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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 182 138 231 0.672 it is the complementary color RGBA 73 117 24 0.672. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 182 138 231 0.672. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 182 138 231 0.672: RGBA 187 138 226 0.672, RGBA 204 156 245 0.672, RGBA 221 174 255 0.672, RGBA 238 192 255 0.672 and RGBA 255 210 255 0.672

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 182 138 231 0.672. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 182 138 231 0.672: RGBA 182 138 231 0.672, RGBA 165 120 212 0.672, RGBA 148 102 193 0.672, RGBA 131 84 174 0.672 and RGBA 114 66 155 0.672

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 27 / 0 / 6

HEX #B68AE7AB

RGBA 182 138 231 0.672

HSLA 268.39, 0.66%, 0.72%, 0.672

LABA 64.88, 34.65, -40.94, 0.672

 

Complementary color

CMYK 25 / 0 / 53 / 36

HEX #497518AB

RGBA 73 117 24 0.672

HSLA 88.39, 0.66%, 0.28%, 0.672

LABA 44.53, -30.7, 43.17, 0.672

 

CMYK 12 / 26 / 0 / 8

HEX #BB8AE2AB

RGBA 187 138 226 0.672

HSLA 273.41, 0.6%, 0.71%, 0.672

LABA 65.15, 34.98, -37.72, 0.672

 

CMYK 11 / 24 / 0 / 3

HEX #CC9CF5AB

RGBA 204 156 245 0.672

HSLA 272.36, 0.82%, 0.79%, 0.672

LABA 71.7, 34.25, -37.82, 0.672

 

CMYK 9 / 21 / 0 / 0

HEX #DDAEFFAB

RGBA 221 174 255 0.672

HSLA 274.81, 1%, 0.84%, 0.672

LABA 77.79, 31.67, -33.65, 0.672

 

CMYK 4 / 17 / 0 / 0

HEX #EEC0FFAB

RGBA 238 192 255 0.672

HSLA 283.81, 1%, 0.88%, 0.672

LABA 83.49, 27.28, -24.78, 0.672

 

CMYK 0 / 12 / 0 / 0

HEX #FFD2FFAB

RGBA 255 210 255 0.672

HSLA 300, 1%, 0.91%, 0.672

LABA 89.19, 23.22, -16.01, 0.672

 

CMYK 14 / 27 / 0 / 6

HEX #B68AE7AB

RGBA 182 138 231 0.672

HSLA 268.39, 0.66%, 0.72%, 0.672

LABA 64.88, 34.65, -40.94, 0.672

 

CMYK 15 / 29 / 0 / 11

HEX #A578D4AB

RGBA 165 120 212 0.672

HSLA 269.35, 0.52%, 0.65%, 0.672

LABA 58.21, 35.46, -40.92, 0.672

 

CMYK 16 / 32 / 0 / 16

HEX #9466C1AB

RGBA 148 102 193 0.672

HSLA 270.33, 0.42%, 0.58%, 0.672

LABA 51.44, 36.33, -40.9, 0.672

 

CMYK 17 / 35 / 0 / 21

HEX #8354AEAB

RGBA 131 84 174 0.672

HSLA 271.33, 0.36%, 0.51%, 0.672

LABA 44.55, 37.25, -40.88, 0.672

 

CMYK 18 / 39 / 0 / 26

HEX #72429BAB

RGBA 114 66 155 0.672

HSLA 272.36, 0.4%, 0.43%, 0.672

LABA 37.55, 38.18, -40.82, 0.672

 

CMYK 14 / 27 / 0 / 6

HEX #B68AE7AB

RGBA 182 138 231 0.672

HSLA 268.39, 0.66%, 0.72%, 0.672

LABA 64.88, 34.65, -40.94, 0.672

 

CMYK 10 / 27 / 0 / 7

HEX #C488E6AB

RGBA 196 136 230 0.672

HSLA 278.3, 0.65%, 0.72%, 0.672

LABA 65.79, 39.59, -38.85, 0.672

 

CMYK 6 / 27 / 0 / 7

HEX #D388E6AB

RGBA 211 136 230 0.672

HSLA 287.87, 0.65%, 0.72%, 0.672

LABA 67.4, 43.99, -36.22, 0.672

 

CMYK 1 / 27 / 0 / 7

HEX #E388E6AB

RGBA 227 136 230 0.672

HSLA 298.09, 0.65%, 0.72%, 0.672

LABA 69.22, 48.73, -33.26, 0.672

 

CMYK 0 / 27 / 4 / 7

HEX #E688DAAB

RGBA 230 136 218 0.672

HSLA 307.66, 0.65%, 0.72%, 0.672

LABA 69.11, 47.51, -26.78, 0.672

 

