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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B951CC it is the complementary color #46AE33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B951CC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B951CC shade: #BE51C7, #CF63DA, #E075ED, #F187FF and #FF99FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B951CC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B951CC shade: #B951CC, #A83FB9, #972DA6, #861B93 and #750980

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B951CC shade: #B951CD, #CD51BE, #CD519D, #CD517C and #CD515A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B951CC shade: #B951CD, #9851CD, #7751CD, #5651CD and #5151CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B951CC shade matches the following richer shades: #B951CD, #C63FDF and #D32DF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B951CC shade: #B951CD, #AD63BA, #A075A8, #948896 and #879A84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B951CC shade: #7651CD, #9751CD, #B851CD, #CD51C0 and #CD519F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B951CC shade: #8C2E9D, #A937BD, #B951CD, #C671D6 and #D391DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B951CC shade: #B951CC, #CD5551 and #51CD87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B951CC shade: #B951CC, #CDB851 and #51CDB8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B951CC shade: #B951CC, #CD5551, #66CD51 and #51C8CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B951CC shade: #B951CC, #CD7A51, #66CD51 and #51A3CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 60 / 0 / 20

HEX #B951CC

RGB 185 81 204

HSL 290.73, 0.55%, 0.56%

LAB 52.46, 59.31, -45.3

 

Complementary color

CMYK 60 / 0 / 71 / 32

HEX #46AE33

RGB 70 174 51

HSL 110.73, 0.55%, 0.44%

LAB 63.19, -52.82, 51.7

 

CMYK 5 / 59 / 0 / 22

HEX #BE51C7

RGB 190 81 199

HSL 295.42, 0.51%, 0.55%

LAB 52.9, 59.63, -41.69

 

CMYK 5 / 55 / 0 / 15

HEX #CF63DA

RGB 207 99 218

HSL 294.45, 0.62%, 0.62%

LAB 59.21, 59.22, -42.4

 

CMYK 5 / 51 / 0 / 7

HEX #E075ED

RGB 224 117 237

HSL 293.5, 0.77%, 0.69%

LAB 65.5, 58.65, -42.95

 

CMYK 5 / 47 / 0 / 0

HEX #F187FF

RGB 241 135 255

HSL 293, 1%, 0.76%

LAB 71.72, 57.81, -42.92

 

CMYK 0 / 40 / 0 / 0

HEX #FF99FF

RGB 255 153 255

HSL 300, 1%, 0.8%

LAB 76.84, 52.83, -34.84

 

CMYK 9 / 60 / 0 / 20

HEX #B951CC

RGB 185 81 204

HSL 290.73, 0.55%, 0.56%

LAB 52.46, 59.31, -45.3

 

CMYK 9 / 66 / 0 / 27

HEX #A83FB9

RGB 168 63 185

HSL 291.64, 0.49%, 0.49%

LAB 46.15, 59.49, -44.48

 

CMYK 9 / 73 / 0 / 35

HEX #972DA6

RGB 151 45 166

HSL 292.56, 0.57%, 0.41%

LAB 39.93, 59.18, -43.33

 

CMYK 9 / 82 / 0 / 42

HEX #861B93

RGB 134 27 147

HSL 293.5, 0.69%, 0.34%

LAB 33.9, 58.04, -41.64

 

CMYK 9 / 93 / 0 / 50

HEX #750980

RGB 117 9 128

HSL 294.45, 0.87%, 0.27%

LAB 28.21, 55.52, -39.13

 

CMYK 10 / 60 / 0 / 20

HEX #B951CD

RGB 185 81 205

HSL 290.32, 0.55%, 0.56%

LAB 52.52, 59.5, -45.79

 

CMYK 0 / 60 / 7 / 20

HEX #CD51BE

RGB 205 81 190

HSL 307.26, 0.55%, 0.56%

LAB 54.64, 61.96, -33.63

 

