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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A133EB it is the complementary color #5ECC14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A133EB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A133EB shade: #A633E6, #B745F9, #C857FF, #D969FF and #EA7BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A133EB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A133EB shade: #A133EB, #9021D8, #7F0FC5, #6E00B2 and #5D009F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A133EB shade: #A133EB, #D233EB, #EB33D2, #EB33A0 and #EB336E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A133EB shade: #A133EB, #6F33EB, #3E33EB and #3333EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A133EB shade matches the following richer shades: #A133EB and #A421FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A133EB shade: #A133EB, #9D45D9, #9A57C6, #9669B4 and #937BA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A133EB shade: #3C33EB, #6D33EB, #9E33EB, #CF33EB and #EB33D5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A133EB shade: #7612B9, #8E16DE, #A133EB, #B258EF and #C37EF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A133EB shade: #A133EB, #EB335B and #33EB55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A133EB shade: #A133EB, #EB9E33 and #33EB9E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A133EB shade: #A133EB, #EB335B, #7FEB33 and #33EBC3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A133EB shade: #A133EB, #EB4233, #7FEB33 and #33DBEB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 78 / 0 / 8

HEX #A133EB

RGB 161 51 235

HSL 275.87, 0.82%, 0.56%

LAB 46.9, 72.6, -72.06

 

Complementary color

CMYK 54 / 0 / 90 / 20

HEX #5ECC14

RGB 94 204 20

HSL 95.87, 0.82%, 0.44%

LAB 73.3, -58.93, 69.92

 

CMYK 28 / 78 / 0 / 10

HEX #A633E6

RGB 166 51 230

HSL 278.55, 0.78%, 0.55%

LAB 47.22, 72.39, -68.68

 

CMYK 27 / 72 / 0 / 2

HEX #B745F9

RGB 183 69 249

HSL 278, 0.94%, 0.62%

LAB 53.13, 72.8, -69.66

 

CMYK 22 / 66 / 0 / 0

HEX #C857FF

RGB 200 87 255

HSL 280.36, 1%, 0.67%

LAB 58.34, 70.09, -64.48

 

CMYK 15 / 59 / 0 / 0

HEX #D969FF

RGB 217 105 255

HSL 284.8, 1%, 0.71%

LAB 63.4, 65.93, -56.24

 

CMYK 8 / 52 / 0 / 0

HEX #EA7BFF

RGB 234 123 255

HSL 290.45, 1%, 0.74%

LAB 68.66, 61.75, -47.78

 

CMYK 31 / 78 / 0 / 8

HEX #A133EB

RGB 161 51 235

HSL 275.87, 0.82%, 0.56%

LAB 46.9, 72.6, -72.06

 

CMYK 33 / 85 / 0 / 15

HEX #9021D8

RGB 144 33 216

HSL 276.39, 0.73%, 0.49%

LAB 41.18, 71.5, -70.67

 

CMYK 36 / 92 / 0 / 23

HEX #7F0FC5

RGB 127 15 197

HSL 276.92, 0.86%, 0.42%

LAB 35.76, 69.25, -68.61

 

CMYK 38 / 100 / 0 / 30

HEX #6E00B2

RGB 110 0 178

HSL 277.08, 1%, 0.35%

LAB 30.71, 65.62, -65.76

 

CMYK 42 / 100 / 0 / 38

HEX #5D009F

RGB 93 0 159

HSL 275.09, 1%, 0.31%

LAB 26.25, 59.87, -61.73

 

CMYK 31 / 78 / 0 / 8

HEX #A133EB

RGB 161 51 235

HSL 275.87, 0.82%, 0.56%

LAB 46.9, 72.6, -72.06

 

CMYK 11 / 78 / 0 / 8

HEX #D233EB

RGB 210 51 235

HSL 291.85, 0.82%, 0.56%

LAB 54.1, 80.97, -60.06

 

CMYK 0 / 78 / 11 / 8

HEX #EB33D2

RGB 235 51 210

HSL 308.15, 0.82%, 0.56%

LAB 56.77, 81.96, -41.42

 

CMYK 0 / 78 / 32 / 8

HEX #EB33A0

RGB 235 51 160

HSL 324.46, 0.82%, 0.56%

LAB 54.62, 75.79, -15.77

 

CMYK 0 / 78 / 53 / 8

HEX #EB336E

RGB 235 51 110

HSL 340.76, 0.82%, 0.56%

LAB 53.12, 71.25, 11.86

 

CMYK 31 / 78 / 0 / 8

HEX #A133EB

RGB 161 51 235

HSL 275.87, 0.82%, 0.56%

LAB 46.9, 72.6, -72.06

 

CMYK 53 / 78 / 0 / 8

HEX #6F33EB

RGB 111 51 235

HSL 259.57, 0.82%, 0.56%

LAB 40.81, 65.51, -82.27

 

CMYK 74 / 78 / 0 / 8

HEX #3E33EB

RGB 62 51 235

HSL 243.59, 0.82%, 0.56%

LAB 36.72, 60.75, -89.15

 

CMYK 78 / 78 / 0 / 8

HEX #3333EB

RGB 51 51 235

HSL 240, 0.82%, 0.56%

LAB 36.12, 60.04, -90.18

 

CMYK 31 / 78 / 0 / 8

HEX #A133EB

RGB 161 51 235

HSL 275.87, 0.82%, 0.56%

LAB 46.9, 72.6, -72.06

 

CMYK 35 / 87 / 0 / 1

HEX #A421FD

RGB 164 33 253

HSL 275.73, 0.98%, 0.56%

LAB 47.07, 81.63, -81.87

 

CMYK 31 / 78 / 0 / 8

HEX #A133EB

RGB 161 51 235

HSL 275.87, 0.82%, 0.56%

LAB 46.9, 72.6, -72.06

 

