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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 178 216 119 0.672 it is the complementary color RGBA 77 39 136 0.672. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 178 216 119 0.672. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 178 216 119 0.672: RGBA 183 216 114 0.672, RGBA 200 234 133 0.672, RGBA 217 252 152 0.672, RGBA 234 255 171 0.672 and RGBA 251 255 190 0.672

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 178 216 119 0.672. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 178 216 119 0.672: RGBA 178 216 119 0.672, RGBA 161 198 100 0.672, RGBA 144 180 81 0.672, RGBA 127 162 62 0.672 and RGBA 110 144 43 0.672

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 30 / 10

HEX #B2D877AB

RGBA 178 216 119 0.672

HSLA 83.51, 0.55%, 0.66%, 0.672

LABA 81.79, -28.24, 43.61, 0.672

 

Complementary color

CMYK 29 / 48 / 0 / 31

HEX #4D2788AB

RGBA 77 39 136 0.672

HSLA 263.51, 0.55%, 0.34%, 0.672

LABA 26.18, 39.41, -47.74, 0.672

 

CMYK 10 / 0 / 32 / 10

HEX #B7D872AB

RGBA 183 216 114 0.672

HSLA 79.41, 0.57%, 0.65%, 0.672

LABA 82.05, -26.91, 46.43, 0.672

 

CMYK 10 / 0 / 29 / 6

HEX #C8EA85AB

RGBA 200 234 133 0.672

HSLA 80.2, 0.71%, 0.72%, 0.672

LABA 88.36, -27.02, 45.3, 0.672

 

CMYK 9 / 0 / 27 / 1

HEX #D9FC98AB

RGBA 217 252 152 0.672

HSLA 81, 0.94%, 0.79%, 0.672

LABA 94.59, -27.08, 44.17, 0.672

 

CMYK 6 / 0 / 22 / 0

HEX #EAFFABAB

RGBA 234 255 171 0.672

HSLA 75, 1%, 0.84%, 0.672

LABA 96.8, -20.02, 37.94, 0.672

 

CMYK 1 / 0 / 17 / 0

HEX #FBFFBEAB

RGBA 251 255 190 0.672

HSLA 63.69, 1%, 0.87%, 0.672

LABA 98.33, -11.39, 30.71, 0.672

 

CMYK 12 / 0 / 30 / 10

HEX #B2D877AB

RGBA 178 216 119 0.672

HSLA 83.51, 0.55%, 0.66%, 0.672

LABA 81.79, -28.24, 43.61, 0.672

 

CMYK 13 / 0 / 33 / 15

HEX #A1C664AB

RGBA 161 198 100 0.672

HSLA 82.65, 0.46%, 0.58%, 0.672

LABA 75.38, -28.17, 44.76, 0.672

 

CMYK 13 / 0 / 37 / 20

HEX #90B451AB

RGBA 144 180 81 0.672

HSLA 81.82, 0.4%, 0.51%, 0.672

LABA 68.87, -28.03, 45.87, 0.672

 

CMYK 15 / 0 / 41 / 25

HEX #7FA23EAB

RGBA 127 162 62 0.672

HSLA 81, 0.45%, 0.44%, 0.672

LABA 62.25, -27.8, 46.86, 0.672

 

CMYK 16 / 0 / 47 / 29

HEX #6E902BAB

RGBA 110 144 43 0.672

HSLA 80.2, 0.54%, 0.37%, 0.672

LABA 55.52, -27.44, 47.53, 0.672

 

CMYK 12 / 0 / 30 / 10

HEX #B2D877AB

RGBA 178 216 119 0.672

HSLA 83.51, 0.55%, 0.66%, 0.672

LABA 81.79, -28.24, 43.61, 0.672

 

CMYK 16 / 0 / 30 / 11

HEX #A3D778AB

RGBA 163 215 120 0.672

HSLA 92.84, 0.54%, 0.66%, 0.672

LABA 80.6, -33.14, 41.42, 0.672

 

CMYK 21 / 0 / 30 / 11

HEX #93D778AB

RGBA 147 215 120 0.672

HSLA 102.95, 0.54%, 0.66%, 0.672

LABA 79.7, -38.69, 40.11, 0.672

 

CMYK 26 / 0 / 30 / 11

HEX #83D778AB

RGBA 131 215 120 0.672

HSLA 113.05, 0.54%, 0.66%, 0.672

LABA 78.92, -43.87, 38.95, 0.672

 

CMYK 30 / 0 / 28 / 11

HEX #78D77DAB

RGBA 120 215 125 0.672

HSLA 123.16, 0.54%, 0.66%, 0.672

LABA 78.51, -46.43, 35.82, 0.672

 

