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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FF8000 it is the complementary color #007FFF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FF8000. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FF8000 shade: #FF8000, #FF920E, #FFA421, #FFB634 and #FFC847

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FF8000. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FF8000 shade: #FF8000, #EE6E00, #DD5C00, #CC4A00 and #BB3800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FF8000 shade: #FF8000, #FF3B00 and #FF0000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FF8000 shade: #FF8000, #FFC500, #F4FF00, #B0FF00 and #6BFF00

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FF8000 shade matches the following richer shades: #FF8000

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FF8000 shade: #FF8000, #EA8015, #D68029, #C1803E and #AC8053

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FF8000 shade: #FF0008, #FF3C00, #FF8000, #FFC400 and #F7FF00

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FF8000 shade: #AC5700, #D66B00, #FF8000, #FF9529 and #FFA953

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FF8000 shade: #FF8000, #4DFF00 and #1900FF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FF8000 shade: #FF8000, #00FF80 and #8000FF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FF8000 shade: #FF8000, #4DFF00, #0080FF and #B300FF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FF8000 shade: #FF8000, #00FF00, #0080FF and #FF00FF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 100 / 0

HEX #FF8000

RGB 255 128 0

HSL 30.12, 1%, 0.5%

LAB 67.05, 42.83, 74.03

Complementary color

CMYK 100 / 50 / 0 / 0

HEX #007FFF

RGB 0 127 255

HSL 210.12, 1%, 0.5%

LAB 54.45, 19.41, -71.36

 

