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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 216 119 210 0.672 it is the complementary color RGBA 39 136 45 0.672. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 216 119 210 0.672. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 216 119 210 0.672: RGBA 221 119 205 0.672, RGBA 238 137 224 0.672, RGBA 255 155 243 0.672, RGBA 255 173 255 0.672 and RGBA 255 191 255 0.672

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 216 119 210 0.672. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 216 119 210 0.672: RGBA 216 119 210 0.672, RGBA 199 101 191 0.672, RGBA 182 83 172 0.672, RGBA 165 65 153 0.672 and RGBA 148 47 134 0.672

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 2 / 10

HEX #D877D2AB

RGBA 216 119 210 0.672

HSLA 303.71, 0.55%, 0.66%, 0.672

LABA 63.71, 50.54, -30.78, 0.672

 

Complementary color

CMYK 48 / 0 / 45 / 31

HEX #27882DAB

RGBA 39 136 45 0.672

HSLA 123.71, 0.55%, 0.34%, 0.672

LABA 49.77, -46.56, 39.61, 0.672

 

CMYK 0 / 31 / 5 / 9

HEX #DD77CDAB

RGBA 221 119 205 0.672

HSLA 309.41, 0.6%, 0.67%, 0.672

LABA 64.14, 51.18, -27.26, 0.672

 

CMYK 0 / 29 / 4 / 4

HEX #EE89E0AB

RGBA 238 137 224 0.672

HSLA 308.32, 0.75%, 0.74%, 0.672

LABA 70.49, 50.47, -27.89, 0.672

 

CMYK 0 / 26 / 3 / 0

HEX #FF9BF3AB

RGBA 255 155 243 0.672

HSLA 307.2, 1%, 0.8%, 0.672

LABA 76.78, 49.74, -28.44, 0.672

 

CMYK 0 / 22 / 0 / 0

HEX #FFADFFAB

RGBA 255 173 255 0.672

HSLA 300, 1%, 0.84%, 0.672

LABA 80.94, 42.6, -28.53, 0.672

 

CMYK 0 / 17 / 0 / 0

HEX #FFBFFFAB

RGBA 255 191 255 0.672

HSLA 300, 1%, 0.87%, 0.672

LABA 84.86, 33.2, -22.55, 0.672

 

CMYK 0 / 30 / 2 / 10

HEX #D877D2AB

RGBA 216 119 210 0.672

HSLA 303.71, 0.55%, 0.66%, 0.672

LABA 63.71, 50.54, -30.78, 0.672

 

CMYK 0 / 33 / 3 / 15

HEX #C765BFAB

RGBA 199 101 191 0.672

HSLA 304.9, 0.47%, 0.59%, 0.672

LABA 57.28, 51.22, -30.16, 0.672

 

CMYK 0 / 37 / 4 / 19

HEX #B653ACAB

RGBA 182 83 172 0.672

HSLA 306.06, 0.4%, 0.52%, 0.672

LABA 50.82, 51.79, -29.4, 0.672

 

CMYK 0 / 41 / 5 / 24

HEX #A54199AB

RGBA 165 65 153 0.672

HSLA 307.2, 0.43%, 0.45%, 0.672

LABA 44.35, 52.17, -28.42, 0.672

 

CMYK 0 / 46 / 6 / 28

HEX #942F86AB

RGBA 148 47 134 0.672

HSLA 308.32, 0.52%, 0.38%, 0.672

LABA 37.93, 52.16, -27.1, 0.672

 

CMYK 0 / 30 / 2 / 10

HEX #D877D2AB

RGBA 216 119 210 0.672

HSLA 303.71, 0.55%, 0.66%, 0.672

LABA 63.71, 50.54, -30.78, 0.672

 

CMYK 0 / 30 / 6 / 11

HEX #D778C3AB

RGBA 215 120 195 0.672

HSLA 312.63, 0.54%, 0.66%, 0.672

LABA 63.19, 47.16, -23.15, 0.672

 

CMYK 0 / 30 / 11 / 11

HEX #D778B3AB

RGBA 215 120 179 0.672

HSLA 322.74, 0.54%, 0.66%, 0.672

LABA 62.62, 44.59, -14.95, 0.672

 

CMYK 0 / 30 / 16 / 11

HEX #D778A3AB

RGBA 215 120 163 0.672

HSLA 332.84, 0.54%, 0.66%, 0.672

LABA 62.1, 42.21, -6.6, 0.672

 

CMYK 0 / 30 / 21 / 11

HEX #D77893AB

RGBA 215 120 147 0.672

HSLA 342.95, 0.54%, 0.66%, 0.672

LABA 61.64, 40.05, 1.9, 0.672

 

