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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 22 / 0 / 7 / 11 it is the complementary color CMYK 0 / 64 / 44 / 69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 22 / 0 / 7 / 11. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 22 / 0 / 7 / 11: CMYK 20 / 0 / 9 / 11, CMYK 19 / 0 / 8 / 4, CMYK 15 / 0 / 4 / 0, CMYK 9 / 0 / 0 / 0 and CMYK 2 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 22 / 0 / 7 / 11. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 22 / 0 / 7 / 11: CMYK 22 / 0 / 7 / 11, CMYK 23 / 0 / 8 / 18, CMYK 25 / 0 / 9 / 25, CMYK 27 / 0 / 11 / 32 and CMYK 30 / 0 / 13 / 39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 7 / 11

HEX #B1E3D3

RGB 177 227 211

HSL 160.8, 0.47%, 0.79%

LAB 86.5, -19.27, 2.54

 

Complementary color

CMYK 0 / 64 / 44 / 69

HEX #4E1C2C

RGB 78 28 44

HSL 340.8, 0.47%, 0.21%

LAB 18.51, 25.36, 1.32

 

CMYK 20 / 0 / 9 / 11

HEX #B6E3CE

RGB 182 227 206

HSL 152, 0.45%, 0.8%

LAB 86.67, -18.69, 5.46

 

CMYK 19 / 0 / 8 / 4

HEX #C7F5E1

RGB 199 245 225

HSL 153.91, 0.7%, 0.87%

LAB 92.96, -18.57, 4.76

 

CMYK 15 / 0 / 4 / 0

HEX #D8FFF4

RGB 216 255 244

HSL 163.08, 1%, 0.92%

LAB 97.09, -14.55, 1.07

 

CMYK 9 / 0 / 0 / 0

HEX #E9FFFF

RGB 233 255 255

HSL 180, 1%, 0.96%

LAB 98.46, -7.11, -2.45

 

CMYK 2 / 0 / 0 / 0

HEX #FAFFFF

RGB 250 255 255

HSL 180, 1%, 0.99%

LAB 99.64, -1.63, -0.58

 

CMYK 22 / 0 / 7 / 11

HEX #B1E3D3

RGB 177 227 211

HSL 160.8, 0.47%, 0.79%

LAB 86.5, -19.27, 2.54

 

CMYK 23 / 0 / 8 / 18

HEX #A0D1C0

RGB 160 209 192

HSL 159.18, 0.35%, 0.72%

LAB 80.11, -19.42, 3.23

 

CMYK 25 / 0 / 9 / 25

HEX #8FBFAD

RGB 143 191 173

HSL 157.5, 0.27%, 0.65%

LAB 73.62, -19.58, 3.95

 

CMYK 27 / 0 / 11 / 32

HEX #7EAD9A

RGB 126 173 154

HSL 155.74, 0.22%, 0.59%

LAB 67.02, -19.76, 4.71

 

CMYK 30 / 0 / 13 / 39

HEX #6D9B87

RGB 109 155 135

HSL 153.91, 0.19%, 0.52%

LAB 60.29, -19.97, 5.52

 

CMYK 22 / 0 / 7 / 11

HEX #B1E3D3

RGB 177 227 211

HSL 160.8, 0.47%, 0.79%

LAB 86.5, -19.27, 2.54

 

CMYK 22 / 0 / 4 / 11

HEX #B0E2DA

RGB 176 226 218

HSL 170.4, 0.46%, 0.79%

LAB 86.35, -17.65, -1.37

 

CMYK 22 / 0 / 0 / 11

HEX #B0E2E2

RGB 176 226 226

HSL 180, 0.46%, 0.79%

LAB 86.56, -15.96, -5.28

 

CMYK 22 / 4 / 0 / 11

HEX #B0DAE2

RGB 176 218 226

HSL 189.6, 0.46%, 0.79%

LAB 84.41, -11.9, -8.45

 

CMYK 22 / 8 / 0 / 11

HEX #B0D1E2

RGB 176 209 226

HSL 200.4, 0.46%, 0.79%

LAB 82.01, -7.25, -12.03

 