CMYK 0 / 50 / 100 / 0

HEX #FF8000

RGB 255 128 0

HSL 30.12, 1%, 0.5%

LAB 67.05, 42.83, 74.03

HEX #FF8000

CMYK 0 / 43 / 95 / 0

HEX #FF920E

RGB 255 146 14

HSL 32.86, 1%, 0.53%

LAB 70.77, 33.89, 74.46

HEX #FF920E

CMYK 0 / 36 / 87 / 0

HEX #FFA421

RGB 255 164 33

HSL 35.41, 1%, 0.56%

LAB 74.77, 24.85, 73.44

HEX #FFA421

CMYK 0 / 29 / 80 / 0

HEX #FFB634

RGB 255 182 52

HSL 38.42, 1%, 0.6%

LAB 79.02, 15.96, 71.33

HEX #FFB634

CMYK 0 / 22 / 72 / 0

HEX #FFC847

RGB 255 200 71

HSL 42.07, 1%, 0.64%

LAB 83.45, 7.34, 68.63

HEX #FFC847

CMYK 0 / 50 / 100 / 0

HEX #FF8000

RGB 255 128 0

HSL 30.12, 1%, 0.5%

LAB 67.05, 42.83, 74.03

HEX #FF8000

CMYK 0 / 54 / 100 / 7

HEX #EE6E00

RGB 238 110 0

HSL 27.73, 1%, 0.47%

LAB 61.07, 45.08, 69.24

HEX #EE6E00

CMYK 0 / 58 / 100 / 13

HEX #DD5C00

RGB 221 92 0

HSL 24.98, 1%, 0.43%

LAB 55.1, 47.24, 64.47

HEX #DD5C00

CMYK 0 / 64 / 100 / 20

HEX #CC4A00

RGB 204 74 0

HSL 21.76, 1%, 0.4%

LAB 49.17, 49.18, 59.76

HEX #CC4A00

CMYK 0 / 70 / 100 / 27

HEX #BB3800

RGB 187 56 0

HSL 17.97, 1%, 0.37%

LAB 43.35, 50.75, 55.13

HEX #BB3800

CMYK 0 / 50 / 100 / 0

HEX #FF8000

RGB 255 128 0

HSL 30.12, 1%, 0.5%

LAB 67.05, 42.83, 74.03

HEX #FF8000

CMYK 0 / 77 / 100 / 0

HEX #FF3B00

RGB 255 59 0

HSL 13.88, 1%, 0.5%

LAB 56.47, 70.86, 68.48

HEX #FF3B00

CMYK 0 / 100 / 100 / 0

HEX #FF0000

RGB 255 0 0

HSL 0, 1%, 0.5%

LAB 53.23, 80.11, 67.22

HEX #FF0000

CMYK 0 / 50 / 100 / 0

HEX #FF8000

RGB 255 128 0

HSL 30.12, 1%, 0.5%

LAB 67.05, 42.83, 74.03

HEX #FF8000

CMYK 0 / 23 / 100 / 0

HEX #FFC500

RGB 255 197 0

HSL 46.35, 1%, 0.5%

LAB 82.48, 7.28, 84.03

HEX #FFC500

CMYK 4 / 0 / 100 / 0

HEX #F4FF00

RGB 244 255 0

HSL 62.59, 1%, 0.5%

LAB 96.31, -26.05, 93.5

HEX #F4FF00

CMYK 31 / 0 / 100 / 0

HEX #B0FF00

RGB 176 255 0

HSL 78.59, 1%, 0.5%

LAB 92.02, -52.35, 88.37

HEX #B0FF00

CMYK 58 / 0 / 100 / 0

HEX #6BFF00

RGB 107 255 0

HSL 94.82, 1%, 0.5%

LAB 89.23, -73.26, 85

HEX #6BFF00

CMYK 0 / 50 / 100 / 0

HEX #FF8000

RGB 255 128 0

HSL 30.12, 1%, 0.5%

LAB 67.05, 42.83, 74.03

HEX #FF8000

CMYK 0 / 50 / 100 / 0

HEX #FF8000

RGB 255 128 0

HSL 30.12, 1%, 0.5%

LAB 67.05, 42.83, 74.03

HEX #FF8000

CMYK 0 / 45 / 91 / 8

HEX #EA8015

RGB 234 128 21

HSL 30.14, 0.84%, 0.5%

LAB 64.15, 34.72, 67.18

HEX #EA8015

CMYK 0 / 40 / 81 / 16

HEX #D68029

RGB 214 128 41

HSL 30.17, 0.68%, 0.5%

LAB 61.56, 26.94, 57.71

HEX #D68029

CMYK 0 / 34 / 68 / 24

HEX #C1803E

RGB 193 128 62

HSL 30.23, 0.51%, 0.5%

LAB 59.09, 18.96, 45.07

HEX #C1803E

CMYK 0 / 26 / 52 / 33

HEX #AC8053

RGB 172 128 83

HSL 30.34, 0.35%, 0.5%

LAB 56.91, 11.51, 30.92

HEX #AC8053

CMYK 0 / 100 / 97 / 0

HEX #FF0008

RGB 255 0 8

HSL 358.12, 1%, 0.5%

LAB 53.25, 80.16, 65.25

 

CMYK 0 / 76 / 100 / 0

HEX #FF3C00

RGB 255 60 0

HSL 14.12, 1%, 0.5%

LAB 56.58, 70.58, 68.53

 

CMYK 0 / 50 / 100 / 0

HEX #FF8000

RGB 255 128 0

HSL 30.12, 1%, 0.5%

LAB 67.05, 42.83, 74.03

HEX #FF8000

CMYK 0 / 23 / 100 / 0

HEX #FFC400

RGB 255 196 0

HSL 46.12, 1%, 0.5%

LAB 82.24, 7.8, 83.87

HEX #FFC400

CMYK 3 / 0 / 100 / 0

HEX #F7FF00

RGB 247 255 0

HSL 61.88, 1%, 0.5%

LAB 96.53, -24.83, 93.76

HEX #F7FF00

CMYK 0 / 49 / 100 / 33

HEX #AC5700

RGB 172 87 0

HSL 30.35, 1%, 0.34%

LAB 46.43, 30.38, 55.47

 

CMYK 0 / 50 / 100 / 16

HEX #D66B00

RGB 214 107 0

HSL 30, 1%, 0.42%

LAB 56.89, 37.2, 64.93

 

