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Color name
RGB 164 53 235

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 164 53 235 it is the complementary color RGB 91 202 20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 164 53 235. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 164 53 235 shade: RGB 169 53 230, RGB 186 71 249, RGB 203 89 255, RGB 220 107 255 and RGB 237 125 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 164 53 235. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 164 53 235 shade: RGB 164 53 235, RGB 147 35 216, RGB 130 17 197, RGB 113 0 178 and RGB 96 0 159

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 164 53 235 shade: RGB 163 51 235, RGB 213 51 235, RGB 235 51 207, RGB 235 51 158 and RGB 235 51 108

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 164 53 235 shade: RGB 163 51 235, RGB 113 51 235, RGB 64 51 235 and RGB 51 51 235

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 164 53 235 shade matches the following richer shades: RGB 163 51 235 and RGB 167 33 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 164 53 235 shade: RGB 163 51 235, RGB 159 69 217, RGB 155 87 198, RGB 151 105 180 and RGB 147 123 162

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 164 53 235 shade: RGB 63 51 235, RGB 112 51 235, RGB 161 51 235, RGB 210 51 235 and RGB 235 51 210

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 164 53 235 shade: RGB 120 18 185, RGB 144 22 222, RGB 163 51 235, RGB 180 88 239 and RGB 197 126 242

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 164 53 235 shade: RGB 164 53 235, RGB 235 51 88 and RGB 51 235 88

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 164 53 235 shade: RGB 164 53 235, RGB 235 161 51 and RGB 51 235 161

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 164 53 235 shade: RGB 164 53 235, RGB 235 51 88, RGB 124 235 51 and RGB 51 235 198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 164 53 235 shade: RGB 164 53 235, RGB 235 69 51, RGB 124 235 51 and RGB 51 216 235

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 77 / 0 / 8

HEX #A435EB

RGB 164 53 235

HSL 276.59, 0.82%, 0.56%

LAB 47.54, 72.41, -70.99

 

Complementary color

CMYK 55 / 0 / 90 / 21

HEX #5BCA14

RGB 91 202 20

HSL 96.59, 0.82%, 0.44%

LAB 72.57, -59.04, 69.27

 

CMYK 27 / 77 / 0 / 10

HEX #A935E6

RGB 169 53 230

HSL 279.32, 0.78%, 0.55%

LAB 47.87, 72.23, -67.6

 

CMYK 25 / 71 / 0 / 2

HEX #BA47F9

RGB 186 71 249

HSL 278.76, 0.94%, 0.63%

LAB 53.8, 72.59, -68.56

 

CMYK 20 / 65 / 0 / 0

HEX #CB59FF

RGB 203 89 255

HSL 281.2, 1%, 0.67%

LAB 59.03, 69.87, -63.34

 

CMYK 14 / 58 / 0 / 0

HEX #DC6BFF

RGB 220 107 255

HSL 285.81, 1%, 0.71%

LAB 64.12, 65.73, -55.08

 

CMYK 7 / 51 / 0 / 0

HEX #ED7DFF

RGB 237 125 255

HSL 291.69, 1%, 0.75%

LAB 69.39, 61.58, -46.61

 

CMYK 30 / 77 / 0 / 8

HEX #A435EB

RGB 164 53 235

HSL 276.59, 0.82%, 0.56%

LAB 47.54, 72.41, -70.99

 

CMYK 32 / 84 / 0 / 15

HEX #9323D8

RGB 147 35 216

HSL 277.13, 0.72%, 0.49%

LAB 41.79, 71.4, -69.66

 

CMYK 34 / 91 / 0 / 23

HEX #8211C5

RGB 130 17 197

HSL 277.67, 0.84%, 0.42%

LAB 36.32, 69.28, -67.67

 

CMYK 37 / 100 / 0 / 30

HEX #7100B2

RGB 113 0 178

HSL 278.09, 1%, 0.35%

LAB 31.17, 65.94, -64.99

 

CMYK 40 / 100 / 0 / 38

HEX #60009F

RGB 96 0 159

HSL 276.23, 1%, 0.31%

LAB 26.71, 60.19, -60.96

 

