 120 217 0.672

HSLA 264.74, 0.56%, 0.66%, 0.672

LABA 57.96, 35.24, -44.17, 0.672

 

Complementary color

CMYK 20 / 0 / 48 / 32

HEX #5F8726AB

RGBA 95 135 38 0.672

HSLA 84.74, 0.56%, 0.34%, 0.672

LABA 51.72, -29.55, 45.38, 0.672

 

CMYK 15 / 29 / 0 / 11

HEX #A578D4AB

RGBA 165 120 212 0.672

HSLA 269.35, 0.52%, 0.65%, 0.672

LABA 58.21, 35.46, -40.92, 0.672

 

CMYK 14 / 27 / 0 / 6

HEX #B68AE7AB

RGBA 182 138 231 0.672

HSLA 268.39, 0.66%, 0.72%, 0.672

LABA 64.88, 34.65, -40.94, 0.672

 

CMYK 14 / 25 / 0 / 1

HEX #C79CFAAB

RGBA 199 156 250 0.672

HSLA 267.45, 0.9%, 0.8%, 0.672

LABA 71.43, 33.89, -40.99, 0.672

 

CMYK 10 / 21 / 0 / 0

HEX #D8AEFFAB

RGBA 216 174 255 0.672

HSLA 271.11, 1%, 0.84%, 0.672

LABA 77.34, 30.17, -34.4, 0.672

 

CMYK 6 / 17 / 0 / 0

HEX #E9C0FFAB

RGBA 233 192 255 0.672

HSLA 279.05, 1%, 0.88%, 0.672

LABA 83.04, 25.71, -25.51, 0.672

 

CMYK 18 / 30 / 0 / 10

HEX #A078D9AB

RGBA 160 120 217 0.672

HSLA 264.74, 0.56%, 0.66%, 0.672

LABA 57.96, 35.24, -44.17, 0.672

 

CMYK 19 / 33 / 0 / 15

HEX #8F66C6AB

RGBA 143 102 198 0.672

HSLA 265.63, 0.46%, 0.59%, 0.672

LABA 51.17, 36.16, -44.22, 0.672

 

CMYK 20 / 36 / 0 / 20

HEX #7E54B3AB

RGBA 126 84 179 0.672

HSLA 266.53, 0.38%, 0.52%, 0.672

LABA 44.28, 37.14, -44.28, 0.672

 

CMYK 21 / 39 / 0 / 25

HEX #6D42A0AB

RGBA 109 66 160 0.672

HSLA 267.45, 0.42%, 0.44%, 0.672

LABA 37.27, 38.16, -44.31, 0.672

 

CMYK 23 / 44 / 0 / 30

HEX #5C308DAB

RGBA 92 48 141 0.672

HSLA 268.39, 0.49%, 0.37%, 0.672

LABA 30.19, 39.13, -44.25, 0.672

 

CMYK 18 / 30 / 0 / 10

HEX #A078D9AB

RGBA 160 120 217 0.672

HSLA 264.74, 0.56%, 0.66%, 0.672

LABA 57.96, 35.24, -44.17, 0.672

 

CMYK 13 / 30 / 0 / 10

HEX #AE77D8AB

RGBA 174 119 216 0.672

HSLA 274.02, 0.55%, 0.66%, 0.672

LABA 59.11, 39.49, -41.69, 0.672

 

CMYK 8 / 30 / 0 / 10

HEX #BE77D8AB

RGBA 190 119 216 0.672

HSLA 283.92, 0.55%, 0.66%, 0.672

LABA 60.87, 44.07, -38.81, 0.672

 

CMYK 3 / 30 / 0 / 10

HEX #CF77D8AB

RGBA 207 119 216 0.672

HSLA 294.43, 0.55%, 0.66%, 0.672

LABA 62.86, 48.99, -35.55, 0.672

 

CMYK 0 / 30 / 2 / 10

HEX #D877D2AB

RGBA 216 119 210 0.672

HSLA 303.71, 0.55%, 0.66%, 0.672

LABA 63.71, 50.54, -30.78, 0.672

 

CMYK 18 / 30 / 0 / 10

HEX #A078D9AB

RGBA 160 120 217 0.672

HSLA 264.74, 0.56%, 0.66%, 0.672

LABA 57.96, 35.24, -44.17, 0.672

 