CMYK 0 / 50 / 100 / 0

HEX #FF8000

RGB 255 128 0

HSL 30.12, 1%, 0.5%

LAB 67.05, 42.83, 74.03

HEX #FF8000

CMYK 0 / 42 / 84 / 0

HEX #FF9529

RGB 255 149 41

HSL 30.28, 1%, 0.58%

LAB 71.5, 32.81, 68.44

HEX #FF9529

CMYK 0 / 50 / 100 / 0

HEX #FF8000

RGB 255 128 0

HSL 30.12, 1%, 0.5%

LAB 67.05, 42.83, 74.03

HEX #FF8000

CMYK 70 / 0 / 100 / 0

HEX #4DFF00

RGB 77 255 0

HSL 101.88, 1%, 0.5%

LAB 88.49, -79.43, 84.11

HEX #4DFF00

CMYK 90 / 100 / 0 / 0

HEX #1900FF

RGB 25 0 255

HSL 245.88, 1%, 0.5%

LAB 32.76, 79.34, -107.09

HEX #1900FF

CMYK 0 / 50 / 100 / 0

HEX #FF8000

RGB 255 128 0

HSL 30.12, 1%, 0.5%

LAB 67.05, 42.83, 74.03

HEX #FF8000

CMYK 100 / 0 / 50 / 0

HEX #00FF80

RGB 0 255 128

HSL 150.12, 1%, 0.5%

LAB 88.49, -76.75, 46.57

HEX #00FF80

CMYK 50 / 100 / 0 / 0

HEX #8000FF

RGB 128 0 255

HSL 270.12, 1%, 0.5%

LAB 40.91, 83.18, -93.3

HEX #8000FF

CMYK 0 / 50 / 100 / 0

HEX #FF8000

RGB 255 128 0

HSL 30.12, 1%, 0.5%

LAB 67.05, 42.83, 74.03

HEX #FF8000

CMYK 70 / 0 / 100 / 0

HEX #4DFF00

RGB 77 255 0

HSL 101.88, 1%, 0.5%

LAB 88.49, -79.43, 84.11

HEX #4DFF00

CMYK 100 / 50 / 0 / 0

HEX #0080FF

RGB 0 128 255

HSL 209.88, 1%, 0.5%

LAB 54.72, 18.79, -70.92

HEX #0080FF

CMYK 30 / 100 / 0 / 0

HEX #B300FF

RGB 179 0 255

HSL 282.12, 1%, 0.5%

LAB 48.01, 87.98, -81.36

HEX #B300FF

CMYK 0 / 50 / 100 / 0

HEX #FF8000

RGB 255 128 0

HSL 30.12, 1%, 0.5%

LAB 67.05, 42.83, 74.03

HEX #FF8000

CMYK 100 / 0 / 100 / 0

HEX #00FF00

RGB 0 255 0

HSL 120, 1%, 0.5%

LAB 87.74, -86.18, 83.18

HEX #00FF00

CMYK 100 / 50 / 0 / 0

HEX #0080FF

RGB 0 128 255

HSL 209.88, 1%, 0.5%

LAB 54.72, 18.79, -70.92

HEX #0080FF

CMYK 0 / 100 / 0 / 0

HEX #FF00FF

RGB 255 0 255

HSL 300, 1%, 0.5%

LAB 60.32, 98.25, -60.84

HEX #FF00FF

Description

Color code: HEX #FF8000 | qconv.com Color code: HEX #FF8000 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 128 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 128 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 100 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 100% 0% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

63% - NSHipster
Link: http://nshipster.com

47% - 育てネット
Link: http://www.sodate.net

16% - EIN ENTERTAINMENT | ...
Link: http://einentertainment.com

58% - Cuentemelo.net
Link: http://www.cuentemelo.net

22% - ศูนย์เครื่องมือวิทยา...
Link: http://www.sec.psu.ac.th

97% - Soulruah - Sound Sho...
Link: http://soulruah.p.ht

25% - Our Brands | Musgrav...
Link: http://www.musgravegroup.com

85% - Careers - Thomson Re...
Link: http://careers.thomsonreuters.com

40% - TV Calendar October ...
Link: http://www.pogdesign.co.uk

68% - 【サモンズ!】サモンズボード攻略まとめ速...
Link: http://summonsmatome.blog.fc2.com

29% - オフィス365(Office365)オフ...
Link: http://www.gog.co.jp

20% - ƒXƒŠ[ƒvƒƒOƒ‹[ƒv„ ...
Link: http://www.threepro.co.jp

61% - If There Were No Int...
Link: http://iftherewerenointer.net

58% - Razer - For Gamers. ...
Link: http://www.razerzone.com

73% - Thomson Reuters Rate...
Link: http://tax-rate-lookup.appspot.com

26% - Møbler, Boligindretn...
Link: http://www.ikea.com

82% - Fundación Bolívar Da...
Link: https://www.fundacionbolivardavivienda.org

89% - Dé makers van landin...
Link: http://bemio.synology.me

80% - Contábil Plus 10
Link: http://www.contabilplus10.com.br

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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