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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 95 66 245 it is the complementary color RGB 160 189 10. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 95 66 245. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 95 66 245: RGB 100 66 240, RGB 117 84 255, RGB 134 102 255, RGB 151 120 255 and RGB 168 138 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 95 66 245. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 95 66 245: RGB 95 66 245, RGB 78 48 226, RGB 61 30 207, RGB 44 12 188 and RGB 27 0 169

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 73 / 0 / 4

HEX #5F42F5

RGB 95 66 245

HSL 249.72, 0.9%, 0.61%

LAB 42.65, 59.47, -84.94

 

Complementary color

CMYK 15 / 0 / 95 / 26

HEX #A0BD0A

RGB 160 189 10

HSL 69.72, 0.9%, 0.39%

LAB 72.16, -29.45, 71.75

 

CMYK 58 / 73 / 0 / 6

HEX #6442F0

RGB 100 66 240

HSL 251.72, 0.85%, 0.6%

LAB 42.61, 58.65, -82.18

 

CMYK 54 / 67 / 0 / 0

HEX #7554FF

RGB 117 84 255

HSL 251.58, 1%, 0.66%

LAB 48.69, 56.05, -80.55

 

CMYK 47 / 60 / 0 / 0

HEX #8666FF

RGB 134 102 255

HSL 252.55, 1%, 0.7%

LAB 53.8, 49.23, -72.15

 

CMYK 41 / 53 / 0 / 0

HEX #9778FF

RGB 151 120 255

HSL 253.78, 1%, 0.74%

LAB 59.19, 42.72, -63.39

 

CMYK 34 / 46 / 0 / 0

HEX #A88AFF

RGB 168 138 255

HSL 255.38, 1%, 0.77%

LAB 64.74, 36.67, -54.44

 

CMYK 61 / 73 / 0 / 4

HEX #5F42F5

RGB 95 66 245

HSL 249.72, 0.9%, 0.61%

LAB 42.65, 59.47, -84.94

 

CMYK 65 / 79 / 0 / 11

HEX #4E30E2

RGB 78 48 226

HSL 250.11, 0.75%, 0.54%

LAB 36.41, 60.82, -84.51

 

CMYK 71 / 86 / 0 / 19

HEX #3D1ECF

RGB 61 30 207

HSL 250.51, 0.75%, 0.46%

LAB 30.46, 61.58, -83.45

 

CMYK 77 / 94 / 0 / 26

HEX #2C0CBC

RGB 44 12 188

HSL 250.91, 0.88%, 0.39%

LAB 25.04, 61.06, -81.34

 

CMYK 84 / 100 / 0 / 34

HEX #1B00A9

RGB 27 0 169

HSL 249.59, 1%, 0.33%

LAB 20.43, 58.51, -77.67

 

CMYK 61 / 73 / 0 / 4

HEX #5F42F5

RGB 95 66 245

HSL 249.72, 0.9%, 0.61%

LAB 42.65, 59.47, -84.94

 

CMYK 50 / 73 / 0 / 4

HEX #7A42F5

RGB 122 66 245

HSL 258.77, 0.9%, 0.61%

LAB 45.12, 63.02, -80.79

 

CMYK 38 / 73 / 0 / 4

HEX #9842F5

RGB 152 66 245

HSL 268.83, 0.9%, 0.61%

LAB 48.47, 67.7, -75.18

 

CMYK 26 / 73 / 0 / 4

HEX #B642F5

RGB 182 66 245

HSL 278.88, 0.9%, 0.61%

LAB 52.32, 72.94, -68.74

 

CMYK 13 / 73 / 0 / 4

HEX #D442F5

RGB 212 66 245

HSL 288.94, 0.9%, 0.61%

LAB 56.57, 78.56, -61.67

 

CMYK 61 / 73 / 0 / 4

HEX #5F42F5

RGB 95 66 245

HSL 249.72, 0.9%, 0.61%

LAB 42.65, 59.47, -84.94

 

CMYK 61 / 73 / 0 / 84

HEX #100B29

RGB 16 11 41

HSL 250, 0.58%, 0.1%

LAB 4.6, 10.21, -18.6

 

CMYK 61 / 73 / 0 / 64

HEX #24195C

RGB 36 25 92

HSL 249.85, 0.57%, 0.23%

LAB 14.64, 26.06, -38.37

 

CMYK 62 / 73 / 0 / 44

HEX #37278F

RGB 55 39 143

HSL 249.23, 0.57%, 0.36%

LAB 24.47, 37.7, -54.97

 

CMYK 61 / 73 / 0 / 24

HEX #4B34C2

RGB 75 52 194

HSL 249.72, 0.58%, 0.48%

LAB 33.66, 49.16, -70.53

 

CMYK 61 / 73 / 0 / 4

HEX #5F42F5

RGB 95 66 245

HSL 249.72, 0.9%, 0.61%

LAB 42.65, 59.47, -84.94

 

CMYK 0 / 73 / 26 / 4

HEX #F542B6

RGB 245 66 182

HSL 321.12, 0.9%, 0.61%

LAB 58.68, 76.4, -22.25

 

CMYK 55 / 0 / 73 / 4

HEX #6EF542

RGB 110 245 66

HSL 105.25, 0.9%, 0.61%

LAB 86.51, -66.95, 70.41

 

CMYK 61 / 73 / 0 / 4

HEX #5F42F5

RGB 95 66 245

HSL 249.72, 0.9%, 0.61%

LAB 42.65, 59.47, -84.94

 

CMYK 0 / 62 / 73 / 4

HEX #F55C42

RGB 245 92 66

HSL 8.72, 0.9%, 0.61%

LAB 59.4, 57.25, 45.48

 

CMYK 73 / 0 / 62 / 4

HEX #42F55C

RGB 66 245 92

HSL 128.72, 0.9%, 0.61%

LAB 85.62, -73.5, 59.36

 

CMYK 61 / 73 / 0 / 4

HEX #5F42F5

RGB 95 66 245

HSL 249.72, 0.9%, 0.61%

LAB 42.65, 59.47, -84.94

 

CMYK 0 / 73 / 26 / 4

HEX #F542B6

RGB 245 66 182

HSL 321.12, 0.9%, 0.61%

LAB 58.68, 76.4, -22.25

 

CMYK 11 / 0 / 73 / 4

HEX #DAF542

RGB 218 245 66

HSL 69.05, 0.9%, 0.61%

LAB 91.96, -30.41, 77.56

 

CMYK 73 / 0 / 48 / 4

HEX #42F580

RGB 66 245 128

HSL 140.78, 0.9%, 0.61%

LAB 86.02, -68.83, 43.61

 

CMYK 61 / 73 / 0 / 4

HEX #5F42F5

RGB 95 66 245

HSL 249.72, 0.9%, 0.61%

LAB 42.65, 59.47, -84.94

 

CMYK 0 / 73 / 48 / 4

HEX #F54280

RGB 245 66 128

HSL 339.22, 0.9%, 0.61%

LAB 56.95, 70.9, 6.78

 

CMYK 11 / 0 / 73 / 4

HEX #DAF542

RGB 218 245 66

HSL 69.05, 0.9%, 0.61%

LAB 91.96, -30.41, 77.56

 

CMYK 73 / 0 / 26 / 4

HEX #42F5B6

RGB 66 245 182

HSL 158.88, 0.9%, 0.61%

LAB 86.92, -58.76, 17.73

 

Description

Color code: RGB 95 66 245 | qconv.com Color code: RGB 95 66 245 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 66 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 66 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 73 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 73% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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