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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 80 143 240 it is the complementary color RGB 175 112 15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 80 143 240. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 80 143 240: RGB 85 143 235, RGB 102 161 254, RGB 119 179 255, RGB 136 197 255 and RGB 153 215 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 80 143 240. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 80 143 240: RGB 80 143 240, RGB 63 125 221, RGB 46 107 202, RGB 29 89 183 and RGB 12 71 164

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 40 / 0 / 6

HEX #508FF0

RGB 80 143 240

HSL 216.38, 0.84%, 0.63%

LAB 59.56, 10.36, -54.77

 

Complementary color

CMYK 0 / 36 / 91 / 31

HEX #AF700F

RGB 175 112 15

HSL 36.38, 0.84%, 0.37%

LAB 52.66, 18.14, 56.58

 

CMYK 64 / 39 / 0 / 8

HEX #558FEB

RGB 85 143 235

HSL 216.8, 0.79%, 0.63%

LAB 59.5, 9.47, -52.09

 

CMYK 60 / 37 / 0 / 0

HEX #66A1FE

RGB 102 161 254

HSL 216.71, 0.99%, 0.7%

LAB 66.11, 8.21, -51.99

 

CMYK 53 / 30 / 0 / 0

HEX #77B3FF

RGB 119 179 255

HSL 213.53, 1%, 0.73%

LAB 71.81, 1.66, -43.51

 

CMYK 47 / 23 / 0 / 0

HEX #88C5FF

RGB 136 197 255

HSL 209.24, 1%, 0.77%

LAB 77.51, -4.43, -34.58

 

CMYK 40 / 16 / 0 / 0

HEX #99D7FF

RGB 153 215 255

HSL 203.53, 1%, 0.8%

LAB 83.23, -9.82, -25.73

 

CMYK 67 / 40 / 0 / 6

HEX #508FF0

RGB 80 143 240

HSL 216.38, 0.84%, 0.63%

LAB 59.56, 10.36, -54.77

 

CMYK 71 / 43 / 0 / 13

HEX #3F7DDD

RGB 63 125 221

HSL 216.46, 0.7%, 0.56%

LAB 52.89, 12.07, -54.88

 

CMYK 77 / 47 / 0 / 21

HEX #2E6BCA

RGB 46 107 202

HSL 216.54, 0.63%, 0.49%

LAB 46.12, 14.19, -54.96

 

CMYK 84 / 51 / 0 / 28

HEX #1D59B7

RGB 29 89 183

HSL 216.62, 0.73%, 0.42%

LAB 39.28, 16.83, -55

 

CMYK 93 / 57 / 0 / 36

HEX #0C47A4

RGB 12 71 164

HSL 216.71, 0.86%, 0.35%

LAB 32.4, 20.15, -54.9

 

CMYK 67 / 40 / 0 / 6

HEX #508FF0

RGB 80 143 240

HSL 216.38, 0.84%, 0.63%

LAB 59.56, 10.36, -54.77

 

CMYK 66 / 51 / 0 / 6

HEX #5176EF

RGB 81 118 239

HSL 225.95, 0.83%, 0.63%

LAB 52.88, 25.37, -64.93

 

CMYK 66 / 62 / 0 / 6

HEX #515BEF

RGB 81 91 239

HSL 236.2, 0.83%, 0.63%

LAB 46.26, 41.91, -75.68

 

CMYK 59 / 66 / 0 / 6

HEX #6151EF

RGB 97 81 239

HSL 246.08, 0.83%, 0.63%

LAB 45.16, 49.97, -77.43

 

CMYK 49 / 66 / 0 / 6

HEX #7B51EF

RGB 123 81 239

HSL 255.95, 0.83%, 0.63%

LAB 47.4, 54.14, -73.68

 

CMYK 67 / 40 / 0 / 6

HEX #508FF0

RGB 80 143 240

HSL 216.38, 0.84%, 0.63%

LAB 59.56, 10.36, -54.77

 

CMYK 67 / 42 / 0 / 86

HEX #0C1524

RGB 12 21 36

HSL 217.5, 0.5%, 0.09%

LAB 6.7, 1.36, -11.56

 

CMYK 67 / 40 / 0 / 66

HEX #1D3457

RGB 29 52 87

HSL 216.21, 0.5%, 0.23%

LAB 21.6, 3.57, -23.85

 

CMYK 67 / 41 / 0 / 46

HEX #2E528A

RGB 46 82 138

HSL 216.52, 0.5%, 0.36%

LAB 34.9, 6.19, -35.05

 

CMYK 67 / 40 / 0 / 26

HEX #3F71BD

RGB 63 113 189

HSL 216.19, 0.5%, 0.49%

LAB 47.68, 8.02, -44.96

 

CMYK 67 / 40 / 0 / 6

HEX #508FF0

RGB 80 143 240

HSL 216.38, 0.84%, 0.63%

LAB 59.56, 10.36, -54.77

 

CMYK 13 / 66 / 0 / 6

HEX #D051EF

RGB 208 81 239

HSL 288.23, 0.83%, 0.63%

LAB 57.59, 71.17, -56.73

 

CMYK 13 / 0 / 66 / 6

HEX #D0EF51

RGB 208 239 81

HSL 71.77, 0.83%, 0.63%

LAB 89.74, -30.78, 69.91

 

CMYK 67 / 40 / 0 / 6

HEX #508FF0

RGB 80 143 240

HSL 216.38, 0.84%, 0.63%

LAB 59.56, 10.36, -54.77

 

CMYK 0 / 66 / 40 / 6

HEX #EF5190

RGB 239 81 144

HSL 336.08, 0.83%, 0.63%

LAB 58.27, 65.39, -0.85

 

CMYK 40 / 0 / 66 / 6

HEX #90EF51

RGB 144 239 81

HSL 96.08, 0.83%, 0.63%

LAB 86.13, -53.88, 65.03

 

CMYK 67 / 40 / 0 / 6

HEX #508FF0

RGB 80 143 240

HSL 216.38, 0.84%, 0.63%

LAB 59.56, 10.36, -54.77

 

CMYK 13 / 66 / 0 / 6

HEX #D051EF

RGB 208 81 239

HSL 288.23, 0.83%, 0.63%

LAB 57.59, 71.17, -56.73

 

CMYK 0 / 26 / 66 / 6

HEX #EFB051

RGB 239 176 81

HSL 36.08, 0.83%, 0.63%

LAB 76.07, 13.69, 56.22

 

CMYK 53 / 0 / 66 / 6

HEX #71EF51

RGB 113 239 81

HSL 107.85, 0.83%, 0.63%

LAB 84.91, -62.91, 63.36

 

CMYK 67 / 40 / 0 / 6

HEX #508FF0

RGB 80 143 240

HSL 216.38, 0.84%, 0.63%

LAB 59.56, 10.36, -54.77

 

CMYK 0 / 66 / 6 / 6

HEX #EF51E0

RGB 239 81 224

HSL 305.7, 0.83%, 0.63%

LAB 61.32, 75.63, -42.13

 

CMYK 0 / 26 / 66 / 6

HEX #EFB051

RGB 239 176 81

HSL 36.08, 0.83%, 0.63%

LAB 76.07, 13.69, 56.22

 

CMYK 66 / 0 / 59 / 6

HEX #51EF61

RGB 81 239 97

HSL 126.08, 0.83%, 0.63%

LAB 84.15, -68.5, 55.64

 

Description

Color code: RGB 80 143 240 | qconv.com Color code: RGB 80 143 240 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 143 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 143 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 40 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 40% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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