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Color name
HEX #EB339E

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB339E it is the complementary color #14CC61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB339E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB339E shade: #F03399, #FF45AC, #FF57BF, #FF69D2 and #FF7BE5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB339E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB339E shade: #EB339E, #DA218B, #C90F78, #B80065 and #A70052

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB339E shade: #EB339E, #EB336C, #EB333B and #EB3333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB339E shade: #EB339E, #EB33CF, #D533EB, #A333EB and #7133EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB339E shade matches the following richer shades: #EB339E and #FD21A1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB339E shade: #EB339E, #D9459B, #C65798, #B46995 and #A27B92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB339E shade: #D533EB, #EB33CF, #EB339E, #EB336D and #EB333C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB339E shade: #B91273, #DE168A, #EB339E, #EF58B0 and #F27EC2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB339E shade: #EB339E, #EBA433 and #33E8EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB339E shade: #EB339E, #9EEB33 and #339EEB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB339E shade: #EB339E, #EBA433, #33EB7F and #3379EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB339E shade: #EB339E, #EBDB33, #33EB7F and #3342EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 33 / 8

HEX #EB339E

RGB 235 51 158

HSL 325.11, 0.82%, 0.56%

LAB 54.55, 75.57, -14.7

 

Complementary color

CMYK 90 / 0 / 52 / 20

HEX #14CC61

RGB 20 204 97

HSL 145.11, 0.82%, 0.44%

LAB 72.36, -64.66, 41.43

 

CMYK 0 / 79 / 36 / 6

HEX #F03399

RGB 240 51 153

HSL 327.62, 0.86%, 0.57%

LAB 55.27, 76.25, -10.58

 

CMYK 0 / 73 / 33 / 0

HEX #FF45AC

RGB 255 69 172

HSL 326.77, 1%, 0.64%

LAB 60.33, 76.79, -13.81

 

CMYK 0 / 66 / 25 / 0

HEX #FF57BF

RGB 255 87 191

HSL 322.86, 1%, 0.67%

LAB 63.21, 72.83, -20.35

 

CMYK 0 / 59 / 18 / 0

HEX #FF69D2

RGB 255 105 210

HSL 318, 1%, 0.71%

LAB 66.53, 68.17, -25.99

 

CMYK 0 / 52 / 10 / 0

HEX #FF7BE5

RGB 255 123 229

HSL 311.82, 1%, 0.74%

LAB 70.23, 63.02, -30.86

 

CMYK 0 / 78 / 33 / 8

HEX #EB339E

RGB 235 51 158

HSL 325.11, 0.82%, 0.56%

LAB 54.55, 75.57, -14.7

 

CMYK 0 / 85 / 36 / 15

HEX #DA218B

RGB 218 33 139

HSL 325.62, 0.74%, 0.49%

LAB 49.32, 73.78, -11.57

 

CMYK 0 / 93 / 40 / 21

HEX #C90F78

RGB 201 15 120

HSL 326.13, 0.86%, 0.42%

LAB 44.4, 70.96, -7.7

 

CMYK 0 / 100 / 45 / 28

HEX #B80065

RGB 184 0 101

HSL 327.07, 1%, 0.36%

LAB 39.8, 67.02, -3.02

 

CMYK 0 / 100 / 51 / 35

HEX #A70052

RGB 167 0 82

HSL 330.54, 1%, 0.33%

LAB 35.64, 61.62, 2.68

 

CMYK 0 / 78 / 33 / 8

HEX #EB339E

RGB 235 51 158

HSL 325.11, 0.82%, 0.56%

LAB 54.55, 75.57, -14.7

 

CMYK 0 / 78 / 54 / 8

HEX #EB336C

RGB 235 51 108

HSL 341.41, 0.82%, 0.56%

LAB 53.07, 71.11, 13

 

CMYK 0 / 78 / 75 / 8

HEX #EB333B

RGB 235 51 59

HSL 357.39, 0.82%, 0.56%

LAB 52.23, 68.47, 40.87

 

CMYK 0 / 78 / 78 / 8

HEX #EB3333

RGB 235 51 51

HSL 0, 0.82%, 0.56%

LAB 52.14, 68.2, 45.18

 

CMYK 0 / 78 / 33 / 8

HEX #EB339E

RGB 235 51 158

HSL 325.11, 0.82%, 0.56%

LAB 54.55, 75.57, -14.7

 

CMYK 0 / 78 / 12 / 8

HEX #EB33CF

RGB 235 51 207

HSL 309.13, 0.82%, 0.56%

LAB 56.62, 81.55, -39.94

 

CMYK 9 / 78 / 0 / 8

HEX #D533EB

RGB 213 51 235

HSL 292.83, 0.82%, 0.56%

LAB 54.57, 81.51, -59.29

 

CMYK 31 / 78 / 0 / 8

HEX #A333EB

RGB 163 51 235

HSL 276.52, 0.82%, 0.56%

LAB 47.17, 72.92, -71.6

 

CMYK 52 / 78 / 0 / 8

HEX #7133EB

RGB 113 51 235

HSL 260.22, 0.82%, 0.56%

LAB 41.02, 65.76, -81.92

 

CMYK 0 / 78 / 33 / 8

HEX #EB339E

RGB 235 51 158

HSL 325.11, 0.82%, 0.56%

LAB 54.55, 75.57, -14.7

 

CMYK 0 / 87 / 36 / 1

HEX #FD21A1

RGB 253 33 161

HSL 325.09, 0.98%, 0.56%

LAB 56.63, 83.69, -13.02

 

CMYK 0 / 78 / 33 / 8

HEX #EB339E

RGB 235 51 158

HSL 325.11, 0.82%, 0.56%

LAB 54.55, 75.57, -14.7

 

