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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 113 239 81 it is the complementary color RGB 142 16 174. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 113 239 81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 113 239 81: RGB 118 239 76, RGB 135 255 95, RGB 152 255 114, RGB 169 255 133 and RGB 186 255 152

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 113 239 81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 113 239 81: RGB 113 239 81, RGB 96 221 62, RGB 79 203 43, RGB 62 185 24 and RGB 45 167 5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 66 / 6

HEX #71EF51

RGB 113 239 81

HSL 107.85, 0.83%, 0.63%

LAB 84.91, -62.91, 63.36

 

Complementary color

CMYK 18 / 91 / 0 / 32

HEX #8E10AE

RGB 142 16 174

HSL 287.85, 0.83%, 0.37%

LAB 36.32, 66.72, -53.99

 

CMYK 51 / 0 / 68 / 6

HEX #76EF4C

RGB 118 239 76

HSL 104.54, 0.84%, 0.62%

LAB 85.05, -61.99, 65.47

 

CMYK 47 / 0 / 63 / 0

HEX #87FF5F

RGB 135 255 95

HSL 105, 1%, 0.69%

LAB 90.55, -61.6, 64.14

 

CMYK 40 / 0 / 55 / 0

HEX #98FF72

RGB 152 255 114

HSL 103.83, 1%, 0.72%

LAB 91.42, -54.74, 57.24

 

CMYK 34 / 0 / 48 / 0

HEX #A9FF85

RGB 169 255 133

HSL 102.3, 1%, 0.76%

LAB 92.42, -47.27, 49.95

 

CMYK 27 / 0 / 40 / 0

HEX #BAFF98

RGB 186 255 152

HSL 100.19, 1%, 0.8%

LAB 93.55, -39.31, 42.47

 

CMYK 53 / 0 / 66 / 6

HEX #71EF51

RGB 113 239 81

HSL 107.85, 0.83%, 0.63%

LAB 84.91, -62.91, 63.36

 

CMYK 57 / 0 / 72 / 13

HEX #60DD3E

RGB 96 221 62

HSL 107.17, 0.7%, 0.55%

LAB 78.78, -62.34, 63.87

 

CMYK 61 / 0 / 79 / 20

HEX #4FCB2B

RGB 79 203 43

HSL 106.5, 0.65%, 0.48%

LAB 72.59, -61.44, 63.84

 

CMYK 66 / 0 / 87 / 27

HEX #3EB918

RGB 62 185 24

HSL 105.84, 0.77%, 0.41%

LAB 66.36, -60.09, 62.86

 

CMYK 73 / 0 / 97 / 35

HEX #2DA705

RGB 45 167 5

HSL 105.19, 0.94%, 0.34%

LAB 60.07, -58.14, 60.51

 

CMYK 53 / 0 / 66 / 6

HEX #71EF51

RGB 113 239 81

HSL 107.85, 0.83%, 0.63%

LAB 84.91, -62.91, 63.36

 

CMYK 62 / 0 / 66 / 7

HEX #5AEE52

RGB 90 238 82

HSL 116.92, 0.82%, 0.63%

LAB 83.93, -67.92, 61.7

 

CMYK 66 / 0 / 58 / 7

HEX #52EE64

RGB 82 238 100

HSL 126.92, 0.82%, 0.63%

LAB 83.89, -67.63, 54.05

 

CMYK 66 / 0 / 47 / 7

HEX #52EE7E

RGB 82 238 126

HSL 136.92, 0.82%, 0.63%

LAB 84.2, -64.13, 42.35

 

CMYK 66 / 0 / 36 / 7

HEX #52EE98

RGB 82 238 152

HSL 146.92, 0.82%, 0.63%

LAB 84.59, -59.76, 29.96

 

CMYK 53 / 0 / 66 / 6

HEX #71EF51

RGB 113 239 81

HSL 107.85, 0.83%, 0.63%

LAB 84.91, -62.91, 63.36

 

CMYK 51 / 0 / 66 / 86

HEX #11230C

RGB 17 35 12

HSL 106.96, 0.49%, 0.09%

LAB 11.61, -13.27, 11.99

 

CMYK 52 / 0 / 66 / 66

HEX #29561D

RGB 41 86 29

HSL 107.37, 0.5%, 0.23%

LAB 32.29, -27.76, 27.82

 

CMYK 53 / 0 / 66 / 46

HEX #41892E

RGB 65 137 46

HSL 107.47, 0.5%, 0.36%

LAB 50.93, -40.36, 40.67

 

CMYK 53 / 0 / 66 / 26

HEX #59BC40

RGB 89 188 64

HSL 107.9, 0.49%, 0.49%

LAB 68.36, -51.91, 52.13

 

CMYK 53 / 0 / 66 / 6

HEX #71EF51

RGB 113 239 81

HSL 107.85, 0.83%, 0.63%

LAB 84.91, -62.91, 63.36

 

CMYK 66 / 0 / 1 / 7

HEX #52EEEC

RGB 82 238 236

HSL 179.23, 0.82%, 0.63%

LAB 86.5, -40.38, -11.02

 

CMYK 0 / 66 / 25 / 7

HEX #EE52B2

RGB 238 82 178

HSL 323.08, 0.82%, 0.63%

LAB 59.37, 68.6, -19

 

CMYK 53 / 0 / 66 / 6

HEX #71EF51

RGB 113 239 81

HSL 107.85, 0.83%, 0.63%

LAB 84.91, -62.91, 63.36

 

CMYK 66 / 51 / 0 / 7

HEX #5274EE

RGB 82 116 238

HSL 226.92, 0.82%, 0.63%

LAB 52.35, 26.42, -65.23

 

CMYK 0 / 66 / 51 / 7

HEX #EE5274

RGB 238 82 116

HSL 346.92, 0.82%, 0.63%

LAB 57.53, 62.15, 14.52

 

CMYK 53 / 0 / 66 / 6

HEX #71EF51

RGB 113 239 81

HSL 107.85, 0.83%, 0.63%

LAB 84.91, -62.91, 63.36

 

CMYK 66 / 0 / 1 / 7

HEX #52EEEC

RGB 82 238 236

HSL 179.23, 0.82%, 0.63%

LAB 86.5, -40.38, -11.02

 

CMYK 14 / 66 / 0 / 7

HEX #CD52EE

RGB 205 82 238

HSL 287.31, 0.82%, 0.63%

LAB 57.26, 69.93, -56.72

 

CMYK 0 / 66 / 65 / 7

HEX #EE5254

RGB 238 82 84

HSL 359.23, 0.82%, 0.63%

LAB 56.93, 59.95, 32.36

 

CMYK 53 / 0 / 66 / 6

HEX #71EF51

RGB 113 239 81

HSL 107.85, 0.83%, 0.63%

LAB 84.91, -62.91, 63.36

 

CMYK 66 / 18 / 0 / 7

HEX #52C2EE

RGB 82 194 238

HSL 196.92, 0.82%, 0.63%

LAB 73.9, -18.5, -31.2

 

CMYK 14 / 66 / 0 / 7

HEX #CD52EE

RGB 205 82 238

HSL 287.31, 0.82%, 0.63%

LAB 57.26, 69.93, -56.72

 

CMYK 0 / 47 / 66 / 7

HEX #EE7E52

RGB 238 126 82

HSL 16.92, 0.82%, 0.63%

LAB 64.73, 39.53, 42.88

 

Description

Color code: RGB 113 239 81 | qconv.com Color code: RGB 113 239 81 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 239 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 239 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 66 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 66% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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