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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D31E75 it is the complementary color #2CE18A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D31E75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D31E75 shade: #D81E70, #E93083, #FA4296, #FF54A9 and #FF66BC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D31E75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D31E75 shade: #D31E75, #C20C62, #B1004F, #A0003C and #8F0029

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D31E75 shade: #D21E74, #D21E44 and #D21E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D31E75 shade: #D21E74, #D21EA5, #CE1ED2, #9E1ED2 and #6D1ED2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D31E75 shade matches the following richer shades: #D21E74 and #E50B74

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D31E75 shade: #D21E74, #BE3175, #AB4576, #985877 and #846C77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D31E75 shade: #CF1ED2, #D21EA5, #D21E75, #D21E45 and #D2271E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D31E75 shade: #8A144C, #AE1960, #D21E74, #E23789 and #E85B9E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D31E75 shade: #D31E75, #D29F1E and #1EBDD2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D31E75 shade: #D31E75, #75D21E and #1E75D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D31E75 shade: #D31E75, #D29F1E, #1ED27B and #1E51D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D31E75 shade: #D31E75, #CFD21E, #1ED27B and #211ED2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 45 / 17

HEX #D31E75

RGB 211 30 117

HSL 331.16, 0.75%, 0.47%

LAB 47.06, 70.67, -1.7

 

Complementary color

CMYK 80 / 0 / 39 / 12

HEX #2CE18A

RGB 44 225 138

HSL 151.16, 0.75%, 0.53%

LAB 79.74, -62.85, 30.48

 

CMYK 0 / 86 / 48 / 15

HEX #D81E70

RGB 216 30 112

HSL 333.55, 0.76%, 0.48%

LAB 47.88, 71.44, 2.69

 

CMYK 0 / 79 / 44 / 9

HEX #E93083

RGB 233 48 131

HSL 333.08, 0.81%, 0.55%

LAB 53.03, 73.22, -0.94

 

CMYK 0 / 74 / 40 / 2

HEX #FA4296

RGB 250 66 150

HSL 332.61, 0.95%, 0.62%

LAB 58.44, 74.2, -3.91

 

CMYK 0 / 67 / 34 / 0

HEX #FF54A9

RGB 255 84 169

HSL 330.18, 1%, 0.66%

LAB 62.05, 71.38, -9.49

 

CMYK 0 / 60 / 26 / 0

HEX #FF66BC

RGB 255 102 188

HSL 326.27, 1%, 0.7%

LAB 65.27, 66.51, -15.51

 

CMYK 0 / 86 / 45 / 17

HEX #D31E75

RGB 211 30 117

HSL 331.16, 0.75%, 0.47%

LAB 47.06, 70.67, -1.7

 

CMYK 0 / 94 / 49 / 24

HEX #C20C62

RGB 194 12 98

HSL 331.65, 0.88%, 0.4%

LAB 42.18, 67.81, 2.6

 

CMYK 0 / 100 / 55 / 31

HEX #B1004F

RGB 177 0 79

HSL 333.22, 1%, 0.35%

LAB 37.68, 63.72, 7.82

 

CMYK 0 / 100 / 63 / 37

HEX #A0003C

RGB 160 0 60

HSL 337.5, 1%, 0.31%

LAB 33.56, 58.44, 13.96

 

CMYK 0 / 100 / 71 / 44

HEX #8F0029

RGB 143 0 41

HSL 342.8, 1%, 0.28%

LAB 29.41, 53.18, 20.43

 

CMYK 0 / 86 / 45 / 18

HEX #D21E74

RGB 210 30 116

HSL 331.33, 0.75%, 0.47%

LAB 46.83, 70.34, -1.43

 

CMYK 0 / 86 / 68 / 18

HEX #D21E44

RGB 210 30 68

HSL 347.33, 0.75%, 0.47%

LAB 45.7, 67.09, 26.67

 

CMYK 0 / 86 / 86 / 18

HEX #D21E1E

RGB 210 30 30

HSL 0, 0.75%, 0.47%

LAB 45.25, 65.78, 47.78

 

CMYK 0 / 86 / 45 / 18

HEX #D21E74

RGB 210 30 116

HSL 331.33, 0.75%, 0.47%

LAB 46.83, 70.34, -1.43

 

CMYK 0 / 86 / 21 / 18

HEX #D21EA5

RGB 210 30 165

HSL 315, 0.75%, 0.47%

LAB 48.69, 75.5, -28.23

 

CMYK 2 / 86 / 0 / 18

HEX #CE1ED2

RGB 206 30 210

HSL 298.67, 0.75%, 0.47%

LAB 50.34, 80.94, -51.93

 

CMYK 25 / 86 / 0 / 18

HEX #9E1ED2

RGB 158 30 210

HSL 282.67, 0.75%, 0.47%

LAB 42.54, 73.08, -64.91

 

CMYK 48 / 86 / 0 / 18

HEX #6D1ED2

RGB 109 30 210

HSL 266.33, 0.75%, 0.47%

LAB 35.66, 66.59, -76.44

 

CMYK 0 / 86 / 45 / 18

HEX #D21E74

RGB 210 30 116

HSL 331.33, 0.75%, 0.47%

LAB 46.83, 70.34, -1.43

 

CMYK 0 / 95 / 49 / 10

HEX #E50B74

RGB 229 11 116

HSL 331.1, 0.91%, 0.47%

LAB 49.69, 77.23, 3.18

 

CMYK 0 / 86 / 45 / 18

HEX #D21E74

RGB 210 30 116

HSL 331.33, 0.75%, 0.47%

LAB 46.83, 70.34, -1.43

 

