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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 65 / 79 / 0 / 11 it is the complementary color CMYK 15 / 0 / 86 / 19. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 65 / 79 / 0 / 11. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 65 / 79 / 0 / 11: CMYK 62 / 78 / 0 / 13, CMYK 58 / 73 / 0 / 5, CMYK 54 / 67 / 0 / 0, CMYK 47 / 60 / 0 / 0 and CMYK 40 / 53 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 65 / 79 / 0 / 11. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 65 / 79 / 0 / 11: CMYK 65 / 79 / 0 / 11, CMYK 70 / 86 / 0 / 18, CMYK 76 / 94 / 0 / 26, CMYK 84 / 100 / 0 / 33 and CMYK 93 / 100 / 0 / 41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 79 / 0 / 11

HEX #4F30E3

RGB 79 48 227

HSL 250.39, 0.76%, 0.54%

LAB 36.6, 61.2, -84.77

 

Complementary color

CMYK 15 / 0 / 86 / 19

HEX #B0CF1C

RGB 176 207 28

HSL 70.39, 0.76%, 0.46%

LAB 78.43, -30.99, 74.48

 

CMYK 62 / 78 / 0 / 13

HEX #5430DE

RGB 84 48 222

HSL 252.41, 0.73%, 0.53%

LAB 36.5, 60.28, -82.05

 

CMYK 58 / 73 / 0 / 5

HEX #6542F1

RGB 101 66 241

HSL 252, 0.86%, 0.6%

LAB 42.78, 59.06, -82.45

 

CMYK 54 / 67 / 0 / 0

HEX #7654FF

RGB 118 84 255

HSL 251.93, 1%, 0.66%

LAB 48.78, 56.21, -80.4

 

CMYK 47 / 60 / 0 / 0

HEX #8766FF

RGB 135 102 255

HSL 252.94, 1%, 0.7%

LAB 53.89, 49.42, -72

 

CMYK 40 / 53 / 0 / 0

HEX #9878FF

RGB 152 120 255

HSL 254.22, 1%, 0.74%

LAB 59.28, 42.95, -63.24

 

CMYK 65 / 79 / 0 / 11

HEX #4F30E3

RGB 79 48 227

HSL 250.39, 0.76%, 0.54%

LAB 36.6, 61.2, -84.77

 

CMYK 70 / 86 / 0 / 18

HEX #3E1ED0

RGB 62 30 208

HSL 250.79, 0.75%, 0.47%

LAB 30.66, 61.92, -83.71

 

CMYK 76 / 94 / 0 / 26

HEX #2D0CBD

RGB 45 12 189

HSL 251.19, 0.88%, 0.39%

LAB 25.24, 61.36, -81.59

 

CMYK 84 / 100 / 0 / 33

HEX #1C00AA

RGB 28 0 170

HSL 249.88, 1%, 0.33%

LAB 20.63, 58.78, -77.94

 

CMYK 93 / 100 / 0 / 41

HEX #0B0097

RGB 11 0 151

HSL 244.37, 1%, 0.3%

LAB 17.02, 53.68, -72.38

 

CMYK 65 / 79 / 0 / 11

HEX #4F30E3

RGB 79 48 227

HSL 250.39, 0.76%, 0.54%

LAB 36.6, 61.2, -84.77

 

CMYK 53 / 79 / 0 / 11

HEX #6B30E2

RGB 107 48 226

HSL 259.89, 0.75%, 0.54%

LAB 39.12, 63.94, -79.94

 

CMYK 39 / 79 / 0 / 11

HEX #8930E2

RGB 137 48 226

HSL 270, 0.75%, 0.54%

LAB 42.65, 68, -74.03

 

CMYK 26 / 79 / 0 / 11

HEX #A730E2

RGB 167 48 226

HSL 280.11, 0.75%, 0.54%

LAB 46.74, 72.72, -67.18

 

CMYK 13 / 79 / 0 / 11

HEX #C530E2

RGB 197 48 226

HSL 290.22, 0.75%, 0.54%

LAB 51.24, 77.91, -59.69

 

