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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 119 216 178 0.672 it is the complementary color RGBA 136 39 77 0.672. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 119 216 178 0.672. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 119 216 178 0.672: RGBA 124 216 173 0.672, RGBA 141 234 192 0.672, RGBA 158 252 211 0.672, RGBA 175 255 230 0.672 and RGBA 192 255 249 0.672

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 119 216 178 0.672. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 119 216 178 0.672: RGBA 119 216 178 0.672, RGBA 102 198 159 0.672, RGBA 85 180 140 0.672, RGBA 68 162 121 0.672 and RGBA 51 144 102 0.672

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 12 / 10

HEX #77D8B2AB

RGBA 119 216 178 0.672

HSLA 156.49, 0.55%, 0.66%, 0.672

LABA 79.75, -37.42, 9.92, 0.672

 

Complementary color

CMYK 0 / 48 / 29 / 31

HEX #88274DAB

RGBA 136 39 77 0.672

HSLA 336.49, 0.55%, 0.34%, 0.672

LABA 32.31, 44.13, 0.32, 0.672

 

CMYK 29 / 0 / 13 / 10

HEX #7CD8ADAB

RGBA 124 216 173 0.672

HSLA 151.96, 0.54%, 0.67%, 0.672

LABA 79.85, -37.17, 12.73, 0.672

 

CMYK 27 / 0 / 12 / 6

HEX #8DEAC0AB

RGBA 141 234 192 0.672

HSLA 152.9, 0.69%, 0.74%, 0.672

LABA 86.16, -36.94, 11.79, 0.672

 

CMYK 25 / 0 / 11 / 1

HEX #9EFCD3AB

RGBA 158 252 211 0.672

HSLA 153.83, 0.94%, 0.8%, 0.672

LABA 92.39, -36.71, 10.9, 0.672

 

CMYK 21 / 0 / 7 / 0

HEX #AFFFE6AB

RGBA 175 255 230 0.672

HSLA 161.25, 1%, 0.84%, 0.672

LABA 94.46, -29.54, 4.18, 0.672

 

CMYK 17 / 0 / 2 / 0

HEX #C0FFF9AB

RGBA 192 255 249 0.672

HSLA 174.29, 1%, 0.88%, 0.672

LABA 95.82, -20.76, -3.53, 0.672

 

CMYK 30 / 0 / 12 / 10

HEX #77D8B2AB

RGBA 119 216 178 0.672

HSLA 156.49, 0.55%, 0.66%, 0.672

LABA 79.75, -37.42, 9.92, 0.672

 

CMYK 33 / 0 / 13 / 15

HEX #66C69FAB

RGBA 102 198 159 0.672

HSLA 155.63, 0.46%, 0.59%, 0.672

LABA 73.36, -37.59, 10.9, 0.672

 

CMYK 35 / 0 / 15 / 20

HEX #55B48CAB

RGBA 85 180 140 0.672

HSLA 154.74, 0.39%, 0.52%, 0.672

LABA 66.88, -37.71, 11.97, 0.672

 

CMYK 39 / 0 / 17 / 25

HEX #44A279AB

RGBA 68 162 121 0.672

HSLA 153.83, 0.41%, 0.45%, 0.672

LABA 60.29, -37.76, 13.14, 0.672

 

CMYK 43 / 0 / 20 / 29

HEX #339066AB

RGBA 51 144 102 0.672

HSLA 152.9, 0.48%, 0.38%, 0.672

LABA 53.61, -37.65, 14.44, 0.672

 

CMYK 30 / 0 / 12 / 10

HEX #77D8B2AB

RGBA 119 216 178 0.672

HSLA 156.49, 0.55%, 0.66%, 0.672

LABA 79.75, -37.42, 9.92, 0.672

 

CMYK 30 / 0 / 7 / 11

HEX #78D7C1AB

RGBA 120 215 193 0.672

HSLA 166.11, 0.54%, 0.66%, 0.672

LABA 79.87, -33.37, 2.1, 0.672

 

CMYK 30 / 0 / 2 / 11

HEX #78D7D1AB

RGBA 120 215 209 0.672

HSLA 176.21, 0.54%, 0.66%, 0.672

LABA 80.29, -29.56, -5.82, 0.672

 

CMYK 30 / 3 / 0 / 11

HEX #78CED7AB

RGBA 120 206 215 0.672

HSLA 185.68, 0.54%, 0.66%, 0.672

LABA 77.9, -23.65, -12.6, 0.672

 

CMYK 30 / 8 / 0 / 11

HEX #78BED7AB

RGBA 120 190 215 0.672

HSLA 195.79, 0.54%, 0.66%, 0.672

LABA 73.37, -15.49, -19.42, 0.672

 

