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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 199 156 250 0.672 it is the complementary color RGBA 56 99 5 0.672. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 199 156 250 0.672. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 199 156 250 0.672: RGBA 204 156 245 0.672, RGBA 221 174 255 0.672, RGBA 238 192 255 0.672, RGBA 255 210 255 0.672 and RGBA 255 228 255 0.672

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 199 156 250 0.672. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 199 156 250 0.672: RGBA 199 156 250 0.672, RGBA 182 138 231 0.672, RGBA 165 120 212 0.672, RGBA 148 102 193 0.672 and RGBA 131 84 174 0.672

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 25 / 0 / 1

HEX #C79CFAAB

RGBA 199 156 250 0.672

HSLA 267.45, 0.9%, 0.8%, 0.672

LABA 71.43, 33.89, -40.99, 0.672

 

Complementary color

CMYK 29 / 0 / 64 / 41

HEX #386305AB

RGBA 56 99 5 0.672

HSLA 87.45, 0.9%, 0.2%, 0.672

LABA 37.44, -29.92, 42.07, 0.672

 

CMYK 11 / 24 / 0 / 3

HEX #CC9CF5AB

RGBA 204 156 245 0.672

HSLA 272.36, 0.82%, 0.79%, 0.672

LABA 71.7, 34.25, -37.82, 0.672

 

CMYK 9 / 21 / 0 / 0

HEX #DDAEFFAB

RGBA 221 174 255 0.672

HSLA 274.81, 1%, 0.84%, 0.672

LABA 77.79, 31.67, -33.65, 0.672

 

CMYK 4 / 17 / 0 / 0

HEX #EEC0FFAB

RGBA 238 192 255 0.672

HSLA 283.81, 1%, 0.88%, 0.672

LABA 83.49, 27.28, -24.78, 0.672

 

CMYK 0 / 12 / 0 / 0

HEX #FFD2FFAB

RGBA 255 210 255 0.672

HSLA 300, 1%, 0.91%, 0.672

LABA 89.19, 23.22, -16.01, 0.672

 

CMYK 0 / 7 / 0 / 0

HEX #FFE4FFAB

RGBA 255 228 255 0.672

HSLA 300, 1%, 0.95%, 0.672

LABA 93.44, 13.83, -9.68, 0.672

 

CMYK 14 / 25 / 0 / 1

HEX #C79CFAAB

RGBA 199 156 250 0.672

HSLA 267.45, 0.9%, 0.8%, 0.672

LABA 71.43, 33.89, -40.99, 0.672

 

CMYK 14 / 27 / 0 / 6

HEX #B68AE7AB

RGBA 182 138 231 0.672

HSLA 268.39, 0.66%, 0.72%, 0.672

LABA 64.88, 34.65, -40.94, 0.672

 

CMYK 15 / 29 / 0 / 11

HEX #A578D4AB

RGBA 165 120 212 0.672

HSLA 269.35, 0.52%, 0.65%, 0.672

LABA 58.21, 35.46, -40.92, 0.672

 

CMYK 16 / 32 / 0 / 16

HEX #9466C1AB

RGBA 148 102 193 0.672

HSLA 270.33, 0.42%, 0.58%, 0.672

LABA 51.44, 36.33, -40.9, 0.672

 

CMYK 17 / 35 / 0 / 21

HEX #8354AEAB

RGBA 131 84 174 0.672

HSLA 271.33, 0.36%, 0.51%, 0.672

LABA 44.55, 37.25, -40.88, 0.672

 

CMYK 14 / 25 / 0 / 1

HEX #C79CFAAB

RGBA 199 156 250 0.672

HSLA 267.45, 0.9%, 0.8%, 0.672

LABA 71.43, 33.89, -40.99, 0.672

 

CMYK 9 / 25 / 0 / 2

HEX #D69EF9AB

RGBA 214 158 249 0.672

HSLA 276.92, 0.88%, 0.8%, 0.672

LABA 73.28, 36.97, -37.46, 0.672

 

CMYK 5 / 25 / 0 / 2

HEX #E69EF9AB

RGBA 230 158 249 0.672

HSLA 287.47, 0.88%, 0.8%, 0.672

LABA 74.9, 41.73, -34.82, 0.672

 

CMYK 1 / 25 / 0 / 2

HEX #F59EF9AB

RGBA 245 158 249 0.672

HSLA 297.36, 0.88%, 0.8%, 0.672

LABA 76.5, 46.24, -32.21, 0.672

 

CMYK 0 / 25 / 3 / 2

HEX #F99EEFAB

RGBA 249 158 239 0.672

HSLA 306.59, 0.88%, 0.8%, 0.672

LABA 76.57, 45.69, -26.65, 0.672

 

