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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 245 66 155 it is the complementary color RGB 10 189 100. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 245 66 155. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 245 66 155: RGB 250 66 150, RGB 255 84 169, RGB 255 102 188, RGB 255 120 207 and RGB 255 138 226

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 245 66 155. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 245 66 155: RGB 245 66 155, RGB 228 48 136, RGB 211 30 117, RGB 194 12 98 and RGB 177 0 79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 37 / 4

HEX #F5429B

RGB 245 66 155

HSL 330.17, 0.9%, 0.61%

LAB 57.73, 73.4, -7.99

 

Complementary color

CMYK 95 / 0 / 47 / 26

HEX #0ABD64

RGB 10 189 100

HSL 150.17, 0.9%, 0.39%

LAB 67.56, -59.73, 33.93

 

CMYK 0 / 74 / 40 / 2

HEX #FA4296

RGB 250 66 150

HSL 332.61, 0.95%, 0.62%

LAB 58.44, 74.2, -3.91

 

CMYK 0 / 67 / 34 / 0

HEX #FF54A9

RGB 255 84 169

HSL 330.18, 1%, 0.66%

LAB 62.05, 71.38, -9.49

 

CMYK 0 / 60 / 26 / 0

HEX #FF66BC

RGB 255 102 188

HSL 326.27, 1%, 0.7%

LAB 65.27, 66.51, -15.51

 

CMYK 0 / 53 / 19 / 0

HEX #FF78CF

RGB 255 120 207

HSL 321.33, 1%, 0.74%

LAB 68.89, 61.12, -20.71

 

CMYK 0 / 46 / 11 / 0

HEX #FF8AE2

RGB 255 138 226

HSL 314.87, 1%, 0.77%

LAB 72.84, 55.42, -25.2

 

CMYK 0 / 73 / 37 / 4

HEX #F5429B

RGB 245 66 155

HSL 330.17, 0.9%, 0.61%

LAB 57.73, 73.4, -7.99

 

CMYK 0 / 79 / 40 / 11

HEX #E43088

RGB 228 48 136

HSL 330.67, 0.77%, 0.54%

LAB 52.27, 72.44, -5.17

 

CMYK 0 / 86 / 45 / 17

HEX #D31E75

RGB 211 30 117

HSL 331.16, 0.75%, 0.47%

LAB 47.06, 70.67, -1.7

 

CMYK 0 / 94 / 49 / 24

HEX #C20C62

RGB 194 12 98

HSL 331.65, 0.88%, 0.4%

LAB 42.18, 67.81, 2.6

 

CMYK 0 / 100 / 55 / 31

HEX #B1004F

RGB 177 0 79

HSL 333.22, 1%, 0.35%

LAB 37.68, 63.72, 7.82

 

CMYK 0 / 73 / 37 / 4

HEX #F5429B

RGB 245 66 155

HSL 330.17, 0.9%, 0.61%

LAB 57.73, 73.4, -7.99

 

CMYK 0 / 73 / 49 / 4

HEX #F5427D

RGB 245 66 125

HSL 340.22, 0.9%, 0.61%

LAB 56.87, 70.65, 8.45

 

CMYK 0 / 73 / 61 / 4

HEX #F5425F

RGB 245 66 95

HSL 350.28, 0.9%, 0.61%

LAB 56.22, 68.53, 25.32

 

CMYK 0 / 73 / 73 / 4

HEX #F54242

RGB 245 66 66

HSL 0, 0.9%, 0.61%

LAB 55.79, 67.09, 41.46

 

CMYK 0 / 61 / 73 / 4

HEX #F55F42

RGB 245 95 66

HSL 9.72, 0.9%, 0.61%

LAB 59.88, 55.97, 46.01

 

CMYK 0 / 73 / 37 / 4

HEX #F5429B

RGB 245 66 155

HSL 330.17, 0.9%, 0.61%

LAB 57.73, 73.4, -7.99

 

CMYK 0 / 73 / 37 / 84

HEX #290B1A

RGB 41 11 26

HSL 330, 0.58%, 0.1%

LAB 7.09, 17.55, -2.95

 

CMYK 0 / 73 / 37 / 64

HEX #5C193A

RGB 92 25 58

HSL 330.45, 0.57%, 0.23%

LAB 21.12, 33.7, -4.35

 

CMYK 0 / 73 / 37 / 44

HEX #8F275A

RGB 143 39 90

HSL 330.58, 0.57%, 0.36%

LAB 34.04, 47.72, -5.4

 

CMYK 0 / 73 / 37 / 24

HEX #C2347B

RGB 194 52 123

HSL 330, 0.58%, 0.48%

LAB 46.12, 61.15, -7.11

 

CMYK 0 / 73 / 37 / 4

HEX #F5429B

RGB 245 66 155

HSL 330.17, 0.9%, 0.61%

LAB 57.73, 73.4, -7.99

 

CMYK 0 / 22 / 73 / 4

HEX #F5BF42

RGB 245 191 66

HSL 41.9, 0.9%, 0.61%

LAB 80.22, 7.58, 67.03

 

CMYK 73 / 7 / 0 / 4

HEX #42E3F5

RGB 66 227 245

HSL 186.03, 0.9%, 0.61%

LAB 83.28, -34.8, -20.64

 

CMYK 0 / 73 / 37 / 4

HEX #F5429B

RGB 245 66 155

HSL 330.17, 0.9%, 0.61%

LAB 57.73, 73.4, -7.99

 

CMYK 37 / 0 / 73 / 4

HEX #9BF542

RGB 155 245 66

HSL 90.17, 0.9%, 0.61%

LAB 88.29, -53.7, 72.76

 

CMYK 73 / 37 / 0 / 4

HEX #429BF5

RGB 66 155 245

HSL 210.17, 0.9%, 0.61%

LAB 62.67, 3.03, -52.61

 

CMYK 0 / 73 / 37 / 4

HEX #F5429B

RGB 245 66 155

HSL 330.17, 0.9%, 0.61%

LAB 57.73, 73.4, -7.99

 

CMYK 0 / 22 / 73 / 4

HEX #F5BF42

RGB 245 191 66

HSL 41.9, 0.9%, 0.61%

LAB 80.22, 7.58, 67.03

 

CMYK 73 / 0 / 37 / 4

HEX #42F59B

RGB 66 245 155

HSL 149.83, 0.9%, 0.61%

LAB 86.42, -64.24, 30.83

 

CMYK 73 / 51 / 0 / 4

HEX #4277F5

RGB 66 119 245

HSL 222.23, 0.9%, 0.61%

LAB 52.89, 24.81, -68.29

 

CMYK 0 / 73 / 37 / 4

HEX #F5429B

RGB 245 66 155

HSL 330.17, 0.9%, 0.61%

LAB 57.73, 73.4, -7.99

 

CMYK 0 / 0 / 73 / 4

HEX #F5F542

RGB 245 245 66

HSL 60, 0.9%, 0.61%

LAB 93.93, -19.55, 80.13

 

CMYK 73 / 0 / 37 / 4

HEX #42F59B

RGB 66 245 155

HSL 149.83, 0.9%, 0.61%

LAB 86.42, -64.24, 30.83

 

CMYK 73 / 73 / 0 / 4

HEX #4242F5

RGB 66 66 245

HSL 240, 0.9%, 0.61%

LAB 40.65, 56.53, -88.3

 

Description

Color code: RGB 245 66 155 | qconv.com Color code: RGB 245 66 155 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 66 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 66 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 37 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 37% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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