CMYK 0 / 68 / 29 / 15

HEX #D9459B

RGB 217 69 155

HSL 325.14, 0.66%, 0.56%

LAB 53.36, 65.01, -15.04

 

CMYK 0 / 56 / 23 / 22

HEX #C65798

RGB 198 87 152

HSL 324.86, 0.49%, 0.56%

LAB 53.05, 51.53, -14.02

 

CMYK 0 / 42 / 17 / 29

HEX #B46995

RGB 180 105 149

HSL 324.8, 0.33%, 0.56%

LAB 54, 36.03, -11.06

 

CMYK 0 / 24 / 10 / 36

HEX #A27B92

RGB 162 123 146

HSL 324.62, 0.17%, 0.56%

LAB 56.01, 18.99, -6.53

 

CMYK 9 / 78 / 0 / 8

HEX #D533EB

RGB 213 51 235

HSL 292.83, 0.82%, 0.56%

LAB 54.57, 81.51, -59.29

 

CMYK 0 / 78 / 12 / 8

HEX #EB33CF

RGB 235 51 207

HSL 309.13, 0.82%, 0.56%

LAB 56.62, 81.55, -39.94

 

CMYK 0 / 78 / 33 / 8

HEX #EB339E

RGB 235 51 158

HSL 325.11, 0.82%, 0.56%

LAB 54.55, 75.57, -14.7

 

CMYK 0 / 78 / 54 / 8

HEX #EB336D

RGB 235 51 109

HSL 341.09, 0.82%, 0.56%

LAB 53.1, 71.18, 12.43

 

CMYK 0 / 78 / 74 / 8

HEX #EB333C

RGB 235 51 60

HSL 357.07, 0.82%, 0.56%

LAB 52.24, 68.51, 40.32

 

CMYK 0 / 90 / 38 / 27

HEX #B91273

RGB 185 18 115

HSL 325.15, 0.82%, 0.4%

LAB 41.19, 66.49, -9.73

 

CMYK 0 / 90 / 38 / 13

HEX #DE168A

RGB 222 22 138

HSL 325.2, 0.82%, 0.48%

LAB 49.42, 76.39, -10.75

 

CMYK 0 / 78 / 33 / 8

HEX #EB339E

RGB 235 51 158

HSL 325.11, 0.82%, 0.56%

LAB 54.55, 75.57, -14.7

 

CMYK 0 / 63 / 26 / 6

HEX #EF58B0

RGB 239 88 176

HSL 325.03, 0.83%, 0.64%

LAB 60.31, 66.26, -16.41

 

CMYK 0 / 48 / 20 / 5

HEX #F27EC2

RGB 242 126 194

HSL 324.83, 0.82%, 0.72%

LAB 67.79, 52.46, -15.27

 

CMYK 0 / 78 / 33 / 8

HEX #EB339E

RGB 235 51 158

HSL 325.11, 0.82%, 0.56%

LAB 54.55, 75.57, -14.7

 

CMYK 0 / 30 / 78 / 8

HEX #EBA433

RGB 235 164 51

HSL 36.85, 0.82%, 0.56%

LAB 72.53, 16.95, 64.95

 

CMYK 78 / 1 / 0 / 8

HEX #33E8EB

RGB 51 232 235

HSL 180.98, 0.82%, 0.56%

LAB 84.18, -41.49, -14.03

 

CMYK 0 / 78 / 33 / 8

HEX #EB339E

RGB 235 51 158

HSL 325.11, 0.82%, 0.56%

LAB 54.55, 75.57, -14.7

 

CMYK 33 / 0 / 78 / 8

HEX #9EEB33

RGB 158 235 51

HSL 85.11, 0.82%, 0.56%

LAB 85.47, -49.38, 74.7

 

CMYK 78 / 33 / 0 / 8

HEX #339EEB

RGB 51 158 235

HSL 205.11, 0.82%, 0.56%

LAB 62.64, -3.96, -47.19

 

CMYK 0 / 78 / 33 / 8

HEX #EB339E

RGB 235 51 158

HSL 325.11, 0.82%, 0.56%

LAB 54.55, 75.57, -14.7

 

CMYK 0 / 30 / 78 / 8

HEX #EBA433

RGB 235 164 51

HSL 36.85, 0.82%, 0.56%

LAB 72.53, 16.95, 64.95

 

CMYK 78 / 0 / 46 / 8

HEX #33EB7F

RGB 51 235 127

HSL 144.78, 0.82%, 0.56%

LAB 82.73, -67.5, 39.88

 

CMYK 78 / 49 / 0 / 8

HEX #3379EB

RGB 51 121 235

HSL 217.17, 0.82%, 0.56%

LAB 52.26, 18.24, -63.76

 

CMYK 0 / 78 / 33 / 8

HEX #EB339E

RGB 235 51 158

HSL 325.11, 0.82%, 0.56%

LAB 54.55, 75.57, -14.7

 

CMYK 0 / 7 / 78 / 8

HEX #EBDB33

RGB 235 219 51

HSL 54.78, 0.82%, 0.56%

LAB 86.29, -11.53, 77.39

 

CMYK 78 / 0 / 46 / 8

HEX #33EB7F

RGB 51 235 127

HSL 144.78, 0.82%, 0.56%

LAB 82.73, -67.5, 39.88

 

CMYK 78 / 72 / 0 / 8

HEX #3342EB

RGB 51 66 235

HSL 235.11, 0.82%, 0.56%

LAB 38.9, 52.15, -85.58

 

Description

Color code: HEX #EB339E | qconv.com Color code: HEX #EB339E | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 51 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 51 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 33 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 33% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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