CMYK 30 / 0 / 12 / 10

HEX #77D8B2AB

RGBA 119 216 178 0.672

HSLA 156.49, 0.55%, 0.66%, 0.672

LABA 79.75, -37.42, 9.92, 0.672

 

CMYK 28 / 0 / 11 / 64

HEX #070C0AAB

RGBA 7 12 10 0.672

HSLA 156, 0.26%, 0.04%, 0.672

LABA 2.98, -1.63, 0.33, 0.672

 

CMYK 30 / 0 / 12 / 51

HEX #233F34AB

RGBA 35 63 52 0.672

HSLA 156.43, 0.29%, 0.19%, 0.672

LABA 24.19, -13.66, 3.44, 0.672

 

CMYK 30 / 0 / 12 / 37

HEX #3F725EAB

RGBA 63 114 94 0.672

HSLA 156.47, 0.29%, 0.35%, 0.672

LABA 44.09, -22.27, 5.78, 0.672

 

CMYK 30 / 0 / 12 / 24

HEX #5BA588AB

RGBA 91 165 136 0.672

HSLA 156.49, 0.29%, 0.5%, 0.672

LABA 62.43, -30.09, 7.91, 0.672

 

CMYK 30 / 0 / 12 / 10

HEX #77D8B2AB

RGBA 119 216 178 0.672

HSLA 156.49, 0.55%, 0.66%, 0.672

LABA 79.75, -37.42, 9.92, 0.672

 

CMYK 30 / 24 / 0 / 11

HEX #788BD7AB

RGBA 120 139 215 0.672

HSLA 228, 0.54%, 0.66%, 0.672

LABA 59.31, 12.94, -41.13, 0.672

 

CMYK 0 / 24 / 30 / 11

HEX #D78B78AB

RGBA 215 139 120 0.672

HSLA 12, 0.54%, 0.66%, 0.672

LABA 65.18, 26.81, 22.17, 0.672

 

CMYK 30 / 0 / 12 / 10

HEX #77D8B2AB

RGBA 119 216 178 0.672

HSLA 156.49, 0.55%, 0.66%, 0.672

LABA 79.75, -37.42, 9.92, 0.672

 

CMYK 12 / 30 / 0 / 11

HEX #B178D7AB

RGBA 177 120 215 0.672

HSLA 276, 0.54%, 0.66%, 0.672

LABA 59.6, 39.58, -40.33, 0.672

 

CMYK 0 / 12 / 30 / 11

HEX #D7B178AB

RGBA 215 177 120 0.672

HSLA 36, 0.54%, 0.66%, 0.672

LABA 74.35, 6.34, 34.28, 0.672

 

CMYK 30 / 0 / 12 / 10

HEX #77D8B2AB

RGBA 119 216 178 0.672

HSLA 156.49, 0.55%, 0.66%, 0.672

LABA 79.75, -37.42, 9.92, 0.672

 

CMYK 30 / 24 / 0 / 11

HEX #788BD7AB

RGBA 120 139 215 0.672

HSLA 228, 0.54%, 0.66%, 0.672

LABA 59.31, 12.94, -41.13, 0.672

 

CMYK 0 / 30 / 18 / 11

HEX #D7789EAB

RGBA 215 120 158 0.672

HSLA 336, 0.54%, 0.66%, 0.672

LABA 61.95, 41.51, -3.96, 0.672

 

CMYK 0 / 6 / 30 / 11

HEX #D7C478AB

RGBA 215 196 120 0.672

HSLA 48, 0.54%, 0.66%, 0.672

LABA 79.2, -3.65, 40.47, 0.672

 

CMYK 30 / 0 / 12 / 10

HEX #77D8B2AB

RGBA 119 216 178 0.672

HSLA 156.49, 0.55%, 0.66%, 0.672

LABA 79.75, -37.42, 9.92, 0.672

 

CMYK 27 / 30 / 0 / 11

HEX #8278D7AB

RGBA 130 120 215 0.672

HSLA 246.32, 0.54%, 0.66%, 0.672

LABA 55.16, 26.71, -47.64, 0.672

 

CMYK 0 / 30 / 18 / 11

HEX #D7789EAB

RGBA 215 120 158 0.672

HSLA 336, 0.54%, 0.66%, 0.672

LABA 61.95, 41.51, -3.96, 0.672

 

CMYK 3 / 0 / 30 / 11

HEX #CED778AB

RGBA 206 215 120 0.672

HSLA 65.68, 0.54%, 0.66%, 0.672

LABA 83.48, -16.89, 45.65, 0.672

 

Description

Color code: RGBA 119 216 178 0.672 | qconv.com Color code: RGBA 119 216 178 0.672 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 216 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 216 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 12 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 12% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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