CMYK 28 / 68 / 0 / 15

HEX #9D45D9

RGB 157 69 217

HSL 275.68, 0.66%, 0.56%

LAB 47.54, 61.01, -60.83

 

CMYK 22 / 56 / 0 / 22

HEX #9A57C6

RGB 154 87 198

HSL 276.22, 0.49%, 0.56%

LAB 49.21, 47.32, -47.27

 

CMYK 17 / 42 / 0 / 29

HEX #9669B4

RGB 150 105 180

HSL 276, 0.33%, 0.56%

LAB 51.7, 32.19, -32.96

 

CMYK 9 / 24 / 0 / 36

HEX #937BA2

RGB 147 123 162

HSL 276.92, 0.17%, 0.56%

LAB 55.05, 16.81, -17.4

 

CMYK 74 / 78 / 0 / 8

HEX #3C33EB

RGB 60 51 235

HSL 242.93, 0.82%, 0.56%

LAB 36.61, 60.61, -89.35

 

CMYK 54 / 78 / 0 / 8

HEX #6D33EB

RGB 109 51 235

HSL 258.91, 0.82%, 0.56%

LAB 40.6, 65.27, -82.62

 

CMYK 33 / 78 / 0 / 8

HEX #9E33EB

RGB 158 51 235

HSL 274.89, 0.82%, 0.56%

LAB 46.49, 72.13, -72.74

 

CMYK 12 / 78 / 0 / 8

HEX #CF33EB

RGB 207 51 235

HSL 290.87, 0.82%, 0.56%

LAB 53.63, 80.43, -60.84

 

CMYK 0 / 78 / 9 / 8

HEX #EB33D5

RGB 235 51 213

HSL 307.17, 0.82%, 0.56%

LAB 56.91, 82.38, -42.9

 

CMYK 36 / 90 / 0 / 27

HEX #7612B9

RGB 118 18 185

HSL 275.93, 0.82%, 0.4%

LAB 33.54, 65.1, -65.25

 

CMYK 36 / 90 / 0 / 13

HEX #8E16DE

RGB 142 22 222

HSL 276, 0.82%, 0.48%

LAB 40.57, 74.92, -75.12

 

CMYK 31 / 78 / 0 / 8

HEX #A133EB

RGB 161 51 235

HSL 275.87, 0.82%, 0.56%

LAB 46.9, 72.6, -72.06

 

CMYK 26 / 63 / 0 / 6

HEX #B258EF

RGB 178 88 239

HSL 275.76, 0.83%, 0.64%

LAB 54.74, 61.59, -61.52

 

CMYK 19 / 48 / 0 / 5

HEX #C37EF2

RGB 195 126 242

HSL 275.69, 0.82%, 0.72%

LAB 64.11, 47.25, -48.13

 

CMYK 31 / 78 / 0 / 8

HEX #A133EB

RGB 161 51 235

HSL 275.87, 0.82%, 0.56%

LAB 46.9, 72.6, -72.06

 

CMYK 0 / 78 / 61 / 8

HEX #EB335B

RGB 235 51 91

HSL 346.96, 0.82%, 0.56%

LAB 52.71, 70, 22.74

 

CMYK 78 / 0 / 64 / 8

HEX #33EB55

RGB 51 235 85

HSL 131.09, 0.82%, 0.56%

LAB 82.26, -73.13, 58.44

 

CMYK 31 / 78 / 0 / 8

HEX #A133EB

RGB 161 51 235

HSL 275.87, 0.82%, 0.56%

LAB 46.9, 72.6, -72.06

 

CMYK 0 / 33 / 78 / 8

HEX #EB9E33

RGB 235 158 51

HSL 34.89, 0.82%, 0.56%

LAB 71.11, 20.13, 63.64

 

CMYK 78 / 0 / 33 / 8

HEX #33EB9E

RGB 51 235 158

HSL 154.89, 0.82%, 0.56%

LAB 83.23, -61.81, 24.95

 

CMYK 31 / 78 / 0 / 8

HEX #A133EB

RGB 161 51 235

HSL 275.87, 0.82%, 0.56%

LAB 46.9, 72.6, -72.06

 

CMYK 0 / 78 / 61 / 8

HEX #EB335B

RGB 235 51 91

HSL 346.96, 0.82%, 0.56%

LAB 52.71, 70, 22.74

 

CMYK 46 / 0 / 78 / 8

HEX #7FEB33

RGB 127 235 51

HSL 95.22, 0.82%, 0.56%

LAB 84.05, -59.53, 72.88

 

CMYK 78 / 0 / 17 / 8

HEX #33EBC3

RGB 51 235 195

HSL 166.96, 0.82%, 0.56%

LAB 84, -53.47, 6.78

 

CMYK 31 / 78 / 0 / 8

HEX #A133EB

RGB 161 51 235

HSL 275.87, 0.82%, 0.56%

LAB 46.9, 72.6, -72.06

 

CMYK 0 / 72 / 78 / 8

HEX #EB4233

RGB 235 66 51

HSL 4.89, 0.82%, 0.56%

LAB 53.81, 63.53, 46.89

 

CMYK 46 / 0 / 78 / 8

HEX #7FEB33

RGB 127 235 51

HSL 95.22, 0.82%, 0.56%

LAB 84.05, -59.53, 72.88

 

CMYK 78 / 7 / 0 / 8

HEX #33DBEB

RGB 51 219 235

HSL 185.22, 0.82%, 0.56%

LAB 80.38, -35.54, -19.74

 

Description

Color code: HEX #A133EB | qconv.com Color code: HEX #A133EB | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 51 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 51 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 78 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 78% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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