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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4299F5 it is the complementary color #BD660A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4299F5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #4299F5: #4799F0, #58ABFF, #69BDFF, #7ACFFF and #8BE1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4299F5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #4299F5: #4299F5, #3187E2, #2075CF, #0F63BC and #0051A9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 38 / 0 / 4

HEX #4299F5

RGB 66 153 245

HSL 210.84, 0.9%, 0.61%

LAB 62.11, 4.2, -53.5

 

Complementary color

CMYK 0 / 46 / 95 / 26

HEX #BD660A

RGB 189 102 10

HSL 30.84, 0.9%, 0.39%

LAB 52.22, 29.64, 58.21

 

CMYK 70 / 36 / 0 / 6

HEX #4799F0

RGB 71 153 240

HSL 210.89, 0.85%, 0.61%

LAB 62.01, 3.12, -50.91

 

CMYK 65 / 33 / 0 / 0

HEX #58ABFF

RGB 88 171 255

HSL 210.18, 1%, 0.67%

LAB 68.33, 0.4, -49.07

 

CMYK 59 / 26 / 0 / 0

HEX #69BDFF

RGB 105 189 255

HSL 206.4, 1%, 0.71%

LAB 73.95, -6.63, -40.22

 

CMYK 52 / 19 / 0 / 0

HEX #7ACFFF

RGB 122 207 255

HSL 201.65, 1%, 0.74%

LAB 79.6, -12.84, -31.41

 

CMYK 45 / 12 / 0 / 0

HEX #8BE1FF

RGB 139 225 255

HSL 195.52, 1%, 0.77%

LAB 85.28, -18.33, -22.67

 

CMYK 73 / 38 / 0 / 4

HEX #4299F5

RGB 66 153 245

HSL 210.84, 0.9%, 0.61%

LAB 62.11, 4.2, -53.5

 

CMYK 78 / 40 / 0 / 11

HEX #3187E2

RGB 49 135 226

HSL 210.85, 0.75%, 0.54%

LAB 55.56, 6.09, -53.44

 

CMYK 85 / 43 / 0 / 19

HEX #2075CF

RGB 32 117 207

HSL 210.86, 0.73%, 0.47%

LAB 48.93, 8.44, -53.34

 

CMYK 92 / 47 / 0 / 26

HEX #0F63BC

RGB 15 99 188

HSL 210.87, 0.85%, 0.4%

LAB 42.24, 11.35, -53.16

 

CMYK 100 / 52 / 0 / 34

HEX #0051A9

RGB 0 81 169

HSL 211.24, 1%, 0.33%

LAB 35.5, 14.89, -52.87

 

CMYK 73 / 38 / 0 / 4

HEX #4299F5

RGB 66 153 245

HSL 210.84, 0.9%, 0.61%

LAB 62.11, 4.2, -53.5

 

CMYK 73 / 49 / 0 / 4

HEX #427DF5

RGB 66 125 245

HSL 220.22, 0.9%, 0.61%

LAB 54.47, 21.09, -65.74

 

CMYK 73 / 61 / 0 / 4

HEX #425FF5

RGB 66 95 245

HSL 230.28, 0.9%, 0.61%

LAB 46.89, 39.69, -78.05

 

CMYK 73 / 73 / 0 / 4

HEX #4242F5

RGB 66 66 245

HSL 240, 0.9%, 0.61%

LAB 40.65, 56.53, -88.3

 

CMYK 61 / 73 / 0 / 4

HEX #5F42F5

RGB 95 66 245

HSL 249.72, 0.9%, 0.61%

LAB 42.65, 59.47, -84.94

 

CMYK 73 / 38 / 0 / 4

HEX #4299F5

RGB 66 153 245

HSL 210.84, 0.9%, 0.61%

LAB 62.11, 4.2, -53.5

 

CMYK 73 / 37 / 0 / 84

HEX #0B1A29

RGB 11 26 41

HSL 210, 0.58%, 0.1%

LAB 8.74, -0.56, -12.12

 

CMYK 73 / 38 / 0 / 64

HEX #19395C

RGB 25 57 92

HSL 211.34, 0.57%, 0.23%

LAB 23.36, 1.26, -24.38

 

CMYK 73 / 38 / 0 / 44

HEX #27598F

RGB 39 89 143

HSL 211.15, 0.57%, 0.36%

LAB 37.04, 2.33, -34.73

 

CMYK 73 / 38 / 0 / 24

HEX #3479C2

RGB 52 121 194

HSL 210.85, 0.58%, 0.48%

LAB 49.86, 3.21, -44.39

 

CMYK 73 / 38 / 0 / 4

HEX #4299F5

RGB 66 153 245

HSL 210.84, 0.9%, 0.61%

LAB 62.11, 4.2, -53.5

 

CMYK 22 / 73 / 0 / 4

HEX #BF42F5

RGB 191 66 245

HSL 281.9, 0.9%, 0.61%

LAB 53.56, 74.59, -66.67

 

CMYK 7 / 0 / 73 / 4

HEX #E3F542

RGB 227 245 66

HSL 66.03, 0.9%, 0.61%

LAB 92.59, -26.83, 78.39

 

CMYK 73 / 38 / 0 / 4

HEX #4299F5

RGB 66 153 245

HSL 210.84, 0.9%, 0.61%

LAB 62.11, 4.2, -53.5

 

CMYK 0 / 73 / 37 / 4

HEX #F5429B

RGB 245 66 155

HSL 330.17, 0.9%, 0.61%

LAB 57.73, 73.4, -7.99

 

CMYK 37 / 0 / 73 / 4

HEX #9BF542

RGB 155 245 66

HSL 90.17, 0.9%, 0.61%

LAB 88.29, -53.7, 72.76

 

CMYK 73 / 38 / 0 / 4

HEX #4299F5

RGB 66 153 245

HSL 210.84, 0.9%, 0.61%

LAB 62.11, 4.2, -53.5

 

CMYK 22 / 73 / 0 / 4

HEX #BF42F5

RGB 191 66 245

HSL 281.9, 0.9%, 0.61%

LAB 53.56, 74.59, -66.67

 

CMYK 0 / 37 / 73 / 4

HEX #F59B42

RGB 245 155 66

HSL 29.83, 0.9%, 0.61%

LAB 71.72, 26.48, 58.53

 

CMYK 51 / 0 / 73 / 4

HEX #77F542

RGB 119 245 66

HSL 102.23, 0.9%, 0.61%

LAB 86.81, -64.61, 70.81

 

CMYK 73 / 38 / 0 / 4

HEX #4299F5

RGB 66 153 245

HSL 210.84, 0.9%, 0.61%

LAB 62.11, 4.2, -53.5

 

CMYK 0 / 73 / 0 / 4

HEX #F542F5

RGB 245 66 245

HSL 300, 0.9%, 0.61%

LAB 61.57, 85.03, -53.4

 

CMYK 0 / 37 / 73 / 4

HEX #F59B42

RGB 245 155 66

HSL 29.83, 0.9%, 0.61%

LAB 71.72, 26.48, 58.53

 

CMYK 73 / 0 / 73 / 4

HEX #42F542

RGB 66 245 66

HSL 120, 0.9%, 0.61%

LAB 85.43, -75.83, 68.97

 

Description

Color code: HEX #4299F5 | qconv.com Color code: HEX #4299F5 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 153 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 153 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 38 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 38% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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