CMYK 31 / 78 / 0 / 8

HEX #A333EB

RGB 163 51 235

HSL 276.52, 0.82%, 0.56%

LAB 47.17, 72.92, -71.6

 

CMYK 9 / 78 / 0 / 8

HEX #D533EB

RGB 213 51 235

HSL 292.83, 0.82%, 0.56%

LAB 54.57, 81.51, -59.29

 

CMYK 0 / 78 / 12 / 8

HEX #EB33CF

RGB 235 51 207

HSL 309.13, 0.82%, 0.56%

LAB 56.62, 81.55, -39.94

 

CMYK 0 / 78 / 33 / 8

HEX #EB339E

RGB 235 51 158

HSL 325.11, 0.82%, 0.56%

LAB 54.55, 75.57, -14.7

 

CMYK 0 / 78 / 54 / 8

HEX #EB336C

RGB 235 51 108

HSL 341.41, 0.82%, 0.56%

LAB 53.07, 71.11, 13

 

CMYK 31 / 78 / 0 / 8

HEX #A333EB

RGB 163 51 235

HSL 276.52, 0.82%, 0.56%

LAB 47.17, 72.92, -71.6

 

CMYK 52 / 78 / 0 / 8

HEX #7133EB

RGB 113 51 235

HSL 260.22, 0.82%, 0.56%

LAB 41.02, 65.76, -81.92

 

CMYK 73 / 78 / 0 / 8

HEX #4033EB

RGB 64 51 235

HSL 244.24, 0.82%, 0.56%

LAB 36.85, 60.89, -88.95

 

CMYK 78 / 78 / 0 / 8

HEX #3333EB

RGB 51 51 235

HSL 240, 0.82%, 0.56%

LAB 36.12, 60.04, -90.18

 

CMYK 31 / 78 / 0 / 8

HEX #A333EB

RGB 163 51 235

HSL 276.52, 0.82%, 0.56%

LAB 47.17, 72.92, -71.6

 

CMYK 34 / 87 / 0 / 1

HEX #A721FD

RGB 167 33 253

HSL 276.55, 0.98%, 0.56%

LAB 47.49, 82.01, -81.17

 

CMYK 31 / 78 / 0 / 8

HEX #A333EB

RGB 163 51 235

HSL 276.52, 0.82%, 0.56%

LAB 47.17, 72.92, -71.6

 

CMYK 27 / 68 / 0 / 15

HEX #9F45D9

RGB 159 69 217

HSL 276.49, 0.66%, 0.56%

LAB 47.8, 61.42, -60.39

 

CMYK 22 / 56 / 0 / 22

HEX #9B57C6

RGB 155 87 198

HSL 276.76, 0.49%, 0.56%

LAB 49.33, 47.58, -47.07

 

CMYK 16 / 42 / 0 / 29

HEX #9769B4

RGB 151 105 180

HSL 276.8, 0.33%, 0.56%

LAB 51.81, 32.5, -32.79

 

CMYK 9 / 24 / 0 / 36

HEX #937BA2

RGB 147 123 162

HSL 276.92, 0.17%, 0.56%

LAB 55.05, 16.81, -17.4

 

CMYK 73 / 78 / 0 / 8

HEX #3F33EB

RGB 63 51 235

HSL 243.91, 0.82%, 0.56%

LAB 36.79, 60.82, -89.05

 

CMYK 52 / 78 / 0 / 8

HEX #7033EB

RGB 112 51 235

HSL 259.89, 0.82%, 0.56%

LAB 40.91, 65.63, -82.1

 

CMYK 31 / 78 / 0 / 8

HEX #A133EB

RGB 161 51 235

HSL 275.87, 0.82%, 0.56%

LAB 46.9, 72.6, -72.06

 

CMYK 11 / 78 / 0 / 8

HEX #D233EB

RGB 210 51 235

HSL 291.85, 0.82%, 0.56%

LAB 54.1, 80.97, -60.06

 

