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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 14 / 22 / 11 it is the complementary color CMYK 64 / 23 / 0 / 69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 14 / 22 / 11. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 14 / 22 / 11: CMYK 0 / 16 / 26 / 9, CMYK 0 / 14 / 23 / 2, CMYK 0 / 9 / 18 / 0, CMYK 0 / 2 / 10 / 0 and CMYK 0 / 0 / 3 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 14 / 22 / 11. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 14 / 22 / 11: CMYK 0 / 14 / 22 / 11, CMYK 0 / 16 / 25 / 18, CMYK 0 / 18 / 28 / 24, CMYK 0 / 20 / 32 / 31 and CMYK 0 / 23 / 36 / 38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 22 / 11

HEX #E3C3B1

RGB 227 195 177

HSL 21.6, 0.47%, 0.79%

LAB 81.04, 8.58, 13.23

 

Complementary color

CMYK 64 / 23 / 0 / 69

HEX #1C3C4E

RGB 28 60 78

HSL 201.6, 0.47%, 0.21%

LAB 23.77, -5.54, -14.51

 

CMYK 0 / 16 / 26 / 9

HEX #E8C3AC

RGB 232 195 172

HSL 23, 0.57%, 0.79%

LAB 81.38, 9.74, 16.46

 

CMYK 0 / 14 / 23 / 2

HEX #F9D5BF

RGB 249 213 191

HSL 22.76, 0.83%, 0.86%

LAB 87.72, 9.27, 15.52

 

CMYK 0 / 9 / 18 / 0

HEX #FFE7D2

RGB 255 231 210

HSL 28, 1%, 0.91%

LAB 93.04, 4.91, 13.19

 

CMYK 0 / 2 / 10 / 0

HEX #FFF9E5

RGB 255 249 229

HSL 46.15, 1%, 0.95%

LAB 97.9, -1.31, 10.3

 

CMYK 0 / 0 / 3 / 0

HEX #FFFFF8

RGB 255 255 248

HSL 60, 1%, 0.99%

LAB 99.83, -1.2, 3.33

 

CMYK 0 / 14 / 22 / 11

HEX #E3C3B1

RGB 227 195 177

HSL 21.6, 0.47%, 0.79%

LAB 81.04, 8.58, 13.23

 

CMYK 0 / 16 / 25 / 18

HEX #D2B19E

RGB 210 177 158

HSL 21.92, 0.37%, 0.72%

LAB 74.58, 9.04, 14.16

 

CMYK 0 / 18 / 28 / 24

HEX #C19F8B

RGB 193 159 139

HSL 22.22, 0.3%, 0.65%

LAB 68.02, 9.56, 15.15

 

CMYK 0 / 20 / 32 / 31

HEX #B08D78

RGB 176 141 120

HSL 22.5, 0.26%, 0.58%

LAB 61.34, 10.15, 16.22

 

CMYK 0 / 23 / 36 / 38

HEX #9F7B65

RGB 159 123 101

HSL 22.76, 0.23%, 0.51%

LAB 54.53, 10.84, 17.4

 

CMYK 0 / 14 / 22 / 11

HEX #E3C3B1

RGB 227 195 177

HSL 21.6, 0.47%, 0.79%

LAB 81.04, 8.58, 13.23

 

CMYK 0 / 11 / 22 / 11

HEX #E2CAB0

RGB 226 202 176

HSL 31.2, 0.46%, 0.79%

LAB 82.67, 4.38, 16.05

 

CMYK 0 / 7 / 22 / 11

HEX #E2D2B0

RGB 226 210 176

HSL 40.8, 0.46%, 0.79%

LAB 84.69, 0.21, 18.87

 

CMYK 0 / 3 / 22 / 11

HEX #E2DBB0

RGB 226 219 176

HSL 51.6, 0.46%, 0.79%

LAB 86.98, -4.42, 22.05

 

CMYK 0 / 0 / 22 / 11

HEX #E1E2B0

RGB 225 226 176

HSL 61.2, 0.46%, 0.79%

LAB 88.7, -8.35, 24.41

 