CMYK 14 / 27 / 0 / 6

HEX #B68AE7AB

RGBA 182 138 231 0.672

HSLA 268.39, 0.66%, 0.72%, 0.672

LABA 64.88, 34.65, -40.94, 0.672

 

CMYK 15 / 27 / 0 / 60

HEX #15101BAB

RGBA 21 16 27 0.672

HSLA 267.27, 0.26%, 0.08%, 0.672

LABA 5.5, 4.65, -6.4, 0.672

 

CMYK 15 / 27 / 0 / 47

HEX #3D2F4EAB

RGBA 61 47 78 0.672

HSLA 267.1, 0.25%, 0.25%, 0.672

LABA 22.21, 13.67, -16.71, 0.672

 

CMYK 14 / 27 / 0 / 33

HEX #664D81AB

RGBA 102 77 129 0.672

HSLA 268.85, 0.25%, 0.4%, 0.672

LABA 37.33, 21.63, -25.42, 0.672

 

CMYK 14 / 27 / 0 / 20

HEX #8E6CB4AB

RGBA 142 108 180 0.672

HSLA 268.33, 0.32%, 0.56%, 0.672

LABA 51.58, 28.03, -33.22, 0.672

 

CMYK 14 / 27 / 0 / 6

HEX #B68AE7AB

RGBA 182 138 231 0.672

HSLA 268.39, 0.66%, 0.72%, 0.672

LABA 64.88, 34.65, -40.94, 0.672

 

CMYK 0 / 27 / 18 / 7

HEX #E688A7AB

RGBA 230 136 167 0.672

HSLA 340.21, 0.65%, 0.72%, 0.672

LABA 67.44, 39.64, -0.78, 0.672

 

CMYK 27 / 0 / 26 / 7

HEX #88E68EAB

RGBA 136 230 142 0.672

HSLA 123.83, 0.65%, 0.72%, 0.672

LABA 83.85, -45.57, 34.35, 0.672

 

CMYK 14 / 27 / 0 / 6

HEX #B68AE7AB

RGBA 182 138 231 0.672

HSLA 268.39, 0.66%, 0.72%, 0.672

LABA 64.88, 34.65, -40.94, 0.672

 

CMYK 0 / 15 / 27 / 7

HEX #E6B488AB

RGBA 230 180 136 0.672

HSLA 28.09, 0.65%, 0.72%, 0.672

LABA 76.83, 12.46, 29.37, 0.672

 

CMYK 27 / 0 / 15 / 7

HEX #88E6B4AB

RGBA 136 230 180 0.672

HSLA 148.09, 0.65%, 0.72%, 0.672

LABA 84.55, -38.88, 15.74, 0.672

 

CMYK 14 / 27 / 0 / 6

HEX #B68AE7AB

RGBA 182 138 231 0.672

HSLA 268.39, 0.66%, 0.72%, 0.672

LABA 64.88, 34.65, -40.94, 0.672

 

CMYK 0 / 27 / 18 / 7

HEX #E688A7AB

RGBA 230 136 167 0.672

HSLA 340.21, 0.65%, 0.72%, 0.672

LABA 67.44, 39.64, -0.78, 0.672

 

CMYK 13 / 0 / 27 / 7

HEX #BAE688AB

RGBA 186 230 136 0.672

HSLA 88.09, 0.65%, 0.72%, 0.672

LABA 86.41, -29.9, 41.17, 0.672

 

CMYK 27 / 0 / 9 / 7

HEX #88E6C7AB

RGBA 136 230 199 0.672

HSLA 160.21, 0.65%, 0.72%, 0.672

LABA 84.97, -34.96, 6.39, 0.672

 

CMYK 14 / 27 / 0 / 6

HEX #B68AE7AB

RGBA 182 138 231 0.672

HSLA 268.39, 0.66%, 0.72%, 0.672

LABA 64.88, 34.65, -40.94, 0.672

 

CMYK 0 / 27 / 27 / 7

HEX #E6888BAB

RGBA 230 136 139 0.672

HSLA 358.09, 0.65%, 0.72%, 0.672

LABA 66.75, 36.18, 13.98, 0.672

 

CMYK 13 / 0 / 27 / 7

HEX #BAE688AB

RGBA 186 230 136 0.672

HSLA 88.09, 0.65%, 0.72%, 0.672

LABA 86.41, -29.9, 41.17, 0.672

 

CMYK 27 / 0 / 1 / 7

HEX #88E6E3AB

RGBA 136 230 227 0.672

HSLA 178.09, 0.65%, 0.72%, 0.672

LABA 85.69, -28.57, -7.31, 0.672

 

Description

Color code: RGBA 182 138 231 0.672 | qconv.com Color code: RGBA 182 138 231 0.672 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 138 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 138 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 27 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 27% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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