CMYK 65 / 79 / 0 / 11

HEX #4F30E3

RGB 79 48 227

HSL 250.39, 0.76%, 0.54%

LAB 36.6, 61.2, -84.77

 

CMYK 65 / 78 / 0 / 91

HEX #080517

RGB 8 5 23

HSL 250, 0.64%, 0.05%

LAB 2.01, 4.02, -8.52

 

CMYK 65 / 78 / 0 / 71

HEX #1A104A

RGB 26 16 74

HSL 250.34, 0.64%, 0.18%

LAB 9.68, 23.75, -34.26

 

CMYK 65 / 79 / 0 / 51

HEX #2C1A7D

RGB 44 26 125

HSL 250.91, 0.66%, 0.3%

LAB 19.03, 37.7, -52.65

 

CMYK 65 / 79 / 0 / 31

HEX #3D25B0

RGB 61 37 176

HSL 250.36, 0.65%, 0.42%

LAB 27.98, 49.75, -69.27

 

CMYK 65 / 79 / 0 / 11

HEX #4F30E3

RGB 79 48 227

HSL 250.39, 0.76%, 0.54%

LAB 36.6, 61.2, -84.77

 

CMYK 0 / 79 / 29 / 11

HEX #E230A1

RGB 226 48 161

HSL 321.91, 0.75%, 0.54%

LAB 52.79, 74.57, -19.3

 

CMYK 60 / 0 / 79 / 11

HEX #5AE230

RGB 90 226 48

HSL 105.84, 0.75%, 0.54%

LAB 80.06, -66.39, 69.53

 

CMYK 65 / 79 / 0 / 11

HEX #4F30E3

RGB 79 48 227

HSL 250.39, 0.76%, 0.54%

LAB 36.6, 61.2, -84.77

 

CMYK 0 / 65 / 79 / 11

HEX #E24E30

RGB 226 78 48

HSL 10.11, 0.75%, 0.54%

LAB 53.85, 56.02, 47.93

 

CMYK 79 / 0 / 65 / 11

HEX #30E24E

RGB 48 226 78

HSL 130.11, 0.75%, 0.54%

LAB 79.37, -71.44, 58.1

 

CMYK 65 / 79 / 0 / 11

HEX #4F30E3

RGB 79 48 227

HSL 250.39, 0.76%, 0.54%

LAB 36.6, 61.2, -84.77

 

CMYK 0 / 79 / 29 / 11

HEX #E230A1

RGB 226 48 161

HSL 321.91, 0.75%, 0.54%

LAB 52.79, 74.57, -19.3

 

CMYK 13 / 0 / 79 / 11

HEX #C5E230

RGB 197 226 48

HSL 69.78, 0.75%, 0.54%

LAB 85.24, -30.72, 76.19

 

CMYK 79 / 0 / 50 / 11

HEX #30E271

RGB 48 226 113

HSL 141.91, 0.75%, 0.54%

LAB 79.74, -67.02, 42.89

 

CMYK 65 / 79 / 0 / 11

HEX #4F30E3

RGB 79 48 227

HSL 250.39, 0.76%, 0.54%

LAB 36.6, 61.2, -84.77

 

CMYK 0 / 79 / 53 / 11

HEX #E2306B

RGB 226 48 107

HSL 340.11, 0.75%, 0.54%

LAB 51.09, 69.47, 10.58

 

CMYK 13 / 0 / 79 / 11

HEX #C5E230

RGB 197 226 48

HSL 69.78, 0.75%, 0.54%

LAB 85.24, -30.72, 76.19

 

CMYK 79 / 0 / 26 / 11

HEX #30E2A7

RGB 48 226 167

HSL 160.11, 0.75%, 0.54%

LAB 80.63, -56.81, 16.7

 

Description

Color code: CMYK 65 / 79 / 0 / 11 | qconv.com Color code: CMYK 65 / 79 / 0 / 11 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 48 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 48 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 79 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 79% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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