CMYK 0 / 14 / 22 / 11

HEX #E3C3B1

RGB 227 195 177

HSL 21.6, 0.47%, 0.79%

LAB 81.04, 8.58, 13.23

 

CMYK 0 / 13 / 22 / 91

HEX #171412

RGB 23 20 18

HSL 24, 0.12%, 0.08%

LAB 6.56, 0.92, 1.66

 

CMYK 0 / 14 / 22 / 71

HEX #4A403A

RGB 74 64 58

HSL 22.5, 0.12%, 0.26%

LAB 27.92, 3.15, 5.25

 

CMYK 0 / 14 / 22 / 51

HEX #7D6B61

RGB 125 107 97

HSL 21.43, 0.13%, 0.44%

LAB 46.63, 5.39, 8.23

 

CMYK 0 / 14 / 22 / 31

HEX #B09789

RGB 176 151 137

HSL 21.54, 0.2%, 0.61%

LAB 64.3, 7.03, 10.8

 

CMYK 0 / 14 / 22 / 11

HEX #E3C3B1

RGB 227 195 177

HSL 21.6, 0.47%, 0.79%

LAB 81.04, 8.58, 13.23

 

CMYK 12 / 0 / 22 / 11

HEX #C6E2B0

RGB 198 226 176

HSL 93.6, 0.46%, 0.79%

LAB 86.77, -18.08, 21.44

 

CMYK 22 / 21 / 0 / 11

HEX #B0B2E2

RGB 176 178 226

HSL 237.6, 0.46%, 0.79%

LAB 73.91, 9.39, -24.27

 

CMYK 0 / 14 / 22 / 11

HEX #E3C3B1

RGB 227 195 177

HSL 21.6, 0.47%, 0.79%

LAB 81.04, 8.58, 13.23

 

CMYK 22 / 0 / 15 / 11

HEX #B0E2C1

RGB 176 226 193

HSL 140.4, 0.46%, 0.79%

LAB 85.74, -22.58, 10.91

 

CMYK 15 / 22 / 0 / 11

HEX #C1B0E2

RGB 193 176 226

HSL 260.4, 0.46%, 0.79%

LAB 74.75, 15.79, -22.87

 

CMYK 0 / 14 / 22 / 11

HEX #E3C3B1

RGB 227 195 177

HSL 21.6, 0.47%, 0.79%

LAB 81.04, 8.58, 13.23

 

CMYK 12 / 0 / 22 / 11

HEX #C6E2B0

RGB 198 226 176

HSL 93.6, 0.46%, 0.79%

LAB 86.77, -18.08, 21.44

 

CMYK 22 / 8 / 0 / 11

HEX #B0D1E2

RGB 176 209 226

HSL 200.4, 0.46%, 0.79%

LAB 82.01, -7.25, -12.03

 

CMYK 10 / 22 / 0 / 11

HEX #CBB0E2

RGB 203 176 226

HSL 272.4, 0.46%, 0.79%

LAB 75.6, 18.99, -21.49

 

CMYK 0 / 14 / 22 / 11

HEX #E3C3B1

RGB 227 195 177

HSL 21.6, 0.47%, 0.79%

LAB 81.04, 8.58, 13.23

 

CMYK 19 / 0 / 22 / 11

HEX #B7E2B0

RGB 183 226 176

HSL 111.6, 0.46%, 0.79%

LAB 85.8, -23.26, 19.95

 

CMYK 22 / 8 / 0 / 11

HEX #B0D1E2

RGB 176 209 226

HSL 200.4, 0.46%, 0.79%

LAB 82.01, -7.25, -12.03

 

CMYK 3 / 22 / 0 / 11

HEX #DBB0E2

RGB 219 176 226

HSL 291.6, 0.46%, 0.79%

LAB 77.04, 24.19, -19.17

 

Description

Color code: CMYK 0 / 14 / 22 / 11 | qconv.com Color code: CMYK 0 / 14 / 22 / 11 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 195 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 195 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 22 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 22% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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