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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB336C it is the complementary color #14CC93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB336C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB336C shade: #F03367, #FF457A, #FF578D, #FF69A0 and #FF7BB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB336C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB336C shade: #EB336C, #DA2159, #C90F46, #B80033 and #A70020

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB336C shade: #EB336C, #EB333A and #EB3333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB336C shade: #EB336C, #EB339D, #EB33CF, #D533EB and #A333EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB336C shade matches the following richer shades: #EB336C and #FD2165

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB336C shade: #EB336C, #D94573, #C6577A, #B46981 and #A27B87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB336C shade: #EB33CF, #EB339E, #EB336D, #EB333C and #EB5B33

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB336C shade: #B91246, #DE1654, #EB336C, #EF5887 and #F27EA2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB336C shade: #EB336C, #EBD533 and #33B7EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB336C shade: #EB336C, #6DEB33 and #336DEB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB336C shade: #EB336C, #EBD533, #33EBB1 and #3348EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB336C shade: #EB336C, #C9EB33, #33EBB1 and #5533EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 54 / 8

HEX #EB336C

RGB 235 51 108

HSL 341.41, 0.82%, 0.56%

LAB 53.07, 71.11, 13

 

Complementary color

CMYK 90 / 0 / 28 / 20

HEX #14CC93

RGB 20 204 147

HSL 161.41, 0.82%, 0.44%

LAB 73.18, -55.12, 16.83

 

CMYK 0 / 79 / 57 / 6

HEX #F03367

RGB 240 51 103

HSL 343.49, 0.86%, 0.57%

LAB 53.89, 72.08, 17.28

 

CMYK 0 / 73 / 52 / 0

HEX #FF457A

RGB 255 69 122

HSL 342.9, 1%, 0.64%

LAB 58.9, 72.2, 13.33

 

CMYK 0 / 66 / 45 / 0

HEX #FF578D

RGB 255 87 141

HSL 340.71, 1%, 0.67%

LAB 61.65, 67.44, 6.13

 

CMYK 0 / 59 / 37 / 0

HEX #FF69A0

RGB 255 105 160

HSL 338, 1%, 0.71%

LAB 64.88, 61.96, -0.14

 

CMYK 0 / 52 / 30 / 0

HEX #FF7BB3

RGB 255 123 179

HSL 334.55, 1%, 0.74%

LAB 68.52, 56, -5.58

 

CMYK 0 / 78 / 54 / 8

HEX #EB336C

RGB 235 51 108

HSL 341.41, 0.82%, 0.56%

LAB 53.07, 71.11, 13

 

CMYK 0 / 85 / 59 / 15

HEX #DA2159

RGB 218 33 89

HSL 341.84, 0.74%, 0.49%

LAB 47.9, 69.71, 16.94

 

CMYK 0 / 93 / 65 / 21

HEX #C90F46

RGB 201 15 70

HSL 342.26, 0.86%, 0.42%

LAB 43.07, 67.31, 21.69

 

CMYK 0 / 100 / 72 / 28

HEX #B80033

RGB 184 0 51

HSL 343.37, 1%, 0.36%

LAB 38.6, 63.84, 27.26

 

CMYK 0 / 100 / 81 / 35

HEX #A70020

RGB 167 0 32

HSL 348.5, 1%, 0.33%

LAB 34.64, 58.93, 33.52

 

CMYK 0 / 78 / 54 / 8

HEX #EB336C

RGB 235 51 108

HSL 341.41, 0.82%, 0.56%

LAB 53.07, 71.11, 13

 

CMYK 0 / 78 / 75 / 8

HEX #EB333A

RGB 235 51 58

HSL 357.72, 0.82%, 0.56%

LAB 52.21, 68.43, 41.42

 

CMYK 0 / 78 / 78 / 8

HEX #EB3333

RGB 235 51 51

HSL 0, 0.82%, 0.56%

LAB 52.14, 68.2, 45.18

 

CMYK 0 / 78 / 54 / 8

HEX #EB336C

RGB 235 51 108

HSL 341.41, 0.82%, 0.56%

LAB 53.07, 71.11, 13

 

CMYK 0 / 78 / 33 / 8

HEX #EB339D

RGB 235 51 157

HSL 325.43, 0.82%, 0.56%

LAB 54.52, 75.47, -14.17

 

CMYK 0 / 78 / 12 / 8

HEX #EB33CF

RGB 235 51 207

HSL 309.13, 0.82%, 0.56%

LAB 56.62, 81.55, -39.94

 

CMYK 9 / 78 / 0 / 8

HEX #D533EB

RGB 213 51 235

HSL 292.83, 0.82%, 0.56%

LAB 54.57, 81.51, -59.29

 

CMYK 31 / 78 / 0 / 8

HEX #A333EB

RGB 163 51 235

HSL 276.52, 0.82%, 0.56%

LAB 47.17, 72.92, -71.6

 

CMYK 0 / 78 / 54 / 8

HEX #EB336C

RGB 235 51 108

HSL 341.41, 0.82%, 0.56%

LAB 53.07, 71.11, 13

 

CMYK 0 / 87 / 60 / 1

HEX #FD2165

RGB 253 33 101

HSL 341.45, 0.98%, 0.56%

LAB 54.98, 79.08, 20.37

 

CMYK 0 / 78 / 54 / 8

HEX #EB336C

RGB 235 51 108

HSL 341.41, 0.82%, 0.56%

LAB 53.07, 71.11, 13

 

