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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #507ACC it is the complementary color #AF8533. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #507ACC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #507ACC: #557AC7, #668CDA, #779EED, #88B0FF and #99C2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #507ACC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #507ACC: #507ACC, #3F68B9, #2E56A6, #1D4493 and #0C3280

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 40 / 0 / 20

HEX #507ACC

RGB 80 122 204

HSL 219.68, 0.55%, 0.56%

LAB 51.82, 10.75, -46.92

 

Complementary color

CMYK 0 / 24 / 71 / 31

HEX #AF8533

RGB 175 133 51

HSL 39.68, 0.55%, 0.44%

LAB 58.16, 7.67, 48.63

 

CMYK 57 / 39 / 0 / 22

HEX #557AC7

RGB 85 122 199

HSL 220.53, 0.5%, 0.56%

LAB 51.81, 10.07, -44.07

 

CMYK 53 / 36 / 0 / 15

HEX #668CDA

RGB 102 140 218

HSL 220.34, 0.61%, 0.63%

LAB 58.64, 9.02, -43.94

 

CMYK 50 / 33 / 0 / 7

HEX #779EED

RGB 119 158 237

HSL 220.17, 0.77%, 0.7%

LAB 65.35, 8.15, -43.84

 

CMYK 47 / 31 / 0 / 0

HEX #88B0FF

RGB 136 176 255

HSL 219.83, 1%, 0.77%

LAB 71.9, 7.13, -43.31

 

CMYK 40 / 24 / 0 / 0

HEX #99C2FF

RGB 153 194 255

HSL 215.88, 1%, 0.8%

LAB 77.62, 1.36, -34.33

 

CMYK 61 / 40 / 0 / 20

HEX #507ACC

RGB 80 122 204

HSL 219.68, 0.55%, 0.56%

LAB 51.82, 10.75, -46.92

 

CMYK 66 / 44 / 0 / 27

HEX #3F68B9

RGB 63 104 185

HSL 219.84, 0.49%, 0.49%

LAB 44.89, 12.23, -47.09

 

CMYK 72 / 48 / 0 / 35

HEX #2E56A6

RGB 46 86 166

HSL 220, 0.57%, 0.42%

LAB 37.82, 14.13, -47.28

 

CMYK 80 / 54 / 0 / 42

HEX #1D4493

RGB 29 68 147

HSL 220.17, 0.67%, 0.35%

LAB 30.65, 16.6, -47.43

 

CMYK 91 / 61 / 0 / 50

HEX #0C3280

RGB 12 50 128

HSL 220.34, 0.83%, 0.27%

LAB 23.4, 19.85, -47.45

 

CMYK 61 / 40 / 0 / 20

HEX #507ACC

RGB 80 122 204

HSL 219.68, 0.55%, 0.56%

LAB 51.82, 10.75, -46.92

 

CMYK 60 / 50 / 0 / 20

HEX #5167CC

RGB 81 103 204

HSL 229.27, 0.55%, 0.56%

LAB 46.72, 22.72, -55.06

 

CMYK 60 / 59 / 0 / 20

HEX #5153CC

RGB 81 83 204

HSL 239.02, 0.55%, 0.56%

LAB 41.68, 35.2, -63.22

 

CMYK 51 / 60 / 0 / 20

HEX #6351CC

RGB 99 81 204

HSL 248.78, 0.55%, 0.56%

LAB 42.61, 39.67, -61.65

 

CMYK 41 / 60 / 0 / 20

HEX #7851CC

RGB 120 81 204

HSL 259.02, 0.55%, 0.56%

LAB 44.57, 43.98, -58.38

 

CMYK 61 / 40 / 0 / 20

HEX #507ACC

RGB 80 122 204

HSL 219.68, 0.55%, 0.56%

LAB 51.82, 10.75, -46.92

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 61 / 39 / 0 / 80

HEX #141F33

RGB 20 31 51

HSL 218.71, 0.44%, 0.14%

LAB 11.74, 2.29, -14.67

 

CMYK 61 / 40 / 0 / 60

HEX #283D66

RGB 40 61 102

HSL 219.68, 0.44%, 0.28%

LAB 26, 5.57, -26.63

 

CMYK 61 / 40 / 0 / 40

HEX #3C5C99

RGB 60 92 153

HSL 219.35, 0.44%, 0.42%

LAB 39.44, 7.92, -36.89

 

CMYK 61 / 40 / 0 / 20

HEX #507ACC

RGB 80 122 204

HSL 219.68, 0.55%, 0.56%

LAB 51.82, 10.75, -46.92

 

CMYK 9 / 60 / 0 / 20

HEX #B951CC

RGB 185 81 204

HSL 290.73, 0.55%, 0.56%

LAB 52.46, 59.31, -45.3

 

CMYK 15 / 0 / 60 / 20

HEX #ADCC51

RGB 173 204 81

HSL 75.12, 0.55%, 0.56%

LAB 77.68, -28.11, 56.36

 

CMYK 61 / 40 / 0 / 20

HEX #507ACC

RGB 80 122 204

HSL 219.68, 0.55%, 0.56%

LAB 51.82, 10.75, -46.92

 

CMYK 0 / 60 / 39 / 20

HEX #CC517C

RGB 204 81 124

HSL 339.02, 0.55%, 0.56%

LAB 52.04, 52.69, 1.2

 

CMYK 39 / 0 / 60 / 20

HEX #7CCC51

RGB 124 204 81

HSL 99.02, 0.55%, 0.56%

LAB 74.87, -46.05, 52.44

 

CMYK 61 / 40 / 0 / 20

HEX #507ACC

RGB 80 122 204

HSL 219.68, 0.55%, 0.56%

LAB 51.82, 10.75, -46.92

 

CMYK 9 / 60 / 0 / 20

HEX #B951CC

RGB 185 81 204

HSL 290.73, 0.55%, 0.56%

LAB 52.46, 59.31, -45.3

 

CMYK 0 / 21 / 60 / 20

HEX #CCA151

RGB 204 161 81

HSL 39.02, 0.55%, 0.56%

LAB 68.69, 6.9, 46.95

 

CMYK 51 / 0 / 60 / 20

HEX #63CC51

RGB 99 204 81

HSL 111.22, 0.55%, 0.56%

LAB 73.83, -53.6, 50.99

 

CMYK 61 / 40 / 0 / 20

HEX #507ACC

RGB 80 122 204

HSL 219.68, 0.55%, 0.56%

LAB 51.82, 10.75, -46.92

 

CMYK 0 / 60 / 9 / 20

HEX #CC51B9

RGB 204 81 185

HSL 309.27, 0.55%, 0.56%

LAB 54.26, 60.9, -31.34

 

CMYK 0 / 21 / 60 / 20

HEX #CCA151

RGB 204 161 81

HSL 39.02, 0.55%, 0.56%

LAB 68.69, 6.9, 46.95

 

CMYK 60 / 0 / 51 / 20

HEX #51CC63

RGB 81 204 99

HSL 128.78, 0.55%, 0.56%

LAB 73.44, -55.86, 42.02

 

Description

Color code: HEX #507ACC | qconv.com Color code: HEX #507ACC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 122 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 122 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 40 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 40% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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