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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE9A8C it is the complementary color #416573. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE9A8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE9A8C shade: #C39A87, #D4AC9A, #E5BEAD, #F6D0C0 and #FFE2D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE9A8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE9A8C shade: #BE9A8C, #AD8879, #9C7666, #8B6453 and #7A5240

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE9A8C shade: #BF9B8D and #BF8D8D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE9A8C shade: #BF9B8D, #BFA88D, #BFB68D, #BABF8D and #ADBF8D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE9A8C shade matches the following richer shades: #BF9B8D, #CD947E, #DC8E70, #EA8861 and #F98153

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE9A8C shade: #BF9B8D, #B0A19B, #A2A7AA, #93AEB8 and #85B4C7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE9A8C shade: #BF8D9A, #BF8D8D, #BF9A8D, #BFA78D and #BFB58D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE9A8C shade: #9F6D5A, #B08472, #BF9B8D, #CEB2A7 and #DCC9C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE9A8C shade: #BE9A8C, #A7BF8D and #8D93BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE9A8C shade: #BE9A8C, #8DBF9A and #9A8DBF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE9A8C shade: #BE9A8C, #A7BF8D, #8DB1BF and #A48DBF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE9A8C shade: #BE9A8C, #98BF8D, #8DB1BF and #B38DBF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 26 / 25

HEX #BE9A8C

RGB 190 154 140

HSL 16.8, 0.28%, 0.65%

LAB 66.48, 11.27, 12.4

 

Complementary color

CMYK 43 / 12 / 0 / 55

HEX #416573

RGB 65 101 115

HSL 196.8, 0.28%, 0.35%

LAB 40.69, -8.86, -11.93

 

CMYK 0 / 21 / 31 / 24

HEX #C39A87

RGB 195 154 135

HSL 19, 0.33%, 0.65%

LAB 66.87, 12.53, 15.8

 

CMYK 0 / 19 / 27 / 17

HEX #D4AC9A

RGB 212 172 154

HSL 18.62, 0.4%, 0.72%

LAB 73.44, 11.93, 14.76

 

CMYK 0 / 17 / 24 / 10

HEX #E5BEAD

RGB 229 190 173

HSL 18.21, 0.52%, 0.79%

LAB 79.9, 11.4, 13.8

 

CMYK 0 / 15 / 22 / 4

HEX #F6D0C0

RGB 246 208 192

HSL 17.78, 0.75%, 0.86%

LAB 86.26, 10.92, 12.89

 

CMYK 0 / 11 / 17 / 0

HEX #FFE2D3

RGB 255 226 211

HSL 20.45, 1%, 0.91%

LAB 91.84, 7.62, 10.96

 

CMYK 0 / 19 / 26 / 25

HEX #BE9A8C

RGB 190 154 140

HSL 16.8, 0.28%, 0.65%

LAB 66.48, 11.27, 12.4

 

CMYK 0 / 21 / 30 / 32

HEX #AD8879

RGB 173 136 121

HSL 17.31, 0.24%, 0.58%

LAB 59.77, 11.88, 13.44

 

CMYK 0 / 24 / 35 / 39

HEX #9C7666

RGB 156 118 102

HSL 17.78, 0.21%, 0.51%

LAB 52.93, 12.58, 14.58

 

CMYK 0 / 28 / 40 / 45

HEX #8B6453

RGB 139 100 83

HSL 18.21, 0.25%, 0.44%

LAB 45.94, 13.41, 15.85

 

CMYK 0 / 33 / 48 / 52

HEX #7A5240

RGB 122 82 64

HSL 18.62, 0.31%, 0.36%

LAB 38.8, 14.41, 17.31

 

CMYK 0 / 19 / 26 / 25

HEX #BF9B8D

RGB 191 155 141

HSL 16.8, 0.28%, 0.65%

LAB 66.86, 11.25, 12.38

 

CMYK 0 / 26 / 26 / 25

HEX #BF8D8D

RGB 191 141 141

HSL 0, 0.28%, 0.65%

LAB 63.38, 18.98, 7.46

 

