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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 194 209 204 it is the complementary color RGB 61 46 51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 194 209 204. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 194 209 204 shade: RGB 199 209 199, RGB 216 227 218, RGB 233 245 237 and RGB 250 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 194 209 204. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 194 209 204 shade: RGB 194 209 204, RGB 177 191 185, RGB 160 173 166, RGB 143 155 147 and RGB 126 137 128

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 194 209 204 shade: RGB 194 209 204, RGB 194 209 200, RGB 194 209 196, RGB 196 209 194 and RGB 200 209 194

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 194 209 204 shade: RGB 194 209 204, RGB 194 209 208, RGB 194 206 209, RGB 194 202 209 and RGB 194 198 209

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 194 209 204 shade matches the following richer shades: RGB 194 209 204, RGB 185 218 207, RGB 177 226 210, RGB 168 235 213 and RGB 159 244 216

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 194 209 204 shade: RGB 194 209 204, RGB 203 200 201, RGB 211 192 198, RGB 220 183 195 and RGB 229 174 192

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 194 209 204 shade: RGB 194 209 196, RGB 194 209 200, RGB 194 209 204, RGB 194 209 208 and RGB 194 206 209

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 194 209 204 shade: RGB 147 173 165, RGB 170 191 184, RGB 194 209 204, RGB 217 227 224 and RGB 241 244 243

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 194 209 204 shade: RGB 194 209 204, RGB 194 196 209 and RGB 209 198 194

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 194 209 204 shade: RGB 194 209 204, RGB 204 194 209 and RGB 209 204 194

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 194 209 204 shade: RGB 194 209 204, RGB 194 196 209, RGB 209 194 199 and RGB 209 207 194

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 194 209 204 shade: RGB 194 209 204, RGB 196 194 209, RGB 209 194 199 and RGB 206 209 194

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 2 / 18

HEX #C2D1CC

RGB 194 209 204

HSL 160, 0.14%, 0.79%

LAB 82.61, -6, 0.72

 

Complementary color

CMYK 0 / 25 / 16 / 76

HEX #3D2E33

RGB 61 46 51

HSL 340, 0.14%, 0.21%

LAB 20.77, 7.84, -0.57

 

CMYK 5 / 0 / 5 / 18

HEX #C7D1C7

RGB 199 209 199

HSL 120, 0.1%, 0.8%

LAB 82.84, -5.23, 3.77

 

CMYK 5 / 0 / 4 / 11

HEX #D8E3DA

RGB 216 227 218

HSL 130.91, 0.16%, 0.87%

LAB 89.2, -5.31, 3.11

 

CMYK 5 / 0 / 3 / 4

HEX #E9F5ED

RGB 233 245 237

HSL 140, 0.38%, 0.94%

LAB 95.47, -5.39, 2.47

 

CMYK 2 / 0 / 0 / 0

HEX #FAFFFF

RGB 250 255 255

HSL 180, 1%, 0.99%

LAB 99.64, -1.63, -0.58

 

CMYK 7 / 0 / 2 / 18

HEX #C2D1CC

RGB 194 209 204

HSL 160, 0.14%, 0.79%

LAB 82.61, -6, 0.72

 

CMYK 7 / 0 / 3 / 25

HEX #B1BFB9

RGB 177 191 185

HSL 154.29, 0.1%, 0.72%

LAB 76.14, -5.95, 1.36

 

CMYK 8 / 0 / 4 / 32

HEX #A0ADA6

RGB 160 173 166

HSL 147.69, 0.07%, 0.65%

LAB 69.55, -5.91, 2.02

 

CMYK 8 / 0 / 5 / 39

HEX #8F9B93

RGB 143 155 147

HSL 140, 0.06%, 0.58%

LAB 62.83, -5.87, 2.71

 

CMYK 8 / 0 / 7 / 46

HEX #7E8980

RGB 126 137 128

HSL 130.91, 0.04%, 0.52%

LAB 55.97, -5.83, 3.44

 

CMYK 7 / 0 / 2 / 18

HEX #C2D1CC

RGB 194 209 204

HSL 160, 0.14%, 0.79%

LAB 82.61, -6, 0.72

 

