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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 176 226 211 it is the complementary color RGB 79 29 44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 176 226 211. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 176 226 211: RGB 181 226 206, RGB 198 244 225, RGB 215 255 244, RGB 232 255 255 and RGB 249 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 176 226 211. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 176 226 211: RGB 176 226 211, RGB 159 208 192, RGB 142 190 173, RGB 125 172 154 and RGB 108 154 135

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 7 / 11

HEX #B0E2D3

RGB 176 226 211

HSL 162, 0.46%, 0.79%

LAB 86.17, -19.09, 2.06

 

Complementary color

CMYK 0 / 63 / 44 / 69

HEX #4F1D2C

RGB 79 29 44

HSL 342, 0.46%, 0.21%

LAB 18.9, 25.2, 1.91

 

CMYK 20 / 0 / 9 / 11

HEX #B5E2CE

RGB 181 226 206

HSL 153.33, 0.44%, 0.8%

LAB 86.34, -18.51, 4.98

 

CMYK 19 / 0 / 8 / 4

HEX #C6F4E1

RGB 198 244 225

HSL 155.22, 0.68%, 0.87%

LAB 92.64, -18.4, 4.29

 

CMYK 16 / 0 / 4 / 0

HEX #D7FFF4

RGB 215 255 244

HSL 163.5, 1%, 0.92%

LAB 97.02, -14.86, 0.97

 

CMYK 9 / 0 / 0 / 0

HEX #E8FFFF

RGB 232 255 255

HSL 180, 1%, 0.95%

LAB 98.39, -7.43, -2.56

 

CMYK 2 / 0 / 0 / 0

HEX #F9FFFF

RGB 249 255 255

HSL 180, 1%, 0.99%

LAB 99.57, -1.96, -0.7

 

CMYK 22 / 0 / 7 / 11

HEX #B0E2D3

RGB 176 226 211

HSL 162, 0.46%, 0.79%

LAB 86.17, -19.09, 2.06

 

CMYK 24 / 0 / 8 / 18

HEX #9FD0C0

RGB 159 208 192

HSL 160.41, 0.34%, 0.72%

LAB 79.78, -19.23, 2.74

 

CMYK 25 / 0 / 9 / 25

HEX #8EBEAD

RGB 142 190 173

HSL 158.75, 0.27%, 0.65%

LAB 73.28, -19.39, 3.45

 

CMYK 27 / 0 / 10 / 33

HEX #7DAC9A

RGB 125 172 154

HSL 157.02, 0.22%, 0.58%

LAB 66.67, -19.57, 4.2

 

CMYK 30 / 0 / 12 / 40

HEX #6C9A87

RGB 108 154 135

HSL 155.22, 0.19%, 0.51%

LAB 59.93, -19.78, 5

 

CMYK 22 / 0 / 7 / 11

HEX #B0E2D3

RGB 176 226 211

HSL 162, 0.46%, 0.79%

LAB 86.17, -19.09, 2.06

 

CMYK 22 / 0 / 3 / 11

HEX #B0E2DB

RGB 176 226 219

HSL 171.6, 0.46%, 0.79%

LAB 86.37, -17.44, -1.86

 

CMYK 22 / 1 / 0 / 11

HEX #B0E0E2

RGB 176 224 226

HSL 182.4, 0.46%, 0.79%

LAB 86.02, -14.95, -6.07

 

CMYK 22 / 4 / 0 / 11

HEX #B0D8E2

RGB 176 216 226

HSL 192, 0.46%, 0.79%

LAB 83.88, -10.88, -9.25

 

CMYK 22 / 8 / 0 / 11

HEX #B0D0E2

RGB 176 208 226

HSL 201.6, 0.46%, 0.79%

LAB 81.75, -6.73, -12.42

 

CMYK 22 / 0 / 7 / 11

HEX #B0E2D3

RGB 176 226 211

HSL 162, 0.46%, 0.79%

LAB 86.17, -19.09, 2.06

 

CMYK 23 / 0 / 5 / 91

HEX #111615

RGB 17 22 21

HSL 168, 0.13%, 0.08%

LAB 6.75, -2.32, -0.08

 

CMYK 22 / 0 / 7 / 71

HEX #394944

RGB 57 73 68

HSL 161.25, 0.12%, 0.25%

LAB 29.54, -7.56, 0.89

 

CMYK 22 / 0 / 6 / 51

HEX #617C74

RGB 97 124 116

HSL 162.22, 0.12%, 0.43%

LAB 49.76, -11.51, 1.16

 

CMYK 22 / 0 / 7 / 31

HEX #88AFA3

RGB 136 175 163

HSL 161.54, 0.2%, 0.61%

LAB 68.42, -15.68, 1.83

 

CMYK 22 / 0 / 7 / 11

HEX #B0E2D3

RGB 176 226 211

HSL 162, 0.46%, 0.79%

LAB 86.17, -19.09, 2.06

 

CMYK 22 / 20 / 0 / 11

HEX #B0B5E2

RGB 176 181 226

HSL 234, 0.46%, 0.79%

LAB 74.68, 7.75, -23.09

 

CMYK 0 / 15 / 22 / 11

HEX #E2BFB0

RGB 226 191 176

HSL 18, 0.46%, 0.79%

LAB 79.93, 10.18, 12.2

 

CMYK 22 / 0 / 7 / 11

HEX #B0E2D3

RGB 176 226 211

HSL 162, 0.46%, 0.79%

LAB 86.17, -19.09, 2.06

 

CMYK 7 / 22 / 0 / 11

HEX #D3B0E2

RGB 211 176 226

HSL 282, 0.46%, 0.79%

LAB 76.31, 21.58, -20.35

 

CMYK 0 / 7 / 22 / 11

HEX #E2D3B0

RGB 226 211 176

HSL 42, 0.46%, 0.79%

LAB 84.94, -0.31, 19.22

 

CMYK 22 / 0 / 7 / 11

HEX #B0E2D3

RGB 176 226 211

HSL 162, 0.46%, 0.79%

LAB 86.17, -19.09, 2.06

 

CMYK 22 / 20 / 0 / 11

HEX #B0B5E2

RGB 176 181 226

HSL 234, 0.46%, 0.79%

LAB 74.68, 7.75, -23.09

 

CMYK 0 / 22 / 15 / 11

HEX #E2B0BF

RGB 226 176 191

HSL 342, 0.46%, 0.79%

LAB 76.67, 20.47, -0.62

 

CMYK 0 / 2 / 22 / 11

HEX #E2DDB0

RGB 226 221 176

HSL 54, 0.46%, 0.79%

LAB 87.49, -5.45, 22.76

 

CMYK 22 / 0 / 7 / 11

HEX #B0E2D3

RGB 176 226 211

HSL 162, 0.46%, 0.79%

LAB 86.17, -19.09, 2.06

 

CMYK 18 / 22 / 0 / 11

HEX #BAB0E2

RGB 186 176 226

HSL 252, 0.46%, 0.79%

LAB 74.18, 13.59, -23.79

 

CMYK 0 / 22 / 15 / 11

HEX #E2B0BF

RGB 226 176 191

HSL 342, 0.46%, 0.79%

LAB 76.67, 20.47, -0.62

 

CMYK 4 / 0 / 22 / 11

HEX #D8E2B0

RGB 216 226 176

HSL 72, 0.46%, 0.79%

LAB 88.03, -11.64, 23.37

 

Description

Color code: RGB 176 226 211 | qconv.com Color code: RGB 176 226 211 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 226 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 226 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 7 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 7% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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