CMYK 0 / 60 / 23 / 20

HEX #CD519D

RGB 205 81 157

HSL 323.23, 0.55%, 0.56%

LAB 53.27, 57.05, -16.52

 

CMYK 0 / 60 / 40 / 20

HEX #CD517C

RGB 205 81 124

HSL 339.19, 0.55%, 0.56%

LAB 52.2, 53, 1.45

 

CMYK 0 / 60 / 56 / 20

HEX #CD515A

RGB 205 81 90

HSL 355.65, 0.55%, 0.56%

LAB 51.38, 49.85, 20.62

 

CMYK 10 / 60 / 0 / 20

HEX #B951CD

RGB 185 81 205

HSL 290.32, 0.55%, 0.56%

LAB 52.52, 59.5, -45.79

 

CMYK 26 / 60 / 0 / 20

HEX #9851CD

RGB 152 81 205

HSL 274.35, 0.55%, 0.56%

LAB 48.22, 51.51, -52.89

 

CMYK 42 / 60 / 0 / 20

HEX #7751CD

RGB 119 81 205

HSL 258.39, 0.55%, 0.56%

LAB 44.54, 44.04, -59.01

 

CMYK 58 / 60 / 0 / 20

HEX #5651CD

RGB 86 81 205

HSL 242.42, 0.55%, 0.56%

LAB 41.64, 37.6, -63.84

 

CMYK 60 / 60 / 0 / 20

HEX #5151CD

RGB 81 81 205

HSL 240, 0.55%, 0.56%

LAB 41.28, 36.75, -64.44

 

CMYK 10 / 60 / 0 / 20

HEX #B951CD

RGB 185 81 205

HSL 290.32, 0.55%, 0.56%

LAB 52.52, 59.5, -45.79

 

CMYK 11 / 72 / 0 / 13

HEX #C63FDF

RGB 198 63 223

HSL 290.63, 0.71%, 0.56%

LAB 52.83, 72.91, -55.43

 

CMYK 12 / 81 / 0 / 5

HEX #D32DF1

RGB 211 45 241

HSL 290.82, 0.88%, 0.56%

LAB 54.11, 83.66, -63.41

 

CMYK 10 / 60 / 0 / 20

HEX #B951CD

RGB 185 81 205

HSL 290.32, 0.55%, 0.56%

LAB 52.52, 59.5, -45.79

 

CMYK 7 / 47 / 0 / 27

HEX #AD63BA

RGB 173 99 186

HSL 291.03, 0.39%, 0.56%

LAB 53.33, 43.68, -33.69

 

CMYK 5 / 30 / 0 / 34

HEX #A075A8

RGB 160 117 168

HSL 290.59, 0.23%, 0.56%

LAB 55.1, 25.95, -20.68

 

CMYK 1 / 9 / 0 / 41

HEX #948896

RGB 148 136 150

HSL 291.43, 0.06%, 0.56%

LAB 58.14, 7.17, -5.83

 

CMYK 12 / 0 / 14 / 40

HEX #879A84

RGB 135 154 132

HSL 111.82, 0.1%, 0.56%

LAB 61.59, -11.08, 9.3

 

CMYK 42 / 60 / 0 / 20

HEX #7651CD

RGB 118 81 205

HSL 257.9, 0.55%, 0.56%

LAB 44.44, 43.82, -59.18

 

CMYK 26 / 60 / 0 / 20

HEX #9751CD

RGB 151 81 205

HSL 273.87, 0.55%, 0.56%

LAB 48.1, 51.28, -53.09

 

CMYK 10 / 60 / 0 / 20

HEX #B851CD

RGB 184 81 205

HSL 289.84, 0.55%, 0.56%

LAB 52.38, 59.25, -46.01

 

CMYK 0 / 60 / 6 / 20

HEX #CD51C0

RGB 205 81 192

HSL 306.29, 0.55%, 0.56%

LAB 54.73, 62.28, -34.64

 

CMYK 0 / 60 / 22 / 20

HEX #CD519F

RGB 205 81 159

HSL 322.26, 0.55%, 0.56%

LAB 53.35, 57.33, -17.58

 

