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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B0D0E2 it is the complementary color #4F2F1D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B0D0E2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B0D0E2 shade: #B5D0DD, #C6E2F0, #D7F4FF, #E8FFFF and #F9FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B0D0E2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B0D0E2 shade: #B0D0E2, #9FBECF, #8EACBC, #7D9AA9 and #6C8896

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B0D0E2 shade: #B1D0E2, #B1C3E2, #B1B6E2, #B9B1E2 and #C6B1E2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B0D0E2 shade: #B1D0E2, #B1C3E2, #B1B6E2 and #B1B1E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B0D0E2 shade matches the following richer shades: #B1D0E2, #A8D3EB, #9FD5F3 and #97D8FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B0D0E2 shade: #B1D0E2, #B9CED9, #C2CBD1, #CBC9C8 and #D3C7BF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B0D0E2 shade: #B1E2D9, #B1DEE2, #B1D1E2, #B1C4E2 and #B1B7E2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B0D0E2 shade: #75ACCC, #93BED7, #B1D0E2, #CFE2ED and #EDF4F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B0D0E2 shade: #B0D0E2, #CCB1E2 and #E2E0B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B0D0E2 shade: #B0D0E2, #E2B1D1 and #D1E2B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B0D0E2 shade: #B0D0E2, #CCB1E2, #E2C2B1 and #C7E2B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B0D0E2 shade: #B0D0E2, #DBB1E2, #E2C2B1 and #B8E2B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 8 / 0 / 11

HEX #B0D0E2

RGB 176 208 226

HSL 201.6, 0.46%, 0.79%

LAB 81.75, -6.73, -12.42

 

Complementary color

CMYK 0 / 41 / 63 / 69

HEX #4F2F1D

RGB 79 47 29

HSL 21.6, 0.46%, 0.21%

LAB 22.94, 12.52, 17.58

 

CMYK 18 / 6 / 0 / 13

HEX #B5D0DD

RGB 181 208 221

HSL 199.5, 0.37%, 0.79%

LAB 81.92, -6.28, -9.46

 

CMYK 18 / 6 / 0 / 6

HEX #C6E2F0

RGB 198 226 240

HSL 200, 0.58%, 0.86%

LAB 88.3, -6.33, -9.92

 

CMYK 16 / 4 / 0 / 0

HEX #D7F4FF

RGB 215 244 255

HSL 196.5, 1%, 0.92%

LAB 94.47, -7.2, -8.47

 

CMYK 9 / 0 / 0 / 0

HEX #E8FFFF

RGB 232 255 255

HSL 180, 1%, 0.95%

LAB 98.39, -7.43, -2.56

 

CMYK 2 / 0 / 0 / 0

HEX #F9FFFF

RGB 249 255 255

HSL 180, 1%, 0.99%

LAB 99.57, -1.96, -0.7

 

CMYK 22 / 8 / 0 / 11

HEX #B0D0E2

RGB 176 208 226

HSL 201.6, 0.46%, 0.79%

LAB 81.75, -6.73, -12.42

 

CMYK 23 / 8 / 0 / 19

HEX #9FBECF

RGB 159 190 207

HSL 201.25, 0.33%, 0.72%

LAB 75.27, -6.67, -12

 

CMYK 24 / 9 / 0 / 26

HEX #8EACBC

RGB 142 172 188

HSL 200.87, 0.26%, 0.65%

LAB 68.67, -6.62, -11.58

 

CMYK 26 / 9 / 0 / 34

HEX #7D9AA9

RGB 125 154 169

HSL 200.45, 0.2%, 0.58%

LAB 61.94, -6.57, -11.16

 

CMYK 28 / 9 / 0 / 41

HEX #6C8896

RGB 108 136 150

HSL 200, 0.17%, 0.51%

LAB 55.07, -6.52, -10.73

 

CMYK 22 / 8 / 0 / 11

HEX #B1D0E2

RGB 177 208 226

HSL 202.04, 0.46%, 0.79%

LAB 81.81, -6.43, -12.32

 

CMYK 22 / 14 / 0 / 11

HEX #B1C3E2

RGB 177 195 226

HSL 217.96, 0.46%, 0.79%

LAB 78.38, 0.46, -17.47

 