CMYK 0 / 19 / 26 / 25

HEX #BF9B8D

RGB 191 155 141

HSL 16.8, 0.28%, 0.65%

LAB 66.86, 11.25, 12.38

 

CMYK 0 / 12 / 26 / 25

HEX #BFA88D

RGB 191 168 141

HSL 32.4, 0.28%, 0.65%

LAB 70.18, 4.15, 17.03

 

CMYK 0 / 5 / 26 / 25

HEX #BFB68D

RGB 191 182 141

HSL 49.2, 0.28%, 0.65%

LAB 73.84, -3.34, 22.07

 

CMYK 3 / 0 / 26 / 25

HEX #BABF8D

RGB 186 191 141

HSL 66, 0.28%, 0.65%

LAB 75.84, -9.98, 24.71

 

CMYK 9 / 0 / 26 / 25

HEX #ADBF8D

RGB 173 191 141

HSL 81.6, 0.28%, 0.65%

LAB 74.87, -14.89, 23.24

 

CMYK 0 / 19 / 26 / 25

HEX #BF9B8D

RGB 191 155 141

HSL 16.8, 0.28%, 0.65%

LAB 66.86, 11.25, 12.38

 

CMYK 0 / 28 / 39 / 20

HEX #CD947E

RGB 205 148 126

HSL 16.71, 0.44%, 0.65%

LAB 66.26, 18.65, 20.12

 

CMYK 0 / 35 / 49 / 14

HEX #DC8E70

RGB 220 142 112

HSL 16.67, 0.61%, 0.65%

LAB 66.31, 26.38, 28.22

 

CMYK 0 / 42 / 59 / 8

HEX #EA8861

RGB 234 136 97

HSL 17.08, 0.77%, 0.65%

LAB 66.49, 33.82, 36.94

 

CMYK 0 / 48 / 67 / 2

HEX #F98153

RGB 249 129 83

HSL 16.63, 0.93%, 0.65%

LAB 66.87, 42.28, 45.25

 

CMYK 0 / 19 / 26 / 25

HEX #BF9B8D

RGB 191 155 141

HSL 16.8, 0.28%, 0.65%

LAB 66.86, 11.25, 12.38

 

CMYK 0 / 9 / 12 / 31

HEX #B0A19B

RGB 176 161 155

HSL 17.14, 0.12%, 0.65%

LAB 67.34, 4.42, 5.09

 

CMYK 5 / 2 / 0 / 33

HEX #A2A7AA

RGB 162 167 170

HSL 202.5, 0.04%, 0.65%

LAB 68.18, -1.18, -2.17

 

CMYK 20 / 5 / 0 / 28

HEX #93AEB8

RGB 147 174 184

HSL 196.22, 0.21%, 0.65%

LAB 69.42, -7.05, -8.21

 

CMYK 33 / 10 / 0 / 22

HEX #85B4C7

RGB 133 180 199

HSL 197.27, 0.37%, 0.65%

LAB 70.7, -10.93, -14.65

 

CMYK 0 / 26 / 19 / 25

HEX #BF8D9A

RGB 191 141 154

HSL 344.4, 0.28%, 0.65%

LAB 63.72, 20.94, 0.58

 

CMYK 0 / 26 / 26 / 25

HEX #BF8D8D

RGB 191 141 141

HSL 0, 0.28%, 0.65%

LAB 63.38, 18.98, 7.46

 

CMYK 0 / 19 / 26 / 25

HEX #BF9A8D

RGB 191 154 141

HSL 15.6, 0.28%, 0.65%

LAB 66.6, 11.8, 12.03

 

CMYK 0 / 13 / 26 / 25

HEX #BFA78D

RGB 191 167 141

HSL 31.2, 0.28%, 0.65%

LAB 69.92, 4.7, 16.67

 

CMYK 0 / 5 / 26 / 25

HEX #BFB58D

RGB 191 181 141

HSL 48, 0.28%, 0.65%

LAB 73.58, -2.81, 21.7

 