CMYK 22 / 0 / 7 / 11

HEX #B1E3D3

RGB 177 227 211

HSL 160.8, 0.47%, 0.79%

LAB 86.5, -19.27, 2.54

 

CMYK 22 / 0 / 9 / 91

HEX #121715

RGB 18 23 21

HSL 156, 0.12%, 0.08%

LAB 7.19, -2.66, 0.57

 

CMYK 22 / 0 / 7 / 71

HEX #3A4A45

RGB 58 74 69

HSL 161.25, 0.12%, 0.26%

LAB 29.98, -7.54, 0.89

 

CMYK 22 / 0 / 7 / 51

HEX #617D74

RGB 97 125 116

HSL 160.71, 0.13%, 0.44%

LAB 50.06, -12.07, 1.6

 

CMYK 22 / 0 / 7 / 31

HEX #89B0A4

RGB 137 176 164

HSL 161.54, 0.2%, 0.61%

LAB 68.79, -15.67, 1.83

 

CMYK 22 / 0 / 7 / 11

HEX #B1E3D3

RGB 177 227 211

HSL 160.8, 0.47%, 0.79%

LAB 86.5, -19.27, 2.54

 

CMYK 22 / 19 / 0 / 11

HEX #B0B6E2

RGB 176 182 226

HSL 232.8, 0.46%, 0.79%

LAB 74.94, 7.2, -22.7

 

CMYK 0 / 16 / 22 / 11

HEX #E2BDB0

RGB 226 189 176

HSL 15.6, 0.46%, 0.79%

LAB 79.44, 11.24, 11.5

 

CMYK 22 / 0 / 7 / 11

HEX #B1E3D3

RGB 177 227 211

HSL 160.8, 0.47%, 0.79%

LAB 86.5, -19.27, 2.54

 

CMYK 8 / 22 / 0 / 11

HEX #D1B0E2

RGB 209 176 226

HSL 279.6, 0.46%, 0.79%

LAB 76.13, 20.93, -20.64

 

CMYK 0 / 8 / 22 / 11

HEX #E2D1B0

RGB 226 209 176

HSL 39.6, 0.46%, 0.79%

LAB 84.43, 0.73, 18.52

 

CMYK 22 / 0 / 7 / 11

HEX #B1E3D3

RGB 177 227 211

HSL 160.8, 0.47%, 0.79%

LAB 86.5, -19.27, 2.54

 

CMYK 22 / 19 / 0 / 11

HEX #B0B6E2

RGB 176 182 226

HSL 232.8, 0.46%, 0.79%

LAB 74.94, 7.2, -22.7

 

CMYK 0 / 22 / 15 / 11

HEX #E2B0C1

RGB 226 176 193

HSL 339.6, 0.46%, 0.79%

LAB 76.72, 20.79, -1.64

 

CMYK 0 / 3 / 22 / 11

HEX #E2DBB0

RGB 226 219 176

HSL 51.6, 0.46%, 0.79%

LAB 86.98, -4.42, 22.05

 

CMYK 22 / 0 / 7 / 11

HEX #B1E3D3

RGB 177 227 211

HSL 160.8, 0.47%, 0.79%

LAB 86.5, -19.27, 2.54

 

CMYK 19 / 22 / 0 / 11

HEX #B8B0E2

RGB 184 176 226

HSL 249.6, 0.46%, 0.79%

LAB 74.02, 12.96, -24.05

 

CMYK 0 / 22 / 15 / 11

HEX #E2B0C1

RGB 226 176 193

HSL 339.6, 0.46%, 0.79%

LAB 76.72, 20.79, -1.64

 

CMYK 4 / 0 / 22 / 11

HEX #DAE2B0

RGB 218 226 176

HSL 69.6, 0.46%, 0.79%

LAB 88.18, -10.91, 23.6

 

Description

Color code: CMYK 22 / 0 / 7 / 11 | qconv.com Color code: CMYK 22 / 0 / 7 / 11 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 227 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 227 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 7 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 7% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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