CMYK 22 / 19 / 0 / 11

HEX #B1B6E2

RGB 177 182 226

HSL 233.88, 0.46%, 0.79%

LAB 75.01, 7.5, -22.58

 

CMYK 18 / 22 / 0 / 11

HEX #B9B1E2

RGB 185 177 226

HSL 249.8, 0.46%, 0.79%

LAB 74.35, 12.73, -23.53

 

CMYK 12 / 22 / 0 / 11

HEX #C6B1E2

RGB 198 177 226

HSL 265.71, 0.46%, 0.79%

LAB 75.41, 16.84, -21.81

 

CMYK 22 / 8 / 0 / 11

HEX #B1D0E2

RGB 177 208 226

HSL 202.04, 0.46%, 0.79%

LAB 81.81, -6.43, -12.32

 

CMYK 22 / 14 / 0 / 11

HEX #B1C3E2

RGB 177 195 226

HSL 217.96, 0.46%, 0.79%

LAB 78.38, 0.46, -17.47

 

CMYK 22 / 19 / 0 / 11

HEX #B1B6E2

RGB 177 182 226

HSL 233.88, 0.46%, 0.79%

LAB 75.01, 7.5, -22.58

 

CMYK 22 / 22 / 0 / 11

HEX #B1B1E2

RGB 177 177 226

HSL 240, 0.46%, 0.79%

LAB 73.73, 10.25, -24.54

 

CMYK 22 / 8 / 0 / 11

HEX #B1D0E2

RGB 177 208 226

HSL 202.04, 0.46%, 0.79%

LAB 81.81, -6.43, -12.32

 

CMYK 29 / 10 / 0 / 8

HEX #A8D3EB

RGB 168 211 235

HSL 201.49, 0.63%, 0.79%

LAB 82.33, -8.61, -16.4

 

CMYK 35 / 12 / 0 / 5

HEX #9FD5F3

RGB 159 213 243

HSL 201.43, 0.78%, 0.79%

LAB 82.61, -10.24, -20.28

 

CMYK 40 / 14 / 0 / 1

HEX #97D8FC

RGB 151 216 252

HSL 201.39, 0.94%, 0.79%

LAB 83.29, -11.62, -24.05

 

CMYK 22 / 8 / 0 / 11

HEX #B1D0E2

RGB 177 208 226

HSL 202.04, 0.46%, 0.79%

LAB 81.81, -6.43, -12.32

 

CMYK 15 / 5 / 0 / 15

HEX #B9CED9

RGB 185 206 217

HSL 200.63, 0.3%, 0.79%

LAB 81.55, -4.81, -7.85

 

CMYK 7 / 3 / 0 / 18

HEX #C2CBD1

RGB 194 203 209

HSL 204, 0.14%, 0.79%

LAB 81.17, -1.91, -4.05

HEX #C2CBD1

CMYK 0 / 1 / 1 / 20

HEX #CBC9C8

RGB 203 201 200

HSL 20, 0.03%, 0.79%

LAB 81.09, 0.51, 0.73

HEX #CBC9C8

CMYK 0 / 6 / 9 / 17

HEX #D3C7BF

RGB 211 199 191

HSL 24, 0.19%, 0.79%

LAB 80.99, 2.81, 5.49

HEX #D3C7BF

CMYK 22 / 0 / 4 / 11

HEX #B1E2D9

RGB 177 226 217

HSL 168.98, 0.46%, 0.79%

LAB 86.38, -17.55, -0.79

 

CMYK 22 / 2 / 0 / 11

HEX #B1DEE2

RGB 177 222 226

HSL 184.9, 0.46%, 0.79%

LAB 85.54, -13.64, -6.77

 

CMYK 22 / 8 / 0 / 11

HEX #B1D1E2

RGB 177 209 226

HSL 200.82, 0.46%, 0.79%

LAB 82.08, -6.95, -11.93

 

CMYK 22 / 13 / 0 / 11

HEX #B1C4E2

RGB 177 196 226

HSL 216.73, 0.46%, 0.79%

LAB 78.65, -0.08, -17.07

 