CMYK 0 / 31 / 43 / 38

HEX #9F6D5A

RGB 159 109 90

HSL 16.52, 0.28%, 0.49%

LAB 50.74, 17.5, 18.63

 

CMYK 0 / 25 / 35 / 31

HEX #B08472

RGB 176 132 114

HSL 17.42, 0.28%, 0.57%

LAB 58.93, 14.4, 16.29

 

CMYK 0 / 19 / 26 / 25

HEX #BF9B8D

RGB 191 155 141

HSL 16.8, 0.28%, 0.65%

LAB 66.86, 11.25, 12.38

 

CMYK 0 / 14 / 19 / 19

HEX #CEB2A7

RGB 206 178 167

HSL 16.92, 0.28%, 0.73%

LAB 74.67, 8.32, 9.33

 

CMYK 0 / 9 / 12 / 14

HEX #DCC9C2

RGB 220 201 194

HSL 16.15, 0.27%, 0.81%

LAB 82.32, 5.47, 5.89

 

CMYK 0 / 19 / 26 / 25

HEX #BE9A8C

RGB 190 154 140

HSL 16.8, 0.28%, 0.65%

LAB 66.48, 11.27, 12.4

 

CMYK 13 / 0 / 26 / 25

HEX #A7BF8D

RGB 167 191 141

HSL 88.8, 0.28%, 0.65%

LAB 74.45, -17.12, 22.59

 

CMYK 26 / 23 / 0 / 25

HEX #8D93BF

RGB 141 147 191

HSL 232.8, 0.28%, 0.65%

LAB 61.91, 7.72, -23.51

 

CMYK 0 / 19 / 26 / 25

HEX #BE9A8C

RGB 190 154 140

HSL 16.8, 0.28%, 0.65%

LAB 66.48, 11.27, 12.4

 

CMYK 26 / 0 / 19 / 25

HEX #8DBF9A

RGB 141 191 154

HSL 135.6, 0.28%, 0.65%

LAB 73.06, -23.98, 13.44

 

CMYK 19 / 26 / 0 / 25

HEX #9A8DBF

RGB 154 141 191

HSL 255.6, 0.28%, 0.65%

LAB 61.38, 15.23, -24.23

 

CMYK 0 / 19 / 26 / 25

HEX #BE9A8C

RGB 190 154 140

HSL 16.8, 0.28%, 0.65%

LAB 66.48, 11.27, 12.4

 

CMYK 13 / 0 / 26 / 25

HEX #A7BF8D

RGB 167 191 141

HSL 88.8, 0.28%, 0.65%

LAB 74.45, -17.12, 22.59

 

CMYK 26 / 7 / 0 / 25

HEX #8DB1BF

RGB 141 177 191

HSL 196.8, 0.28%, 0.65%

LAB 70.08, -8.92, -11.13

 

CMYK 14 / 26 / 0 / 25

HEX #A48DBF

RGB 164 141 191

HSL 267.6, 0.28%, 0.65%

LAB 62.26, 18.45, -22.81

 

CMYK 0 / 19 / 26 / 25

HEX #BE9A8C

RGB 190 154 140

HSL 16.8, 0.28%, 0.65%

LAB 66.48, 11.27, 12.4

 

CMYK 20 / 0 / 26 / 25

HEX #98BF8D

RGB 152 191 141

HSL 106.8, 0.28%, 0.65%

LAB 73.45, -22.52, 21.08

 

CMYK 26 / 7 / 0 / 25

HEX #8DB1BF

RGB 141 177 191

HSL 196.8, 0.28%, 0.65%

LAB 70.08, -8.92, -11.13

 

CMYK 6 / 26 / 0 / 25

HEX #B38DBF

RGB 179 141 191

HSL 285.6, 0.28%, 0.65%

LAB 63.67, 23.39, -20.53

 

Description

Color code: HEX #BE9A8C | qconv.com Color code: HEX #BE9A8C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 154 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 154 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 26 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 26% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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