CMYK 0 / 30 / 2 / 10

HEX #D877D2AB

RGBA 216 119 210 0.672

HSLA 303.71, 0.55%, 0.66%, 0.672

LABA 63.71, 50.54, -30.78, 0.672

 

CMYK 0 / 28 / 0 / 64

HEX #0C070CAB

RGBA 12 7 12 0.672

HSLA 300, 0.26%, 0.04%, 0.672

LABA 2.32, 2.05, -1.46, 0.672

 

CMYK 0 / 30 / 2 / 51

HEX #3F233DAB

RGBA 63 35 61 0.672

HSLA 304.29, 0.29%, 0.19%, 0.672

LABA 18.35, 18.2, -11.1, 0.672

 

CMYK 0 / 30 / 2 / 37

HEX #723F6FAB

RGBA 114 63 111 0.672

HSLA 303.53, 0.29%, 0.35%, 0.672

LABA 34.56, 29.99, -18.43, 0.672

 

CMYK 0 / 30 / 2 / 24

HEX #A55BA0AB

RGBA 165 91 160 0.672

HSLA 304.05, 0.29%, 0.5%, 0.672

LABA 49.52, 40.5, -24.54, 0.672

 

CMYK 0 / 30 / 2 / 10

HEX #D877D2AB

RGBA 216 119 210 0.672

HSLA 303.71, 0.55%, 0.66%, 0.672

LABA 63.71, 50.54, -30.78, 0.672

 

CMYK 0 / 22 / 30 / 11

HEX #D79078AB

RGBA 215 144 120 0.672

HSLA 15.16, 0.54%, 0.66%, 0.672

LABA 66.33, 24.12, 23.72, 0.672

 

CMYK 30 / 0 / 10 / 11

HEX #78D7B6AB

RGBA 120 215 182 0.672

HSLA 159.16, 0.54%, 0.66%, 0.672

LABA 79.6, -35.84, 7.57, 0.672

 

CMYK 0 / 30 / 2 / 10

HEX #D877D2AB

RGBA 216 119 210 0.672

HSLA 303.71, 0.55%, 0.66%, 0.672

LABA 63.71, 50.54, -30.78, 0.672

 

CMYK 1 / 0 / 30 / 11

HEX #D3D778AB

RGBA 211 215 120 0.672

HSLA 62.53, 0.54%, 0.66%, 0.672

LABA 83.86, -14.92, 46.21, 0.672

 

CMYK 30 / 1 / 0 / 11

HEX #78D3D7AB

RGBA 120 211 215 0.672

HSLA 182.53, 0.54%, 0.66%, 0.672

LABA 79.32, -26.12, -10.47, 0.672

 

CMYK 0 / 30 / 2 / 10

HEX #D877D2AB

RGBA 216 119 210 0.672

HSLA 303.71, 0.55%, 0.66%, 0.672

LABA 63.71, 50.54, -30.78, 0.672

 

CMYK 0 / 22 / 30 / 11

HEX #D79078AB

RGBA 215 144 120 0.672

HSLA 15.16, 0.54%, 0.66%, 0.672

LABA 66.33, 24.12, 23.72, 0.672

 

CMYK 30 / 0 / 28 / 11

HEX #78D77DAB

RGBA 120 215 125 0.672

HSLA 123.16, 0.54%, 0.66%, 0.672

LABA 78.51, -46.43, 35.82, 0.672

 

CMYK 30 / 7 / 0 / 11

HEX #78C0D7AB

RGBA 120 192 215 0.672

HSLA 194.53, 0.54%, 0.66%, 0.672

LABA 73.93, -16.54, -18.57, 0.672

 

CMYK 0 / 30 / 2 / 10

HEX #D877D2AB

RGBA 216 119 210 0.672

HSLA 303.71, 0.55%, 0.66%, 0.672

LABA 63.71, 50.54, -30.78, 0.672

 

CMYK 0 / 13 / 30 / 11

HEX #D7AD78AB

RGBA 215 173 120 0.672

HSLA 33.47, 0.54%, 0.66%, 0.672

LABA 73.34, 8.48, 32.99, 0.672

 

CMYK 30 / 0 / 28 / 11

HEX #78D77DAB

RGBA 120 215 125 0.672

HSLA 123.16, 0.54%, 0.66%, 0.672

LABA 78.51, -46.43, 35.82, 0.672

 

CMYK 30 / 16 / 0 / 11

HEX #78A3D7AB

RGBA 120 163 215 0.672

HSLA 212.84, 0.54%, 0.66%, 0.672

LABA 65.82, -0.87, -30.98, 0.672

 

Description

Color code: RGBA 216 119 210 0.672 | qconv.com Color code: RGBA 216 119 210 0.672 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 119 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 119 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 2 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 2% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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