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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 100 / 50 / 0 / 20 it is the complementary color CMYK 0 / 40 / 80 / 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 100 / 50 / 0 / 20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 100 / 50 / 0 / 20: CMYK 97 / 49 / 0 / 22, CMYK 90 / 45 / 0 / 15, CMYK 84 / 42 / 0 / 7, CMYK 78 / 39 / 0 / 0 and CMYK 71 / 32 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 100 / 50 / 0 / 20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 100 / 50 / 0 / 20: CMYK 100 / 50 / 0 / 20, CMYK 100 / 55 / 0 / 27, CMYK 100 / 60 / 0 / 35, CMYK 100 / 67 / 0 / 42 and CMYK 100 / 77 / 0 / 50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 50 / 0 / 20

HEX #0066CC

RGB 0 102 204

HSL 210, 1%, 0.4%

LAB 44.03, 15.28, -59.52

 

Complementary color

CMYK 0 / 40 / 80 / 0

HEX #FF9933

RGB 255 153 51

HSL 30, 1%, 0.6%

LAB 72.42, 31.03, 65.73

 

CMYK 97 / 49 / 0 / 22

HEX #0566C7

RGB 5 102 199

HSL 210, 0.95%, 0.4%

LAB 43.74, 13.44, -57.12

 

CMYK 90 / 45 / 0 / 15

HEX #1678DA

RGB 22 120 218

HSL 210, 0.82%, 0.47%

LAB 50.29, 10.16, -57.4

 

CMYK 84 / 42 / 0 / 7

HEX #278AED

RGB 39 138 237

HSL 210, 0.85%, 0.54%

LAB 56.8, 7.45, -57.59

 

CMYK 78 / 39 / 0 / 0

HEX #389CFF

RGB 56 156 255

HSL 209.85, 1%, 0.61%

LAB 63.21, 4.85, -57.25

 

CMYK 71 / 32 / 0 / 0

HEX #49AEFF

RGB 73 174 255

HSL 206.7, 1%, 0.64%

LAB 68.68, -3.48, -48.54

 

CMYK 100 / 50 / 0 / 20

HEX #0066CC

RGB 0 102 204

HSL 210, 1%, 0.4%

LAB 44.03, 15.28, -59.52

 

CMYK 100 / 55 / 0 / 27

HEX #0054B9

RGB 0 84 185

HSL 212.76, 1%, 0.36%

LAB 37.56, 19.46, -58.99

 

CMYK 100 / 60 / 0 / 35

HEX #0042A6

RGB 0 66 166

HSL 216.14, 1%, 0.33%

LAB 31, 23.9, -58.41

 

CMYK 100 / 67 / 0 / 42

HEX #003093

RGB 0 48 147

HSL 220.41, 1%, 0.29%

LAB 24.39, 28.52, -57.68

 

CMYK 100 / 77 / 0 / 50

HEX #001E80

RGB 0 30 128

HSL 225.94, 1%, 0.25%

LAB 17.86, 33.05, -56.57

 

CMYK 100 / 50 / 0 / 20

HEX #0066CC

RGB 0 102 204

HSL 210, 1%, 0.4%

LAB 44.03, 15.28, -59.52

 

CMYK 100 / 67 / 0 / 20

HEX #0044CC

RGB 0 68 204

HSL 220, 1%, 0.4%

LAB 34.99, 37.6, -74.29

 

CMYK 100 / 84 / 0 / 20

HEX #0021CC

RGB 0 33 204

HSL 230.29, 1%, 0.4%

LAB 27.97, 57.35, -85.91

 

CMYK 100 / 100 / 0 / 20

HEX #0000CC

RGB 0 0 204

HSL 240, 1%, 0.4%

LAB 24.83, 66.94, -91.17

 

CMYK 83 / 100 / 0 / 20

HEX #2200CC

RGB 34 0 204

HSL 250, 1%, 0.4%

LAB 25.86, 67.28, -89.41

 