CMYK 11 / 71 / 0 / 38

HEX #8C2E9D

RGB 140 46 157

HSL 290.81, 0.55%, 0.4%

LAB 37.78, 54.68, -41.46

 

CMYK 11 / 71 / 0 / 26

HEX #A937BD

RGB 169 55 189

HSL 291.04, 0.55%, 0.48%

LAB 45.42, 63.61, -47.99

 

CMYK 10 / 60 / 0 / 20

HEX #B951CD

RGB 185 81 205

HSL 290.32, 0.55%, 0.56%

LAB 52.52, 59.5, -45.79

 

CMYK 7 / 47 / 0 / 16

HEX #C671D6

RGB 198 113 214

HSL 290.5, 0.55%, 0.64%

LAB 60.49, 49.11, -38.21

 

CMYK 5 / 35 / 0 / 13

HEX #D391DF

RGB 211 145 223

HSL 290.77, 0.55%, 0.72%

LAB 69.06, 37.82, -29.79

 

CMYK 9 / 60 / 0 / 20

HEX #B951CC

RGB 185 81 204

HSL 290.73, 0.55%, 0.56%

LAB 52.46, 59.31, -45.3

 

CMYK 0 / 59 / 60 / 20

HEX #CD5551

RGB 205 85 81

HSL 1.94, 0.55%, 0.56%

LAB 51.92, 47.35, 26.62

 

CMYK 60 / 0 / 34 / 20

HEX #51CD87

RGB 81 205 135

HSL 146.13, 0.55%, 0.56%

LAB 74.29, -50.29, 24.87

 

CMYK 9 / 60 / 0 / 20

HEX #B951CC

RGB 185 81 204

HSL 290.73, 0.55%, 0.56%

LAB 52.46, 59.31, -45.3

 

CMYK 0 / 10 / 60 / 20

HEX #CDB851

RGB 205 184 81

HSL 49.84, 0.55%, 0.56%

LAB 74.73, -4.88, 53.81

 

CMYK 60 / 0 / 10 / 20

HEX #51CDB8

RGB 81 205 184

HSL 169.84, 0.55%, 0.56%

LAB 75.37, -39.34, 0.22

 

CMYK 9 / 60 / 0 / 20

HEX #B951CC

RGB 185 81 204

HSL 290.73, 0.55%, 0.56%

LAB 52.46, 59.31, -45.3

 

CMYK 0 / 59 / 60 / 20

HEX #CD5551

RGB 205 85 81

HSL 1.94, 0.55%, 0.56%

LAB 51.92, 47.35, 26.62

 

CMYK 50 / 0 / 60 / 20

HEX #66CD51

RGB 102 205 81

HSL 109.84, 0.55%, 0.56%

LAB 74.24, -53.16, 51.49

 

CMYK 60 / 2 / 0 / 20

HEX #51C8CD

RGB 81 200 205

HSL 182.42, 0.55%, 0.56%

LAB 74.49, -31.42, -12.45

 

CMYK 9 / 60 / 0 / 20

HEX #B951CC

RGB 185 81 204

HSL 290.73, 0.55%, 0.56%

LAB 52.46, 59.31, -45.3

 

CMYK 0 / 40 / 60 / 20

HEX #CD7A51

RGB 205 122 81

HSL 19.84, 0.55%, 0.56%

LAB 59.43, 28.5, 36.01

 

CMYK 50 / 0 / 60 / 20

HEX #66CD51

RGB 102 205 81

HSL 109.84, 0.55%, 0.56%

LAB 74.24, -53.16, 51.49

 

CMYK 60 / 20 / 0 / 20

HEX #51A3CD

RGB 81 163 205

HSL 200.32, 0.55%, 0.56%

LAB 63.63, -12.5, -28.96

 

Description

Color code: HEX #B951CC | qconv.com Color code: HEX #B951CC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 81 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 81 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 60 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 60% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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