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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 26 / 66 / 6 it is the complementary color CMYK 91 / 55 / 0 / 32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 26 / 66 / 6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 26 / 66 / 6: CMYK 0 / 28 / 69 / 4, CMYK 0 / 24 / 63 / 0, CMYK 0 / 16 / 55 / 0, CMYK 0 / 9 / 48 / 0 and CMYK 0 / 2 / 40 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 26 / 66 / 6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 26 / 66 / 6: CMYK 0 / 26 / 66 / 6, CMYK 0 / 29 / 72 / 13, CMYK 0 / 32 / 79 / 19, CMYK 0 / 35 / 87 / 26 and CMYK 0 / 39 / 97 / 33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 66 / 6

HEX #F0B151

RGB 240 177 81

HSL 36.23, 0.84%, 0.63%

LAB 76.41, 13.58, 56.63

 

Complementary color

CMYK 91 / 55 / 0 / 32

HEX #0F4EAE

RGB 15 78 174

HSL 216.23, 0.84%, 0.37%

LAB 35.22, 19.63, -56.3

 

CMYK 0 / 28 / 69 / 4

HEX #F5B14C

RGB 245 177 76

HSL 35.86, 0.89%, 0.63%

LAB 76.91, 15.39, 59.55

 

CMYK 0 / 24 / 63 / 0

HEX #FFC35F

RGB 255 195 95

HSL 37.5, 1%, 0.69%

LAB 82.44, 11.22, 57.36

 

CMYK 0 / 16 / 55 / 0

HEX #FFD572

RGB 255 213 114

HSL 42.13, 1%, 0.72%

LAB 87.03, 3.26, 53.79

 

CMYK 0 / 9 / 48 / 0

HEX #FFE785

RGB 255 231 133

HSL 48.2, 1%, 0.76%

LAB 91.73, -4.28, 50.39

 

CMYK 0 / 2 / 40 / 0

HEX #FFF998

RGB 255 249 152

HSL 56.5, 1%, 0.8%

LAB 96.52, -11.4, 47.2

 

CMYK 0 / 26 / 66 / 6

HEX #F0B151

RGB 240 177 81

HSL 36.23, 0.84%, 0.63%

LAB 76.41, 13.58, 56.63

 

CMYK 0 / 29 / 72 / 13

HEX #DF9F3E

RGB 223 159 62

HSL 36.15, 0.72%, 0.56%

LAB 70.06, 14.97, 57.73

 

CMYK 0 / 32 / 79 / 19

HEX #CE8D2B

RGB 206 141 43

HSL 36.07, 0.65%, 0.49%

LAB 63.63, 16.57, 58.48

 

CMYK 0 / 35 / 87 / 26

HEX #BD7B18

RGB 189 123 24

HSL 36, 0.77%, 0.42%

LAB 57.12, 18.42, 58.44

 

CMYK 0 / 39 / 97 / 33

HEX #AC6905

RGB 172 105 5

HSL 35.93, 0.94%, 0.35%

LAB 50.55, 20.56, 56.97

 

CMYK 0 / 26 / 66 / 6

HEX #F0B151

RGB 240 177 81

HSL 36.23, 0.84%, 0.63%

LAB 76.41, 13.58, 56.63

 

CMYK 0 / 15 / 66 / 6

HEX #EFCA51

RGB 239 202 81

HSL 45.95, 0.83%, 0.63%

LAB 82.48, 0.11, 63.1

 

CMYK 0 / 4 / 66 / 6

HEX #EFE551

RGB 239 229 81

HSL 56.2, 0.83%, 0.63%

LAB 89.39, -13.5, 70.28

 

CMYK 6 / 0 / 66 / 6

HEX #E0EF51

RGB 224 239 81

HSL 65.7, 0.83%, 0.63%

LAB 90.86, -24.44, 71.41

 

CMYK 18 / 0 / 66 / 6

HEX #C5EF51

RGB 197 239 81

HSL 75.95, 0.83%, 0.63%

LAB 89.02, -35.05, 68.93

 