CMYK 12 / 0 / 30 / 10

HEX #B2D877AB

RGBA 178 216 119 0.672

HSLA 83.51, 0.55%, 0.66%, 0.672

LABA 81.79, -28.24, 43.61, 0.672

 

CMYK 11 / 0 / 28 / 64

HEX #0A0C07AB

RGBA 10 12 7 0.672

HSLA 84, 0.26%, 0.04%, 0.672

LABA 3.1, -1.26, 1.74, 0.672

 

CMYK 12 / 0 / 30 / 51

HEX #343F23AB

RGBA 52 63 35 0.672

HSLA 83.57, 0.29%, 0.19%, 0.672

LABA 24.97, -10.3, 15.71, 0.672

 

CMYK 12 / 0 / 30 / 37

HEX #5E723FAB

RGBA 94 114 63 0.672

HSLA 83.53, 0.29%, 0.35%, 0.672

LABA 45.32, -16.8, 25.81, 0.672

 

CMYK 12 / 0 / 30 / 24

HEX #88A55BAB

RGBA 136 165 91 0.672

HSLA 83.51, 0.29%, 0.5%, 0.672

LABA 64.08, -22.7, 35, 0.672

 

CMYK 12 / 0 / 30 / 10

HEX #B2D877AB

RGBA 178 216 119 0.672

HSLA 83.51, 0.55%, 0.66%, 0.672

LABA 81.79, -28.24, 43.61, 0.672

 

CMYK 30 / 0 / 12 / 11

HEX #78D7B0AB

RGBA 120 215 176 0.672

HSLA 155.37, 0.54%, 0.66%, 0.672

LABA 79.46, -37.13, 10.56, 0.672

 

CMYK 0 / 30 / 0 / 11

HEX #D678D7AB

RGBA 214 120 215 0.672

HSLA 299.37, 0.54%, 0.66%, 0.672

LABA 63.86, 50.34, -33.36, 0.672

 

CMYK 12 / 0 / 30 / 10

HEX #B2D877AB

RGBA 178 216 119 0.672

HSLA 83.51, 0.55%, 0.66%, 0.672

LABA 81.79, -28.24, 43.61, 0.672

 

CMYK 30 / 11 / 0 / 11

HEX #78B3D7AB

RGBA 120 179 215 0.672

HSLA 202.74, 0.54%, 0.66%, 0.672

LABA 70.27, -9.67, -24.13, 0.672

 

CMYK 0 / 30 / 11 / 11

HEX #D778B3AB

RGBA 215 120 179 0.672

HSLA 322.74, 0.54%, 0.66%, 0.672

LABA 62.62, 44.59, -14.95, 0.672

 

CMYK 12 / 0 / 30 / 10

HEX #B2D877AB

RGBA 178 216 119 0.672

HSLA 83.51, 0.55%, 0.66%, 0.672

LABA 81.79, -28.24, 43.61, 0.672

 

CMYK 30 / 0 / 12 / 11

HEX #78D7B0AB

RGBA 120 215 176 0.672

HSLA 155.37, 0.54%, 0.66%, 0.672

LABA 79.46, -37.13, 10.56, 0.672

 

CMYK 18 / 30 / 0 / 11

HEX #9D78D7AB

RGBA 157 120 215 0.672

HSLA 263.37, 0.54%, 0.66%, 0.672

LABA 57.57, 33.92, -43.68, 0.672

 

CMYK 0 / 30 / 17 / 11

HEX #D778A0AB

RGBA 215 120 160 0.672

HSLA 334.74, 0.54%, 0.66%, 0.672

LABA 62.01, 41.79, -5.01, 0.672

 

CMYK 12 / 0 / 30 / 10

HEX #B2D877AB

RGBA 178 216 119 0.672

HSLA 83.51, 0.55%, 0.66%, 0.672

LABA 81.79, -28.24, 43.61, 0.672

 

CMYK 30 / 0 / 3 / 11

HEX #78D7CCAB

RGBA 120 215 204 0.672

HSLA 173.05, 0.54%, 0.66%, 0.672

LABA 80.15, -30.78, -3.36, 0.672

 

CMYK 18 / 30 / 0 / 11

HEX #9D78D7AB

RGBA 157 120 215 0.672

HSLA 263.37, 0.54%, 0.66%, 0.672

LABA 57.57, 33.92, -43.68, 0.672

 

CMYK 0 / 30 / 26 / 11

HEX #D77883AB

RGBA 215 120 131 0.672

HSLA 353.05, 0.54%, 0.66%, 0.672

LABA 61.24, 38.11, 10.5, 0.672

 

Description

Color code: RGBA 178 216 119 0.672 | qconv.com Color code: RGBA 178 216 119 0.672 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 216 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 216 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 30 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 30% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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