CMYK 0 / 68 / 47 / 15

HEX #D94573

RGB 217 69 115

HSL 341.35, 0.66%, 0.56%

LAB 52.11, 60.78, 6.98

 

CMYK 0 / 56 / 38 / 22

HEX #C6577A

RGB 198 87 122

HSL 341.08, 0.49%, 0.56%

LAB 52.09, 47.72, 2.36

 

CMYK 0 / 42 / 28 / 29

HEX #B46981

RGB 180 105 129

HSL 340.8, 0.33%, 0.56%

LAB 53.38, 33.01, -0.24

 

CMYK 0 / 24 / 17 / 36

HEX #A27B87

RGB 162 123 135

HSL 341.54, 0.17%, 0.56%

LAB 55.68, 17.08, -0.63

 

CMYK 0 / 78 / 12 / 8

HEX #EB33CF

RGB 235 51 207

HSL 309.13, 0.82%, 0.56%

LAB 56.62, 81.55, -39.94

 

CMYK 0 / 78 / 33 / 8

HEX #EB339E

RGB 235 51 158

HSL 325.11, 0.82%, 0.56%

LAB 54.55, 75.57, -14.7

 

CMYK 0 / 78 / 54 / 8

HEX #EB336D

RGB 235 51 109

HSL 341.09, 0.82%, 0.56%

LAB 53.1, 71.18, 12.43

 

CMYK 0 / 78 / 74 / 8

HEX #EB333C

RGB 235 51 60

HSL 357.07, 0.82%, 0.56%

LAB 52.24, 68.51, 40.32

 

CMYK 0 / 61 / 78 / 8

HEX #EB5B33

RGB 235 91 51

HSL 13.04, 0.82%, 0.56%

LAB 57.45, 53.69, 50.54

 

CMYK 0 / 90 / 62 / 27

HEX #B91246

RGB 185 18 70

HSL 341.32, 0.82%, 0.4%

LAB 39.9, 62.91, 16.91

 

CMYK 0 / 90 / 62 / 13

HEX #DE1654

RGB 222 22 84

HSL 341.4, 0.82%, 0.48%

LAB 47.94, 72.29, 20.2

 

CMYK 0 / 78 / 54 / 8

HEX #EB336C

RGB 235 51 108

HSL 341.41, 0.82%, 0.56%

LAB 53.07, 71.11, 13

 

CMYK 0 / 63 / 44 / 6

HEX #EF5887

RGB 239 88 135

HSL 341.32, 0.83%, 0.64%

LAB 59.05, 61.72, 5.54

 

CMYK 0 / 48 / 33 / 5

HEX #F27EA2

RGB 242 126 162

HSL 341.38, 0.82%, 0.72%

LAB 66.83, 48.21, 1.33

 

CMYK 0 / 78 / 54 / 8

HEX #EB336C

RGB 235 51 108

HSL 341.41, 0.82%, 0.56%

LAB 53.07, 71.11, 13

 

CMYK 0 / 9 / 78 / 8

HEX #EBD533

RGB 235 213 51

HSL 52.83, 0.82%, 0.56%

LAB 84.74, -8.52, 76.01

 

CMYK 78 / 22 / 0 / 8

HEX #33B7EB

RGB 51 183 235

HSL 196.96, 0.82%, 0.56%

LAB 69.87, -17.68, -35.86

 

CMYK 0 / 78 / 54 / 8

HEX #EB336C

RGB 235 51 108

HSL 341.41, 0.82%, 0.56%

LAB 53.07, 71.11, 13

 

CMYK 54 / 0 / 78 / 8

HEX #6DEB33

RGB 109 235 51

HSL 101.09, 0.82%, 0.56%

LAB 83.39, -64.62, 72.02

 

CMYK 78 / 54 / 0 / 8

HEX #336DEB

RGB 51 109 235

HSL 221.09, 0.82%, 0.56%

LAB 49.06, 25.79, -68.94

 

CMYK 0 / 78 / 54 / 8

HEX #EB336C

RGB 235 51 108

HSL 341.41, 0.82%, 0.56%

LAB 53.07, 71.11, 13

 

CMYK 0 / 9 / 78 / 8

HEX #EBD533

RGB 235 213 51

HSL 52.83, 0.82%, 0.56%

LAB 84.74, -8.52, 76.01

 

CMYK 78 / 0 / 25 / 8

HEX #33EBB1

RGB 51 235 177

HSL 161.09, 0.82%, 0.56%

LAB 83.6, -57.72, 15.63

 

CMYK 78 / 69 / 0 / 8

HEX #3348EB

RGB 51 72 235

HSL 233.15, 0.82%, 0.56%

LAB 40.14, 48.7, -83.52

 

CMYK 0 / 78 / 54 / 8

HEX #EB336C

RGB 235 51 108

HSL 341.41, 0.82%, 0.56%

LAB 53.07, 71.11, 13

 

CMYK 14 / 0 / 78 / 8

HEX #C9EB33

RGB 201 235 51

HSL 71.09, 0.82%, 0.56%

LAB 88, -33.17, 77.95

 

CMYK 78 / 0 / 25 / 8

HEX #33EBB1

RGB 51 235 177

HSL 161.09, 0.82%, 0.56%

LAB 83.6, -57.72, 15.63

 

CMYK 64 / 78 / 0 / 8

HEX #5533EB

RGB 85 51 235

HSL 251.09, 0.82%, 0.56%

LAB 38.37, 62.67, -86.38

 

Description

Color code: HEX #EB336C | qconv.com Color code: HEX #EB336C | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 51 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 51 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 54 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 54% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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