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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1D4493 it is the complementary color #E2BB6C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1D4493. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #1D4493: #22448E, #3356A1, #4468B4, #557AC7 and #668CDA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1D4493. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #1D4493: #1D4493, #0C3280, #00206D, #000E5A and #000047

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 54 / 0 / 42

HEX #1D4493

RGB 29 68 147

HSL 220.17, 0.67%, 0.35%

LAB 30.65, 16.6, -47.43

 

Complementary color

CMYK 0 / 17 / 52 / 11

HEX #E2BB6C

RGB 226 187 108

HSL 40.17, 0.67%, 0.65%

LAB 77.75, 4.42, 44.92

 

CMYK 76 / 52 / 0 / 44

HEX #22448E

RGB 34 68 142

HSL 221.11, 0.61%, 0.35%

LAB 30.47, 15.21, -44.65

 

CMYK 68 / 47 / 0 / 37

HEX #3356A1

RGB 51 86 161

HSL 220.91, 0.52%, 0.42%

LAB 37.72, 13.03, -44.44

 

CMYK 62 / 42 / 0 / 29

HEX #4468B4

RGB 68 104 180

HSL 220.71, 0.45%, 0.49%

LAB 44.84, 11.37, -44.24

 

CMYK 57 / 39 / 0 / 22

HEX #557AC7

RGB 85 122 199

HSL 220.53, 0.5%, 0.56%

LAB 51.81, 10.07, -44.07

 

CMYK 53 / 36 / 0 / 15

HEX #668CDA

RGB 102 140 218

HSL 220.34, 0.61%, 0.63%

LAB 58.64, 9.02, -43.94

 

CMYK 80 / 54 / 0 / 42

HEX #1D4493

RGB 29 68 147

HSL 220.17, 0.67%, 0.35%

LAB 30.65, 16.6, -47.43

 

CMYK 91 / 61 / 0 / 50

HEX #0C3280

RGB 12 50 128

HSL 220.34, 0.83%, 0.27%

LAB 23.4, 19.85, -47.45

 

CMYK 100 / 71 / 0 / 57

HEX #00206D

RGB 0 32 109

HSL 222.39, 1%, 0.21%

LAB 16.19, 23.98, -47.12

 

CMYK 100 / 84 / 0 / 65

HEX #000E5A

RGB 0 14 90

HSL 230.67, 1%, 0.18%

LAB 9.42, 28.53, -45.71

 

CMYK 100 / 100 / 0 / 72

HEX #000047

RGB 0 0 71

HSL 240, 1%, 0.14%

LAB 4.11, 27.68, -41.39

 

CMYK 80 / 54 / 0 / 42

HEX #1D4493

RGB 29 68 147

HSL 220.17, 0.67%, 0.35%

LAB 30.65, 16.6, -47.43

 

CMYK 81 / 67 / 0 / 42

HEX #1D3195

RGB 29 49 149

HSL 230, 0.67%, 0.35%

LAB 25.65, 30.37, -56.81

 

CMYK 81 / 81 / 0 / 42

HEX #1D1D95

RGB 29 29 149

HSL 240, 0.67%, 0.35%

LAB 21.24, 42.57, -64.07

 

CMYK 67 / 81 / 0 / 42

HEX #311D95

RGB 49 29 149

HSL 250, 0.67%, 0.35%

LAB 22.66, 44.25, -61.69

 

CMYK 54 / 81 / 0 / 42

HEX #451D95

RGB 69 29 149

HSL 260, 0.67%, 0.35%

LAB 24.68, 46.63, -58.28

 

CMYK 80 / 54 / 0 / 42

HEX #1D4493

RGB 29 68 147

HSL 220.17, 0.67%, 0.35%

LAB 30.65, 16.6, -47.43

 

CMYK 80 / 54 / 0 / 22

HEX #275CC6

RGB 39 92 198

HSL 220, 0.67%, 0.46%

LAB 41.47, 21.61, -60.18

 

CMYK 80 / 54 / 0 / 2

HEX #3173F9

RGB 49 115 249

HSL 220.2, 0.94%, 0.58%

LAB 51.56, 26.99, -72.7

 

CMYK 80 / 53 / 0 / 82

HEX #09152D

RGB 9 21 45

HSL 220, 0.67%, 0.11%

LAB 7.08, 4.48, -17.72

 

CMYK 80 / 54 / 0 / 62

HEX #132C60

RGB 19 44 96

HSL 220.52, 0.67%, 0.23%

LAB 19.16, 11.25, -33.73

 

CMYK 80 / 54 / 0 / 42

HEX #1D4493

RGB 29 68 147

HSL 220.17, 0.67%, 0.35%

LAB 30.65, 16.6, -47.43

 

CMYK 11 / 81 / 0 / 42

HEX #851D95

RGB 133 29 149

HSL 292, 0.67%, 0.35%

LAB 34.06, 57.63, -42.62

 

CMYK 21 / 0 / 81 / 42

HEX #75951D

RGB 117 149 29

HSL 76, 0.67%, 0.35%

LAB 57.43, -27.76, 54.54

 

CMYK 80 / 54 / 0 / 42

HEX #1D4493

RGB 29 68 147

HSL 220.17, 0.67%, 0.35%

LAB 30.65, 16.6, -47.43

 

CMYK 0 / 81 / 54 / 42

HEX #951D45

RGB 149 29 69

HSL 340, 0.67%, 0.35%

LAB 33.35, 50.78, 7.39

 

CMYK 54 / 0 / 81 / 42

HEX #45951D

RGB 69 149 29

HSL 100, 0.67%, 0.35%

LAB 54.92, -45.29, 51.3

 

CMYK 80 / 54 / 0 / 42

HEX #1D4493

RGB 29 68 147

HSL 220.17, 0.67%, 0.35%

LAB 30.65, 16.6, -47.43

 

CMYK 11 / 81 / 0 / 42

HEX #851D95

RGB 133 29 149

HSL 292, 0.67%, 0.35%

LAB 34.06, 57.63, -42.62

 

CMYK 0 / 27 / 81 / 42

HEX #956D1D

RGB 149 109 29

HSL 40, 0.67%, 0.35%

LAB 48.78, 8.36, 47.67

 

CMYK 70 / 0 / 81 / 42

HEX #2D951D

RGB 45 149 29

HSL 112, 0.67%, 0.35%

LAB 54.18, -51.3, 50.34

 

CMYK 80 / 54 / 0 / 42

HEX #1D4493

RGB 29 68 147

HSL 220.17, 0.67%, 0.35%

LAB 30.65, 16.6, -47.43

 

CMYK 0 / 81 / 13 / 42

HEX #951D81

RGB 149 29 129

HSL 310, 0.67%, 0.35%

LAB 35.7, 57.74, -27.49

 

CMYK 0 / 27 / 81 / 42

HEX #956D1D

RGB 149 109 29

HSL 40, 0.67%, 0.35%

LAB 48.78, 8.36, 47.67

 

CMYK 81 / 0 / 67 / 42

HEX #1D9531

RGB 29 149 49

HSL 130, 0.67%, 0.35%

LAB 54, -52.25, 42.43

 

Description

Color code: HEX #1D4493 | qconv.com Color code: HEX #1D4493 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 68 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 68 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 54 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 54% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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