CMYK 14 / 25 / 0 / 1

HEX #C79CFAAB

RGBA 199 156 250 0.672

HSLA 267.45, 0.9%, 0.8%, 0.672

LABA 71.43, 33.89, -40.99, 0.672

 

CMYK 13 / 25 / 0 / 55

HEX #251D2EAB

RGBA 37 29 46 0.672

HSLA 268.24, 0.23%, 0.15%, 0.672

LABA 12.41, 8.18, -9.9, 0.672

 

CMYK 14 / 25 / 0 / 42

HEX #4D3D61AB

RGBA 77 61 97 0.672

HSLA 266.67, 0.23%, 0.31%, 0.672

LABA 28.85, 15.15, -18.73, 0.672

 

CMYK 14 / 25 / 0 / 28

HEX #765C94AB

RGBA 118 92 148 0.672

HSLA 267.86, 0.23%, 0.47%, 0.672

LABA 43.72, 22.33, -26.85, 0.672

 

CMYK 14 / 25 / 0 / 15

HEX #9E7CC7AB

RGBA 158 124 199 0.672

HSLA 267.2, 0.4%, 0.63%, 0.672

LABA 57.85, 28.1, -34.18, 0.672

 

CMYK 14 / 25 / 0 / 1

HEX #C79CFAAB

RGBA 199 156 250 0.672

HSLA 267.45, 0.9%, 0.8%, 0.672

LABA 71.43, 33.89, -40.99, 0.672

 

CMYK 0 / 25 / 16 / 2

HEX #F99EBEAB

RGBA 249 158 190 0.672

HSLA 338.9, 0.88%, 0.8%, 0.672

LABA 75.02, 37.98, -2.2, 0.672

 

CMYK 25 / 0 / 23 / 2

HEX #9EF9A2AB

RGBA 158 249 162 0.672

HSLA 122.64, 0.88%, 0.8%, 0.672

LABA 90.61, -44.14, 33.42, 0.672

 

CMYK 14 / 25 / 0 / 1

HEX #C79CFAAB

RGBA 199 156 250 0.672

HSLA 267.45, 0.9%, 0.8%, 0.672

LABA 71.43, 33.89, -40.99, 0.672

 

CMYK 0 / 13 / 25 / 2

HEX #F9C79EAB

RGBA 249 199 158 0.672

HSLA 27.03, 0.88%, 0.8%, 0.672

LABA 83.68, 12.35, 27.28, 0.672

 

CMYK 25 / 0 / 13 / 2

HEX #9EF9C7AB

RGBA 158 249 199 0.672

HSLA 147.03, 0.88%, 0.8%, 0.672

LABA 91.3, -37.71, 15.54, 0.672

 

CMYK 14 / 25 / 0 / 1

HEX #C79CFAAB

RGBA 199 156 250 0.672

HSLA 267.45, 0.9%, 0.8%, 0.672

LABA 71.43, 33.89, -40.99, 0.672

 

CMYK 0 / 25 / 16 / 2

HEX #F99EBEAB

RGBA 249 158 190 0.672

HSLA 338.9, 0.88%, 0.8%, 0.672

LABA 75.02, 37.98, -2.2, 0.672

 

CMYK 11 / 0 / 25 / 2

HEX #D0F99EAB

RGBA 208 249 158 0.672

HSLA 87.03, 0.88%, 0.8%, 0.672

LABA 93.29, -28.18, 39.45, 0.672

 

CMYK 25 / 0 / 9 / 2

HEX #9EF9D9AB

RGBA 158 249 217 0.672

HSLA 158.9, 0.88%, 0.8%, 0.672

LABA 91.7, -34.11, 6.81, 0.672

 

CMYK 14 / 25 / 0 / 1

HEX #C79CFAAB

RGBA 199 156 250 0.672

HSLA 267.45, 0.9%, 0.8%, 0.672

LABA 71.43, 33.89, -40.99, 0.672

 

CMYK 0 / 25 / 23 / 2

HEX #F99EA2AB

RGBA 249 158 162 0.672

HSLA 357.36, 0.88%, 0.8%, 0.672

LABA 74.32, 34.34, 12.19, 0.672

 

CMYK 11 / 0 / 25 / 2

HEX #D0F99EAB

RGBA 208 249 158 0.672

HSLA 87.03, 0.88%, 0.8%, 0.672

LABA 93.29, -28.18, 39.45, 0.672

 

CMYK 25 / 0 / 1 / 2

HEX #9EF9F5AB

RGBA 158 249 245 0.672

HSLA 177.36, 0.88%, 0.8%, 0.672

LABA 92.4, -27.97, -6.68, 0.672

 

Description

Color code: RGBA 199 156 250 0.672 | qconv.com Color code: RGBA 199 156 250 0.672 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 156 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 156 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 25 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 25% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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