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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 19 / 5 / 0 / 12 it is the complementary color CMYK 0 / 42 / 58 / 71. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 19 / 5 / 0 / 12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 19 / 5 / 0 / 12: CMYK 15 / 3 / 0 / 14, CMYK 14 / 3 / 0 / 7, CMYK 13 / 2 / 0 / 0, CMYK 7 / 0 / 0 / 0 and CMYK 0 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 19 / 5 / 0 / 12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 19 / 5 / 0 / 12: CMYK 19 / 5 / 0 / 12, CMYK 20 / 5 / 0 / 20, CMYK 20 / 5 / 0 / 27, CMYK 22 / 5 / 0 / 35 and CMYK 23 / 5 / 0 / 42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 5 / 0 / 12

HEX #B6D5E0

RGB 182 213 224

HSL 195.71, 0.4%, 0.8%

LAB 83.4, -7.93, -8.86

 

Complementary color

CMYK 0 / 42 / 58 / 71

HEX #492A1F

RGB 73 42 31

HSL 15.71, 0.4%, 0.2%

LAB 20.72, 13.05, 13.25

 

CMYK 15 / 3 / 0 / 14

HEX #BBD5DB

RGB 187 213 219

HSL 191.25, 0.31%, 0.8%

LAB 83.58, -7.41, -5.89

 

CMYK 14 / 3 / 0 / 7

HEX #CCE7EE

RGB 204 231 238

HSL 192.35, 0.5%, 0.87%

LAB 89.93, -7.44, -6.4

 

CMYK 13 / 2 / 0 / 0

HEX #DDF9FF

RGB 221 249 255

HSL 190.59, 1%, 0.93%

LAB 96.14, -7.87, -5.95

 

CMYK 7 / 0 / 0 / 0

HEX #EEFFFF

RGB 238 255 255

HSL 180, 1%, 0.97%

LAB 98.8, -5.52, -1.92

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

RAL® 9010

CMYK 19 / 5 / 0 / 12

HEX #B6D5E0

RGB 182 213 224

HSL 195.71, 0.4%, 0.8%

LAB 83.4, -7.93, -8.86

 

CMYK 20 / 5 / 0 / 20

HEX #A5C3CD

RGB 165 195 205

HSL 195, 0.29%, 0.73%

LAB 76.94, -7.91, -8.38

 

CMYK 20 / 5 / 0 / 27

HEX #94B1BA

RGB 148 177 186

HSL 194.21, 0.22%, 0.65%

LAB 70.38, -7.89, -7.89

 

CMYK 22 / 5 / 0 / 35

HEX #839FA7

RGB 131 159 167

HSL 193.33, 0.17%, 0.58%

LAB 63.68, -7.88, -7.39

 

CMYK 23 / 5 / 0 / 42

HEX #728D94

RGB 114 141 148

HSL 192.35, 0.14%, 0.51%

LAB 56.85, -7.88, -6.89

 

CMYK 19 / 5 / 0 / 12

HEX #B6D5E0

RGB 182 213 224

HSL 195.71, 0.4%, 0.8%

LAB 83.4, -7.93, -8.86

 

CMYK 18 / 8 / 0 / 12

HEX #B7CFE0

RGB 183 207 224

HSL 204.88, 0.4%, 0.8%

LAB 81.88, -4.49, -11.11

 

CMYK 18 / 11 / 0 / 12

HEX #B7C8E0

RGB 183 200 224

HSL 215.12, 0.4%, 0.8%

LAB 80.04, -0.79, -13.86

 

CMYK 18 / 14 / 0 / 12

HEX #B7C1E0

RGB 183 193 224

HSL 225.37, 0.4%, 0.8%

LAB 78.22, 2.95, -16.6

 

CMYK 18 / 17 / 0 / 12

HEX #B7BBE0

RGB 183 187 224

HSL 234.15, 0.4%, 0.8%

LAB 76.67, 6.19, -18.93

 