CMYK 7 / 0 / 4 / 18

HEX #C2D1C8

RGB 194 209 200

HSL 144, 0.14%, 0.79%

LAB 82.51, -6.75, 2.71

 

CMYK 7 / 0 / 6 / 18

HEX #C2D1C4

RGB 194 209 196

HSL 128, 0.14%, 0.79%

LAB 82.41, -7.49, 4.7

 

CMYK 6 / 0 / 7 / 18

HEX #C4D1C2

RGB 196 209 194

HSL 112, 0.14%, 0.79%

LAB 82.5, -7.16, 5.92

 

CMYK 4 / 0 / 7 / 18

HEX #C8D1C2

RGB 200 209 194

HSL 96, 0.14%, 0.79%

LAB 82.79, -5.78, 6.37

 

CMYK 7 / 0 / 2 / 18

HEX #C2D1CC

RGB 194 209 204

HSL 160, 0.14%, 0.79%

LAB 82.61, -6, 0.72

 

CMYK 7 / 0 / 0 / 18

HEX #C2D1D0

RGB 194 209 208

HSL 176, 0.14%, 0.79%

LAB 82.71, -5.24, -1.26

 

CMYK 7 / 1 / 0 / 18

HEX #C2CED1

RGB 194 206 209

HSL 192, 0.14%, 0.79%

LAB 81.96, -3.48, -2.9

 

CMYK 7 / 3 / 0 / 18

HEX #C2CAD1

RGB 194 202 209

HSL 208, 0.14%, 0.79%

LAB 80.91, -1.38, -4.43

 

CMYK 7 / 5 / 0 / 18

HEX #C2C6D1

RGB 194 198 209

HSL 224, 0.14%, 0.79%

LAB 79.88, 0.73, -5.97

 

CMYK 7 / 0 / 2 / 18

HEX #C2D1CC

RGB 194 209 204

HSL 160, 0.14%, 0.79%

LAB 82.61, -6, 0.72

 

CMYK 15 / 0 / 5 / 15

HEX #B9DACF

RGB 185 218 207

HSL 160, 0.31%, 0.79%

LAB 84.46, -13.02, 1.76

 

CMYK 22 / 0 / 7 / 11

HEX #B1E2D2

RGB 177 226 210

HSL 160.41, 0.46%, 0.79%

LAB 86.2, -18.98, 2.64

 

CMYK 29 / 0 / 9 / 8

HEX #A8EBD5

RGB 168 235 213

HSL 160.3, 0.63%, 0.79%

LAB 88.23, -25.5, 3.94

 

CMYK 35 / 0 / 11 / 4

HEX #9FF4D8

RGB 159 244 216

HSL 160.24, 0.79%, 0.79%

LAB 90.34, -31.72, 5.37

 

CMYK 7 / 0 / 2 / 18

HEX #C2D1CC

RGB 194 209 204

HSL 160, 0.14%, 0.79%

LAB 82.61, -6, 0.72

 

CMYK 0 / 1 / 1 / 20

HEX #CBC8C9

RGB 203 200 201

HSL 340, 0.03%, 0.79%

LAB 80.86, 1.22, -0.14

 

CMYK 0 / 9 / 6 / 17

HEX #D3C0C6

RGB 211 192 198

HSL 341.05, 0.18%, 0.79%

LAB 79.4, 7.73, -0.59

 

CMYK 0 / 17 / 11 / 14

HEX #DCB7C3

RGB 220 183 195

HSL 340.54, 0.35%, 0.79%

LAB 77.89, 15.22, -1.08

 

CMYK 0 / 24 / 16 / 10

HEX #E5AEC0

RGB 229 174 192

HSL 340.36, 0.51%, 0.79%

LAB 76.52, 22.77, -1.35

 

CMYK 7 / 0 / 6 / 18

HEX #C2D1C4

RGB 194 209 196

HSL 128, 0.14%, 0.79%

LAB 82.41, -7.49, 4.7

 

CMYK 7 / 0 / 4 / 18

HEX #C2D1C8

RGB 194 209 200

HSL 144, 0.14%, 0.79%

LAB 82.51, -6.75, 2.71

 

CMYK 7 / 0 / 2 / 18

HEX #C2D1CC

RGB 194 209 204

HSL 160, 0.14%, 0.79%

LAB 82.61, -6, 0.72

 

