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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8EB1BF it is the complementary color #714E40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8EB1BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #8EB1BF: #93B1BA, #A4C3CD, #B5D5E0, #C6E7F3 and #D7F9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8EB1BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #8EB1BF: #8EB1BF, #7D9FAC, #6C8D99, #5B7B86 and #4A6973

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 7 / 0 / 25

HEX #8EB1BF

RGB 142 177 191

HSL 197.14, 0.28%, 0.65%

LAB 70.15, -8.61, -11.03

 

Complementary color

CMYK 0 / 31 / 43 / 56

HEX #714E40

RGB 113 78 64

HSL 17.14, 0.28%, 0.35%

LAB 36.61, 12.83, 14.18

 

CMYK 21 / 5 / 0 / 27

HEX #93B1BA

RGB 147 177 186

HSL 193.85, 0.22%, 0.65%

LAB 70.31, -8.21, -7.99

 

CMYK 20 / 5 / 0 / 20

HEX #A4C3CD

RGB 164 195 205

HSL 194.63, 0.29%, 0.72%

LAB 76.88, -8.22, -8.48

 

CMYK 19 / 5 / 0 / 12

HEX #B5D5E0

RGB 181 213 224

HSL 195.35, 0.41%, 0.79%

LAB 83.33, -8.24, -8.96

 

CMYK 19 / 5 / 0 / 5

HEX #C6E7F3

RGB 198 231 243

HSL 196, 0.65%, 0.86%

LAB 89.69, -8.26, -9.43

 

CMYK 16 / 2 / 0 / 0

HEX #D7F9FF

RGB 215 249 255

HSL 189, 1%, 0.92%

LAB 95.76, -9.72, -6.56

 

CMYK 26 / 7 / 0 / 25

HEX #8EB1BF

RGB 142 177 191

HSL 197.14, 0.28%, 0.65%

LAB 70.15, -8.61, -11.03

 

CMYK 27 / 8 / 0 / 33

HEX #7D9FAC

RGB 125 159 172

HSL 196.6, 0.22%, 0.58%

LAB 63.45, -8.59, -10.58

 

CMYK 29 / 8 / 0 / 40

HEX #6C8D99

RGB 108 141 153

HSL 196, 0.18%, 0.51%

LAB 56.62, -8.57, -10.13

 

CMYK 32 / 8 / 0 / 47

HEX #5B7B86

RGB 91 123 134

HSL 195.35, 0.19%, 0.44%

LAB 49.63, -8.55, -9.67

 

CMYK 36 / 9 / 0 / 55

HEX #4A6973

RGB 74 105 115

HSL 194.63, 0.22%, 0.37%

LAB 42.46, -8.52, -9.21

 

CMYK 26 / 7 / 0 / 25

HEX #8EB1BF

RGB 142 177 191

HSL 197.14, 0.28%, 0.65%

LAB 70.15, -8.61, -11.03

 

CMYK 26 / 12 / 0 / 25

HEX #8CA8BE

RGB 140 168 190

HSL 206.4, 0.28%, 0.65%

LAB 67.5, -4.59, -14.46

 

CMYK 26 / 16 / 0 / 25

HEX #8C9FBE

RGB 140 159 190

HSL 217.2, 0.28%, 0.65%

LAB 65.03, 0.38, -18.19

 

CMYK 26 / 21 / 0 / 25

HEX #8C97BE

RGB 140 151 190

HSL 226.8, 0.28%, 0.65%

LAB 62.87, 4.88, -21.49

 

CMYK 26 / 25 / 0 / 25

HEX #8C8FBE

RGB 140 143 190

HSL 236.4, 0.28%, 0.65%

LAB 60.73, 9.46, -24.76

 

CMYK 26 / 7 / 0 / 25

HEX #8EB1BF

RGB 142 177 191

HSL 197.14, 0.28%, 0.65%

LAB 70.15, -8.61, -11.03

 

CMYK 26 / 7 / 0 / 5

HEX #B4E0F2

RGB 180 224 242

HSL 197.42, 0.7%, 0.83%

LAB 86.71, -10.26, -13.45

 

CMYK 26 / 8 / 0 / 85

HEX #1C2326

RGB 28 35 38

HSL 198, 0.15%, 0.13%

LAB 13.16, -2.27, -3.06

 

CMYK 26 / 8 / 0 / 65

HEX #425259

RGB 66 82 89

HSL 198.26, 0.15%, 0.3%

LAB 33.8, -4.42, -6.16

 

CMYK 26 / 7 / 0 / 45

HEX #68828C

RGB 104 130 140

HSL 196.67, 0.15%, 0.48%

LAB 52.73, -6.88, -8.46

 

CMYK 26 / 7 / 0 / 25

HEX #8EB1BF

RGB 142 177 191

HSL 197.14, 0.28%, 0.65%

LAB 70.15, -8.61, -11.03

 

CMYK 14 / 26 / 0 / 25

HEX #A48CBE

RGB 164 140 190

HSL 268.8, 0.28%, 0.65%

LAB 61.97, 18.8, -22.68

 

CMYK 0 / 3 / 26 / 25

HEX #BEB88C

RGB 190 184 140

HSL 52.8, 0.28%, 0.65%

LAB 74.27, -4.92, 23.17

 

CMYK 26 / 7 / 0 / 25

HEX #8EB1BF

RGB 142 177 191

HSL 197.14, 0.28%, 0.65%

LAB 70.15, -8.61, -11.03

 

CMYK 0 / 26 / 7 / 25

HEX #BE8CB0

RGB 190 140 176

HSL 316.8, 0.28%, 0.65%

LAB 64.03, 24.84, -11.42

 

CMYK 7 / 0 / 26 / 25

HEX #B0BE8C

RGB 176 190 140

HSL 76.8, 0.28%, 0.65%

LAB 74.79, -13.4, 23.7

 

CMYK 26 / 7 / 0 / 25

HEX #8EB1BF

RGB 142 177 191

HSL 197.14, 0.28%, 0.65%

LAB 70.15, -8.61, -11.03

 

CMYK 14 / 26 / 0 / 25

HEX #A48CBE

RGB 164 140 190

HSL 268.8, 0.28%, 0.65%

LAB 61.97, 18.8, -22.68

 

CMYK 0 / 19 / 26 / 25

HEX #BE9A8C

RGB 190 154 140

HSL 16.8, 0.28%, 0.65%

LAB 66.48, 11.27, 12.4

 

CMYK 13 / 0 / 26 / 25

HEX #A6BE8C

RGB 166 190 140

HSL 88.8, 0.28%, 0.65%

LAB 74.08, -17.13, 22.61

 

CMYK 26 / 7 / 0 / 25

HEX #8EB1BF

RGB 142 177 191

HSL 197.14, 0.28%, 0.65%

LAB 70.15, -8.61, -11.03

 

CMYK 6 / 26 / 0 / 25

HEX #B38CBE

RGB 179 140 190

HSL 286.8, 0.28%, 0.65%

LAB 63.39, 23.74, -20.39

 

CMYK 0 / 19 / 26 / 25

HEX #BE9A8C

RGB 190 154 140

HSL 16.8, 0.28%, 0.65%

LAB 66.48, 11.27, 12.4

 

CMYK 21 / 0 / 26 / 25

HEX #97BE8C

RGB 151 190 140

HSL 106.8, 0.28%, 0.65%

LAB 73.09, -22.54, 21.1

 

Description

Color code: HEX #8EB1BF | qconv.com Color code: HEX #8EB1BF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 177 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 177 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 7 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 7% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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