CMYK 0 / 78 / 11 / 8

HEX #EB33D2

RGB 235 51 210

HSL 308.15, 0.82%, 0.56%

LAB 56.77, 81.96, -41.42

 

CMYK 35 / 90 / 0 / 27

HEX #7812B9

RGB 120 18 185

HSL 276.65, 0.82%, 0.4%

LAB 33.83, 65.35, -64.74

 

CMYK 35 / 90 / 0 / 13

HEX #9016DE

RGB 144 22 222

HSL 276.6, 0.82%, 0.48%

LAB 40.86, 75.16, -74.63

 

CMYK 31 / 78 / 0 / 8

HEX #A333EB

RGB 163 51 235

HSL 276.52, 0.82%, 0.56%

LAB 47.17, 72.92, -71.6

 

CMYK 25 / 63 / 0 / 6

HEX #B458EF

RGB 180 88 239

HSL 276.56, 0.83%, 0.64%

LAB 54.98, 62.03, -61.11

 

CMYK 19 / 48 / 0 / 5

HEX #C57EF2

RGB 197 126 242

HSL 276.72, 0.82%, 0.72%

LAB 64.32, 47.79, -47.78

 

CMYK 30 / 77 / 0 / 8

HEX #A435EB

RGB 164 53 235

HSL 276.59, 0.82%, 0.56%

LAB 47.54, 72.41, -70.99

 

CMYK 0 / 78 / 63 / 8

HEX #EB3358

RGB 235 51 88

HSL 347.93, 0.82%, 0.56%

LAB 52.66, 69.82, 24.46

 

CMYK 78 / 0 / 63 / 8

HEX #33EB58

RGB 51 235 88

HSL 132.07, 0.82%, 0.56%

LAB 82.28, -72.81, 57.22

 

CMYK 30 / 77 / 0 / 8

HEX #A435EB

RGB 164 53 235

HSL 276.59, 0.82%, 0.56%

LAB 47.54, 72.41, -70.99

 

CMYK 0 / 31 / 78 / 8

HEX #EBA133

RGB 235 161 51

HSL 35.87, 0.82%, 0.56%

LAB 71.82, 18.54, 64.3

 

CMYK 78 / 0 / 31 / 8

HEX #33EBA1

RGB 51 235 161

HSL 155.87, 0.82%, 0.56%

LAB 83.28, -61.19, 23.49

 

CMYK 30 / 77 / 0 / 8

HEX #A435EB

RGB 164 53 235

HSL 276.59, 0.82%, 0.56%

LAB 47.54, 72.41, -70.99

 

CMYK 0 / 78 / 63 / 8

HEX #EB3358

RGB 235 51 88

HSL 347.93, 0.82%, 0.56%

LAB 52.66, 69.82, 24.46

 

CMYK 47 / 0 / 78 / 8

HEX #7CEB33

RGB 124 235 51

HSL 96.2, 0.82%, 0.56%

LAB 83.93, -60.43, 72.72

 

CMYK 78 / 0 / 16 / 8

HEX #33EBC6

RGB 51 235 198

HSL 167.93, 0.82%, 0.56%

LAB 84.07, -52.72, 5.31

 

CMYK 30 / 77 / 0 / 8

HEX #A435EB

RGB 164 53 235

HSL 276.59, 0.82%, 0.56%

LAB 47.54, 72.41, -70.99

 

CMYK 0 / 71 / 78 / 8

HEX #EB4533

RGB 235 69 51

HSL 5.87, 0.82%, 0.56%

LAB 54.19, 62.48, 47.27

 

CMYK 47 / 0 / 78 / 8

HEX #7CEB33

RGB 124 235 51

HSL 96.2, 0.82%, 0.56%

LAB 83.93, -60.43, 72.72

 

CMYK 78 / 8 / 0 / 8

HEX #33D8EB

RGB 51 216 235

HSL 186.2, 0.82%, 0.56%

LAB 79.51, -34.14, -21.07

 

Description

Color code: RGB 164 53 235 | qconv.com Color code: RGB 164 53 235 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 53 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 53 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 77 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 77% 0% 8% C M Y K

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Provide designers and agencies with accurate color values.

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