CMYK 0 / 74 / 38 / 25

HEX #BE3175

RGB 190 49 117

HSL 331.06, 0.59%, 0.47%

LAB 44.84, 60.42, -5.41

 

CMYK 0 / 60 / 31 / 33

HEX #AB4576

RGB 171 69 118

HSL 331.18, 0.43%, 0.47%

LAB 44.55, 46.9, -6.8

 

CMYK 0 / 42 / 22 / 40

HEX #985877

RGB 152 88 119

HSL 330.94, 0.27%, 0.47%

LAB 45.62, 30.66, -6.12

 

CMYK 0 / 18 / 10 / 48

HEX #846C77

RGB 132 108 119

HSL 332.5, 0.1%, 0.47%

LAB 48.21, 11.45, -2.53

 

CMYK 1 / 86 / 0 / 18

HEX #CF1ED2

RGB 207 30 210

HSL 299, 0.75%, 0.47%

LAB 50.51, 81.12, -51.65

 

CMYK 0 / 86 / 21 / 18

HEX #D21EA5

RGB 210 30 165

HSL 315, 0.75%, 0.47%

LAB 48.69, 75.5, -28.23

 

CMYK 0 / 86 / 44 / 18

HEX #D21E75

RGB 210 30 117

HSL 331, 0.75%, 0.47%

LAB 46.86, 70.43, -2

 

CMYK 0 / 86 / 67 / 18

HEX #D21E45

RGB 210 30 69

HSL 347, 0.75%, 0.47%

LAB 45.72, 67.14, 26.08

 

CMYK 0 / 81 / 86 / 18

HEX #D2271E

RGB 210 39 30

HSL 3, 0.75%, 0.47%

LAB 45.97, 63.74, 48.38

 

CMYK 0 / 86 / 45 / 46

HEX #8A144C

RGB 138 20 76

HSL 331.53, 0.75%, 0.31%

LAB 30.46, 50.82, -1.67

 

CMYK 0 / 86 / 45 / 32

HEX #AE1960

RGB 174 25 96

HSL 331.41, 0.75%, 0.39%

LAB 38.79, 60.8, -1.56

 

CMYK 0 / 86 / 45 / 18

HEX #D21E74

RGB 210 30 116

HSL 331.33, 0.75%, 0.47%

LAB 46.83, 70.34, -1.43

 

CMYK 0 / 76 / 39 / 11

HEX #E23789

RGB 226 55 137

HSL 331.23, 0.75%, 0.55%

LAB 52.63, 70.08, -5.28

 

CMYK 0 / 61 / 32 / 9

HEX #E85B9E

RGB 232 91 158

HSL 331.49, 0.75%, 0.63%

LAB 59.07, 60.82, -7.96

 

CMYK 0 / 86 / 45 / 17

HEX #D31E75

RGB 211 30 117

HSL 331.16, 0.75%, 0.47%

LAB 47.06, 70.67, -1.7

 

CMYK 0 / 24 / 86 / 18

HEX #D29F1E

RGB 210 159 30

HSL 43, 0.75%, 0.47%

LAB 68.45, 8.19, 67

 

CMYK 86 / 10 / 0 / 18

HEX #1EBDD2

RGB 30 189 210

HSL 187, 0.75%, 0.47%

LAB 70.4, -30.61, -21.44

 

CMYK 0 / 86 / 45 / 17

HEX #D31E75

RGB 211 30 117

HSL 331.16, 0.75%, 0.47%

LAB 47.06, 70.67, -1.7

 

CMYK 44 / 0 / 86 / 18

HEX #75D21E

RGB 117 210 30

HSL 91, 0.75%, 0.47%

LAB 76.05, -54.02, 70.76

 

CMYK 86 / 44 / 0 / 18

HEX #1E75D2

RGB 30 117 210

HSL 211, 0.75%, 0.47%

LAB 49.07, 9.44, -54.82

 

CMYK 0 / 86 / 45 / 17

HEX #D31E75

RGB 211 30 117

HSL 331.16, 0.75%, 0.47%

LAB 47.06, 70.67, -1.7

 

CMYK 0 / 24 / 86 / 18

HEX #D29F1E

RGB 210 159 30

HSL 43, 0.75%, 0.47%

LAB 68.45, 8.19, 67

 

CMYK 86 / 0 / 41 / 18

HEX #1ED27B

RGB 30 210 123

HSL 151, 0.75%, 0.47%

LAB 74.7, -61.62, 31.45

 

CMYK 86 / 61 / 0 / 18

HEX #1E51D2

RGB 30 81 210

HSL 223, 0.75%, 0.47%

LAB 39.27, 32.65, -70.72

 

CMYK 0 / 86 / 45 / 17

HEX #D31E75

RGB 211 30 117

HSL 331.16, 0.75%, 0.47%

LAB 47.06, 70.67, -1.7

 

CMYK 1 / 0 / 86 / 18

HEX #CFD21E

RGB 207 210 30

HSL 61, 0.75%, 0.47%

LAB 81.54, -19.48, 77.58

 

CMYK 86 / 0 / 41 / 18

HEX #1ED27B

RGB 30 210 123

HSL 151, 0.75%, 0.47%

LAB 74.7, -61.62, 31.45

 

CMYK 84 / 86 / 0 / 18

HEX #211ED2

RGB 33 30 210

HSL 241, 0.75%, 0.47%

LAB 29.17, 61.08, -87.39

 

Description

Color code: HEX #D31E75 | qconv.com Color code: HEX #D31E75 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 30 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 30 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 45 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 45% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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