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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #007FFF it is the complementary color #FF8000. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #007FFF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #007FFF: #057FFA, #1691FF, #27A3FF, #38B5FF and #49C7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #007FFF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #007FFF: #007FFF, #006DEC, #005BD9, #0049C6 and #0037B3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 50 / 0 / 0

HEX #007FFF

RGB 0 127 255

HSL 210.12, 1%, 0.5%

LAB 54.45, 19.41, -71.36

 

Complementary color

CMYK 0 / 50 / 100 / 0

HEX #FF8000

RGB 255 128 0

HSL 30.12, 1%, 0.5%

LAB 67.05, 42.83, 74.03

NCS® S0585-Y50R

CMYK 98 / 49 / 0 / 2

HEX #057FFA

RGB 5 127 250

HSL 210.12, 0.96%, 0.5%

LAB 54.15, 17.61, -69.09

 

CMYK 91 / 43 / 0 / 0

HEX #1691FF

RGB 22 145 255

HSL 208.33, 1%, 0.54%

LAB 59.56, 8.98, -63.11

 

CMYK 85 / 36 / 0 / 0

HEX #27A3FF

RGB 39 163 255

HSL 205.56, 1%, 0.58%

LAB 64.84, -0.67, -54.67

 

CMYK 78 / 29 / 0 / 0

HEX #38B5FF

RGB 56 181 255

HSL 202.31, 1%, 0.61%

LAB 70.25, -9.33, -46.11

 

CMYK 71 / 22 / 0 / 0

HEX #49C7FF

RGB 73 199 255

HSL 198.46, 1%, 0.64%

LAB 75.75, -17.01, -37.49

 

CMYK 100 / 50 / 0 / 0

HEX #007FFF

RGB 0 127 255

HSL 210.12, 1%, 0.5%

LAB 54.45, 19.41, -71.36

 

CMYK 100 / 54 / 0 / 7

HEX #006DEC

RGB 0 109 236

HSL 212.29, 1%, 0.46%

LAB 48.25, 23.44, -70.85

 

CMYK 100 / 58 / 0 / 15

HEX #005BD9

RGB 0 91 217

HSL 214.84, 1%, 0.43%

LAB 41.99, 27.65, -70.3

 

CMYK 100 / 63 / 0 / 22

HEX #0049C6

RGB 0 73 198

HSL 217.88, 1%, 0.39%

LAB 35.68, 32.03, -69.67

 

CMYK 100 / 69 / 0 / 30

HEX #0037B3

RGB 0 55 179

HSL 221.56, 1%, 0.35%

LAB 29.38, 36.46, -68.84

 

CMYK 100 / 50 / 0 / 0

HEX #007FFF

RGB 0 127 255

HSL 210.12, 1%, 0.5%

LAB 54.45, 19.41, -71.36

 

CMYK 100 / 67 / 0 / 0

HEX #0055FF

RGB 0 85 255

HSL 220, 1%, 0.5%

LAB 43.82, 45.83, -88.72

 

CMYK 100 / 84 / 0 / 0

HEX #002AFF

RGB 0 42 255

HSL 230.12, 1%, 0.5%

LAB 35.74, 68.69, -102.11

 

CMYK 100 / 100 / 0 / 0

HEX #0000FF

RGB 0 0 255

HSL 240, 1%, 0.5%

LAB 32.3, 79.2, -107.86

 

CMYK 84 / 100 / 0 / 0

HEX #2A00FF

RGB 42 0 255

HSL 249.88, 1%, 0.5%

LAB 33.38, 79.55, -106.04

 

CMYK 100 / 50 / 0 / 0

HEX #007FFF

RGB 0 127 255

HSL 210.12, 1%, 0.5%

LAB 54.45, 19.41, -71.36

 

CMYK 100 / 51 / 0 / 80

HEX #001933

RGB 0 25 51

HSL 210.59, 1%, 0.1%

LAB 8.43, 2.21, -20

 

CMYK 100 / 50 / 0 / 60

HEX #003366

RGB 0 51 102

HSL 210, 1%, 0.2%

LAB 21.31, 6.82, -34.22

 

CMYK 100 / 50 / 0 / 40

HEX #004C99

RGB 0 76 153

HSL 210.2, 1%, 0.3%

LAB 32.85, 11.57, -47.54

 

CMYK 100 / 50 / 0 / 20

HEX #0066CC

RGB 0 102 204

HSL 210, 1%, 0.4%

LAB 44.03, 15.28, -59.52

 

CMYK 100 / 50 / 0 / 0

HEX #007FFF

RGB 0 127 255

HSL 210.12, 1%, 0.5%

LAB 54.45, 19.41, -71.36

 

CMYK 30 / 100 / 0 / 0

HEX #B200FF

RGB 178 0 255

HSL 281.88, 1%, 0.5%

LAB 47.86, 87.87, -81.61

 

CMYK 10 / 0 / 100 / 0

HEX #E5FF00

RGB 229 255 0

HSL 66.12, 1%, 0.5%

LAB 95.24, -32.11, 92.22

 

CMYK 100 / 50 / 0 / 0

HEX #007FFF

RGB 0 127 255

HSL 210.12, 1%, 0.5%

LAB 54.45, 19.41, -71.36

 

CMYK 0 / 100 / 50 / 0

HEX #FF007F

RGB 255 0 127

HSL 330.12, 1%, 0.5%

LAB 54.86, 84.48, 4.63

 

CMYK 50 / 0 / 100 / 0

HEX #7FFF00

RGB 127 255 0

HSL 90.12, 1%, 0.5%

LAB 89.87, -68.07, 85.78

 

CMYK 100 / 50 / 0 / 0

HEX #007FFF

RGB 0 127 255

HSL 210.12, 1%, 0.5%

LAB 54.45, 19.41, -71.36

 

CMYK 30 / 100 / 0 / 0

HEX #B200FF

RGB 178 0 255

HSL 281.88, 1%, 0.5%

LAB 47.86, 87.87, -81.61

 

CMYK 0 / 50 / 100 / 0

HEX #FF7F00

RGB 255 127 0

HSL 29.88, 1%, 0.5%

LAB 66.85, 43.32, 73.91

 

CMYK 70 / 0 / 100 / 0

HEX #4CFF00

RGB 76 255 0

HSL 102.12, 1%, 0.5%

LAB 88.47, -79.6, 84.08

 

CMYK 100 / 50 / 0 / 0

HEX #007FFF

RGB 0 127 255

HSL 210.12, 1%, 0.5%

LAB 54.45, 19.41, -71.36

 

CMYK 0 / 100 / 0 / 0

HEX #FF00FF

RGB 255 0 255

HSL 300, 1%, 0.5%

LAB 60.32, 98.25, -60.84

 

CMYK 0 / 50 / 100 / 0

HEX #FF7F00

RGB 255 127 0

HSL 29.88, 1%, 0.5%

LAB 66.85, 43.32, 73.91

 

CMYK 100 / 0 / 100 / 0

HEX #00FF00

RGB 0 255 0

HSL 120, 1%, 0.5%

LAB 87.74, -86.18, 83.18

 

Description

Color code: HEX #007FFF | qconv.com Color code: HEX #007FFF | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 127 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 127 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, 50 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 50% 0% 0% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

82% - The Dank-U Truck - S...
Link: http://www.thedankutruck.com

35% - PortScan.ru - Провер...
Link: http://portscan.ru

83% - 主页推荐
Link: http://www.shareyan.cn

37% - Maple馴れ合い場
Link: http://www5.pf-x.net

72% - 熊猫汽水博客
Link: http://www.pandasoda.cn

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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