CMYK 0 / 26 / 66 / 6

HEX #F0B151

RGB 240 177 81

HSL 36.23, 0.84%, 0.63%

LAB 76.41, 13.58, 56.63

 

CMYK 0 / 25 / 67 / 86

HEX #241B0C

RGB 36 27 12

HSL 37.5, 0.5%, 0.09%

LAB 10.45, 1.96, 10.66

 

CMYK 0 / 26 / 67 / 66

HEX #57401D

RGB 87 64 29

HSL 36.21, 0.5%, 0.23%

LAB 28.85, 5.59, 24.89

 

CMYK 0 / 26 / 66 / 46

HEX #8A662F

RGB 138 102 47

HSL 36.26, 0.49%, 0.36%

LAB 45.79, 8.29, 35.99

 

CMYK 0 / 26 / 66 / 26

HEX #BD8B40

RGB 189 139 64

HSL 36, 0.49%, 0.5%

LAB 61.35, 11.28, 46.47

 

CMYK 0 / 26 / 66 / 6

HEX #F0B151

RGB 240 177 81

HSL 36.23, 0.84%, 0.63%

LAB 76.41, 13.58, 56.63

 

CMYK 53 / 0 / 66 / 6

HEX #71EF51

RGB 113 239 81

HSL 107.85, 0.83%, 0.63%

LAB 84.91, -62.91, 63.36

 

CMYK 53 / 66 / 0 / 6

HEX #7151EF

RGB 113 81 239

HSL 252.15, 0.83%, 0.63%

LAB 46.48, 52.45, -75.22

 

CMYK 0 / 26 / 66 / 6

HEX #F0B151

RGB 240 177 81

HSL 36.23, 0.84%, 0.63%

LAB 76.41, 13.58, 56.63

 

CMYK 66 / 0 / 26 / 6

HEX #51EFB0

RGB 81 239 176

HSL 156.08, 0.83%, 0.63%

LAB 85.31, -55.55, 18.63

 

CMYK 26 / 66 / 0 / 6

HEX #B051EF

RGB 176 81 239

HSL 276.08, 0.83%, 0.63%

LAB 53.33, 64.36, -63.8

 

CMYK 0 / 26 / 66 / 6

HEX #F0B151

RGB 240 177 81

HSL 36.23, 0.84%, 0.63%

LAB 76.41, 13.58, 56.63

 

CMYK 53 / 0 / 66 / 6

HEX #71EF51

RGB 113 239 81

HSL 107.85, 0.83%, 0.63%

LAB 84.91, -62.91, 63.36

 

CMYK 66 / 40 / 0 / 6

HEX #5190EF

RGB 81 144 239

HSL 216.08, 0.83%, 0.63%

LAB 59.82, 9.57, -53.8

 

CMYK 13 / 66 / 0 / 6

HEX #D051EF

RGB 208 81 239

HSL 288.23, 0.83%, 0.63%

LAB 57.59, 71.17, -56.73

 

CMYK 0 / 26 / 66 / 6

HEX #F0B151

RGB 240 177 81

HSL 36.23, 0.84%, 0.63%

LAB 76.41, 13.58, 56.63

 

CMYK 66 / 0 / 59 / 6

HEX #51EF61

RGB 81 239 97

HSL 126.08, 0.83%, 0.63%

LAB 84.15, -68.5, 55.64

 

CMYK 66 / 40 / 0 / 6

HEX #5190EF

RGB 81 144 239

HSL 216.08, 0.83%, 0.63%

LAB 59.82, 9.57, -53.8

 

CMYK 0 / 66 / 6 / 6

HEX #EF51E0

RGB 239 81 224

HSL 305.7, 0.83%, 0.63%

LAB 61.32, 75.63, -42.13

 

Description

Color code: CMYK 0 / 26 / 66 / 6 | qconv.com Color code: CMYK 0 / 26 / 66 / 6 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 177 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 177 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 66 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 66% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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