CMYK 7 / 0 / 0 / 18

HEX #C2D1D0

RGB 194 209 208

HSL 176, 0.14%, 0.79%

LAB 82.71, -5.24, -1.26

 

CMYK 7 / 1 / 0 / 18

HEX #C2CED1

RGB 194 206 209

HSL 192, 0.14%, 0.79%

LAB 81.96, -3.48, -2.9

 

CMYK 15 / 0 / 5 / 32

HEX #93ADA5

RGB 147 173 165

HSL 161.54, 0.14%, 0.63%

LAB 68.61, -10.58, 1.1

 

CMYK 11 / 0 / 4 / 25

HEX #AABFB8

RGB 170 191 184

HSL 160, 0.14%, 0.71%

LAB 75.62, -8.53, 1.09

 

CMYK 7 / 0 / 2 / 18

HEX #C2D1CC

RGB 194 209 204

HSL 160, 0.14%, 0.79%

LAB 82.61, -6, 0.72

 

CMYK 4 / 0 / 1 / 11

HEX #D9E3E0

RGB 217 227 224

HSL 162, 0.15%, 0.87%

LAB 89.43, -3.89, 0.29

 

CMYK 1 / 0 / 0 / 4

HEX #F1F4F3

RGB 241 244 243

HSL 160, 0.12%, 0.95%

LAB 95.94, -1.17, 0.12

 

CMYK 7 / 0 / 2 / 18

HEX #C2D1CC

RGB 194 209 204

HSL 160, 0.14%, 0.79%

LAB 82.61, -6, 0.72

 

CMYK 7 / 6 / 0 / 18

HEX #C2C4D1

RGB 194 196 209

HSL 232, 0.14%, 0.79%

LAB 79.36, 1.8, -6.73

 

CMYK 0 / 5 / 7 / 18

HEX #D1C6C2

RGB 209 198 194

HSL 16, 0.14%, 0.79%

LAB 80.65, 3.14, 3.36

 

CMYK 7 / 0 / 2 / 18

HEX #C2D1CC

RGB 194 209 204

HSL 160, 0.14%, 0.79%

LAB 82.61, -6, 0.72

 

CMYK 2 / 7 / 0 / 18

HEX #CCC2D1

RGB 204 194 209

HSL 280, 0.14%, 0.79%

LAB 79.63, 6.23, -6.25

 

CMYK 0 / 2 / 7 / 18

HEX #D1CCC2

RGB 209 204 194

HSL 40, 0.14%, 0.79%

LAB 82.18, -0.02, 5.58

 

CMYK 7 / 0 / 2 / 18

HEX #C2D1CC

RGB 194 209 204

HSL 160, 0.14%, 0.79%

LAB 82.61, -6, 0.72

 

CMYK 7 / 6 / 0 / 18

HEX #C2C4D1

RGB 194 196 209

HSL 232, 0.14%, 0.79%

LAB 79.36, 1.8, -6.73

 

CMYK 0 / 7 / 5 / 18

HEX #D1C2C7

RGB 209 194 199

HSL 340, 0.14%, 0.79%

LAB 79.76, 6.13, -0.61

 

CMYK 0 / 1 / 7 / 18

HEX #D1CFC2

RGB 209 207 194

HSL 52, 0.14%, 0.79%

LAB 82.95, -1.59, 6.69

 

CMYK 7 / 0 / 2 / 18

HEX #C2D1CC

RGB 194 209 204

HSL 160, 0.14%, 0.79%

LAB 82.61, -6, 0.72

 

CMYK 6 / 7 / 0 / 18

HEX #C4C2D1

RGB 196 194 209

HSL 248, 0.14%, 0.79%

LAB 79, 3.53, -7.25

 

CMYK 0 / 7 / 5 / 18

HEX #D1C2C7

RGB 209 194 199

HSL 340, 0.14%, 0.79%

LAB 79.76, 6.13, -0.61

 

CMYK 1 / 0 / 7 / 18

HEX #CED1C2

RGB 206 209 194

HSL 72, 0.14%, 0.79%

LAB 83.24, -3.68, 7.07

 

Description

Color code: RGB 194 209 204 | qconv.com Color code: RGB 194 209 204 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 209 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 209 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 2 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 2% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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