CMYK 19 / 5 / 0 / 12

HEX #B6D5E0

RGB 182 213 224

HSL 195.71, 0.4%, 0.8%

LAB 83.4, -7.93, -8.86

 

CMYK 20 / 5 / 0 / 92

HEX #101314

RGB 16 19 20

HSL 195, 0.11%, 0.07%

LAB 5.66, -0.92, -1.01

 

CMYK 18 / 4 / 0 / 72

HEX #3A4447

RGB 58 68 71

HSL 193.85, 0.1%, 0.25%

LAB 28.08, -3.3, -3.19

 

CMYK 19 / 5 / 0 / 52

HEX #63747A

RGB 99 116 122

HSL 195.65, 0.1%, 0.43%

LAB 47.69, -4.89, -5.42

 

CMYK 18 / 5 / 0 / 32

HEX #8DA5AD

RGB 141 165 173

HSL 195, 0.16%, 0.62%

LAB 66.21, -6.56, -6.93

 

CMYK 19 / 5 / 0 / 12

HEX #B6D5E0

RGB 182 213 224

HSL 195.71, 0.4%, 0.8%

LAB 83.4, -7.93, -8.86

 

CMYK 10 / 18 / 0 / 12

HEX #C9B7E0

RGB 201 183 224

HSL 266.34, 0.4%, 0.8%

LAB 77.08, 14.12, -18.18

 

CMYK 0 / 3 / 18 / 12

HEX #E0DAB7

RGB 224 218 183

HSL 51.22, 0.4%, 0.8%

LAB 86.71, -3.64, 17.99

 

CMYK 19 / 5 / 0 / 12

HEX #B6D5E0

RGB 182 213 224

HSL 195.71, 0.4%, 0.8%

LAB 83.4, -7.93, -8.86

 

CMYK 0 / 18 / 4 / 12

HEX #E0B7D6

RGB 224 183 214

HSL 314.63, 0.4%, 0.8%

LAB 78.79, 19.88, -10

 

CMYK 4 / 0 / 18 / 12

HEX #D6E0B7

RGB 214 224 183

HSL 74.63, 0.4%, 0.8%

LAB 87.5, -10.31, 18.98

 

CMYK 19 / 5 / 0 / 12

HEX #B6D5E0

RGB 182 213 224

HSL 195.71, 0.4%, 0.8%

LAB 83.4, -7.93, -8.86

 

CMYK 10 / 18 / 0 / 12

HEX #C9B7E0

RGB 201 183 224

HSL 266.34, 0.4%, 0.8%

LAB 77.08, 14.12, -18.18

 

CMYK 0 / 14 / 18 / 12

HEX #E0C1B7

RGB 224 193 183

HSL 14.63, 0.4%, 0.8%

LAB 80.41, 9.42, 9.09

 

CMYK 8 / 0 / 18 / 12

HEX #CEE0B7

RGB 206 224 183

HSL 86.34, 0.4%, 0.8%

LAB 86.92, -13.16, 18.09

 

CMYK 19 / 5 / 0 / 12

HEX #B6D5E0

RGB 182 213 224

HSL 195.71, 0.4%, 0.8%

LAB 83.4, -7.93, -8.86

 

CMYK 4 / 18 / 0 / 12

HEX #D6B7E0

RGB 214 183 224

HSL 285.37, 0.4%, 0.8%

LAB 78.2, 18.37, -16.39

 

CMYK 0 / 14 / 18 / 12

HEX #E0C1B7

RGB 224 193 183

HSL 14.63, 0.4%, 0.8%

LAB 80.41, 9.42, 9.09

 

CMYK 14 / 0 / 18 / 12

HEX #C1E0B7

RGB 193 224 183

HSL 105.37, 0.4%, 0.8%

LAB 86.04, -17.7, 16.72

 

Description

Color code: CMYK 19 / 5 / 0 / 12 | qconv.com Color code: CMYK 19 / 5 / 0 / 12 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 213 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 213 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 5 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 5% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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