CMYK 16 / 31 / 0 / 64

HEX #0A070DAB

RGBA 10 7 13 0.672

HSLA 270, 0.3%, 0.04%, 0.672

LABA 2.22, 1.66, -2.09, 0.672

 

CMYK 18 / 30 / 0 / 50

HEX #2F2340AB

RGBA 47 35 64 0.672

HSLA 264.83, 0.29%, 0.19%, 0.672

LABA 16.39, 12.93, -16.39, 0.672

 

CMYK 18 / 30 / 0 / 37

HEX #554073AB

RGBA 85 64 115 0.672

HSLA 264.71, 0.28%, 0.35%, 0.672

LABA 31.43, 20.67, -26.09, 0.672

 

CMYK 18 / 30 / 0 / 23

HEX #7A5CA6AB

RGBA 122 92 166 0.672

HSLA 264.32, 0.29%, 0.51%, 0.672

LABA 45, 28.04, -35.5, 0.672

 

CMYK 18 / 30 / 0 / 10

HEX #A078D9AB

RGBA 160 120 217 0.672

HSLA 264.74, 0.56%, 0.66%, 0.672

LABA 57.96, 35.24, -44.17, 0.672

 

CMYK 0 / 30 / 18 / 10

HEX #D8779EAB

RGBA 216 119 158 0.672

HSLA 335.88, 0.55%, 0.66%, 0.672

LABA 61.88, 42.37, -4.05, 0.672

 

CMYK 30 / 0 / 30 / 10

HEX #77D877AB

RGBA 119 216 119 0.672

HSLA 120, 0.55%, 0.66%, 0.672

LABA 78.67, -48.02, 39.03, 0.672

 

CMYK 18 / 30 / 0 / 10

HEX #A078D9AB

RGBA 160 120 217 0.672

HSLA 264.74, 0.56%, 0.66%, 0.672

LABA 57.96, 35.24, -44.17, 0.672

 

CMYK 0 / 18 / 30 / 10

HEX #D89E77AB

RGBA 216 158 119 0.672

HSLA 24.12, 0.55%, 0.66%, 0.672

LABA 69.74, 16.84, 28.83, 0.672

 

CMYK 30 / 0 / 18 / 10

HEX #77D89EAB

RGBA 119 216 158 0.672

HSLA 144.12, 0.55%, 0.66%, 0.672

LABA 79.33, -41.48, 19.89, 0.672

 

CMYK 18 / 30 / 0 / 10

HEX #A078D9AB

RGBA 160 120 217 0.672

HSLA 264.74, 0.56%, 0.66%, 0.672

LABA 57.96, 35.24, -44.17, 0.672

 

CMYK 0 / 30 / 18 / 10

HEX #D8779EAB

RGBA 216 119 158 0.672

HSLA 335.88, 0.55%, 0.66%, 0.672

LABA 61.88, 42.37, -4.05, 0.672

 

CMYK 12 / 0 / 30 / 10

HEX #B2D877AB

RGBA 178 216 119 0.672

HSLA 83.51, 0.55%, 0.66%, 0.672

LABA 81.79, -28.24, 43.61, 0.672

 

CMYK 30 / 0 / 12 / 10

HEX #77D8B2AB

RGBA 119 216 178 0.672

HSLA 156.49, 0.55%, 0.66%, 0.672

LABA 79.75, -37.42, 9.92, 0.672

 

CMYK 18 / 30 / 0 / 10

HEX #A078D9AB

RGBA 160 120 217 0.672

HSLA 264.74, 0.56%, 0.66%, 0.672

LABA 57.96, 35.24, -44.17, 0.672

 

CMYK 0 / 30 / 27 / 10

HEX #D87781AB

RGBA 216 119 129 0.672

HSLA 353.81, 0.55%, 0.66%, 0.672

LABA 61.11, 38.77, 11.49, 0.672

 

CMYK 12 / 0 / 30 / 10

HEX #B2D877AB

RGBA 178 216 119 0.672

HSLA 83.51, 0.55%, 0.66%, 0.672

LABA 81.79, -28.24, 43.61, 0.672

 

CMYK 30 / 0 / 3 / 10

HEX #77D8CFAB

RGBA 119 216 207 0.672

HSLA 174.43, 0.55%, 0.66%, 0.672

LABA 80.48, -30.77, -4.48, 0.672

 

Description

Color code: RGBA 160 120 217 0.672 | qconv.com Color code: RGBA 160 120 217 0.672 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 120 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 120 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 30 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 30% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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