CMYK 22 / 19 / 0 / 11

HEX #B1B7E2

RGB 177 183 226

HSL 232.65, 0.46%, 0.79%

LAB 75.27, 6.96, -22.19

 

CMYK 43 / 16 / 0 / 20

HEX #75ACCC

RGB 117 172 204

HSL 202.07, 0.46%, 0.63%

LAB 67.76, -9.65, -21.94

 

CMYK 32 / 12 / 0 / 16

HEX #93BED7

RGB 147 190 215

HSL 202.06, 0.46%, 0.71%

LAB 74.78, -8.34, -17.14

 

CMYK 22 / 8 / 0 / 11

HEX #B1D0E2

RGB 177 208 226

HSL 202.04, 0.46%, 0.79%

LAB 81.81, -6.43, -12.32

 

CMYK 13 / 5 / 0 / 7

HEX #CFE2ED

RGB 207 226 237

HSL 202, 0.45%, 0.87%

LAB 88.81, -4.13, -7.51

 

CMYK 4 / 2 / 0 / 3

HEX #EDF4F8

RGB 237 244 248

HSL 201.82, 0.44%, 0.95%

LAB 95.78, -1.58, -2.74

 

CMYK 22 / 8 / 0 / 11

HEX #B0D0E2

RGB 176 208 226

HSL 201.6, 0.46%, 0.79%

LAB 81.75, -6.73, -12.42

 

CMYK 10 / 22 / 0 / 11

HEX #CCB1E2

RGB 204 177 226

HSL 273.06, 0.46%, 0.79%

LAB 75.93, 18.76, -20.98

 

CMYK 0 / 1 / 22 / 11

HEX #E2E0B1

RGB 226 224 177

HSL 57.55, 0.46%, 0.79%

LAB 88.28, -6.83, 23.32

 

CMYK 22 / 8 / 0 / 11

HEX #B0D0E2

RGB 176 208 226

HSL 201.6, 0.46%, 0.79%

LAB 81.75, -6.73, -12.42

 

CMYK 0 / 22 / 8 / 11

HEX #E2B1D1

RGB 226 177 209

HSL 320.82, 0.46%, 0.79%

LAB 77.41, 22.91, -9.32

 

CMYK 8 / 0 / 22 / 11

HEX #D1E2B1

RGB 209 226 177

HSL 80.82, 0.46%, 0.79%

LAB 87.54, -14.02, 22.11

 

CMYK 22 / 8 / 0 / 11

HEX #B0D0E2

RGB 176 208 226

HSL 201.6, 0.46%, 0.79%

LAB 81.75, -6.73, -12.42

 

CMYK 10 / 22 / 0 / 11

HEX #CCB1E2

RGB 204 177 226

HSL 273.06, 0.46%, 0.79%

LAB 75.93, 18.76, -20.98

 

CMYK 0 / 14 / 22 / 11

HEX #E2C2B1

RGB 226 194 177

HSL 20.82, 0.46%, 0.79%

LAB 80.7, 8.73, 12.74

 

CMYK 12 / 0 / 22 / 11

HEX #C7E2B1

RGB 199 226 177

HSL 93.06, 0.46%, 0.79%

LAB 86.85, -17.57, 21.05

 

CMYK 22 / 8 / 0 / 11

HEX #B0D0E2

RGB 176 208 226

HSL 201.6, 0.46%, 0.79%

LAB 81.75, -6.73, -12.42

 

CMYK 3 / 22 / 0 / 11

HEX #DBB1E2

RGB 219 177 226

HSL 291.43, 0.46%, 0.79%

LAB 77.28, 23.65, -18.81

 

CMYK 0 / 14 / 22 / 11

HEX #E2C2B1

RGB 226 194 177

HSL 20.82, 0.46%, 0.79%

LAB 80.7, 8.73, 12.74

 

CMYK 19 / 0 / 22 / 11

HEX #B8E2B1

RGB 184 226 177

HSL 111.43, 0.46%, 0.79%

LAB 85.88, -22.76, 19.55

 

Description

Color code: HEX #B0D0E2 | qconv.com Color code: HEX #B0D0E2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 208 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 208 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 8 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 8% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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