CMYK 100 / 50 / 0 / 20

HEX #0066CC

RGB 0 102 204

HSL 210, 1%, 0.4%

LAB 44.03, 15.28, -59.52

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 100 / 49 / 0 / 80

HEX #001A33

RGB 0 26 51

HSL 209.41, 1%, 0.1%

LAB 8.81, 1.42, -19.4

 

CMYK 100 / 50 / 0 / 60

HEX #003366

RGB 0 51 102

HSL 210, 1%, 0.2%

LAB 21.31, 6.82, -34.22

 

CMYK 100 / 50 / 0 / 40

HEX #004D99

RGB 0 77 153

HSL 209.8, 1%, 0.3%

LAB 33.15, 10.89, -47.06

 

CMYK 100 / 50 / 0 / 20

HEX #0066CC

RGB 0 102 204

HSL 210, 1%, 0.4%

LAB 44.03, 15.28, -59.52

 

CMYK 30 / 100 / 0 / 20

HEX #8E00CC

RGB 142 0 204

HSL 281.76, 1%, 0.4%

LAB 38.04, 74.32, -68.88

 

CMYK 10 / 0 / 100 / 20

HEX #B7CC00

RGB 183 204 0

HSL 66.18, 1%, 0.4%

LAB 78.02, -27.11, 77.96

 

CMYK 100 / 50 / 0 / 20

HEX #0066CC

RGB 0 102 204

HSL 210, 1%, 0.4%

LAB 44.03, 15.28, -59.52

 

CMYK 0 / 100 / 50 / 20

HEX #CC0066

RGB 204 0 102

HSL 330, 1%, 0.4%

LAB 43.94, 71.54, 2.9

 

CMYK 50 / 0 / 100 / 20

HEX #66CC00

RGB 102 204 0

HSL 90, 1%, 0.4%

LAB 73.55, -57.02, 72.58

 

CMYK 100 / 50 / 0 / 20

HEX #0066CC

RGB 0 102 204

HSL 210, 1%, 0.4%

LAB 44.03, 15.28, -59.52

 

CMYK 30 / 100 / 0 / 20

HEX #8E00CC

RGB 142 0 204

HSL 281.76, 1%, 0.4%

LAB 38.04, 74.32, -68.88

 

CMYK 0 / 50 / 100 / 20

HEX #CC6600

RGB 204 102 0

HSL 30, 1%, 0.4%

LAB 54.39, 35.73, 62.68

 

CMYK 70 / 0 / 100 / 20

HEX #3DCC00

RGB 61 204 0

HSL 102.06, 1%, 0.4%

LAB 72.35, -66.91, 71.12

 

CMYK 100 / 50 / 0 / 20

HEX #0066CC

RGB 0 102 204

HSL 210, 1%, 0.4%

LAB 44.03, 15.28, -59.52

 

CMYK 0 / 100 / 0 / 20

HEX #CC00CC

RGB 204 0 204

HSL 300, 1%, 0.4%

LAB 48.51, 83.05, -51.43

 

CMYK 0 / 50 / 100 / 20

HEX #CC6600

RGB 204 102 0

HSL 30, 1%, 0.4%

LAB 54.39, 35.73, 62.68

 

CMYK 100 / 0 / 100 / 20

HEX #00CC00

RGB 0 204 0

HSL 120, 1%, 0.4%

LAB 71.68, -72.85, 70.31

 

Description

Color code: CMYK 100 / 50 / 0 / 20 | qconv.com Color code: CMYK 100 / 50 / 0 / 20 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 102 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 102 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, 50 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 50% 0% 20% C M Y K



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Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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CMYK to RGBA

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CMYK to HKS®

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CMYK to PANTONE®

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CMYK to Sherwin Williams®

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CMYK to NCS®

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HEX to RGBA

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HEX to CMYK

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HEX to RAL®

convert from #RRGGBB to RAL®-number (RAL 0000)

HEX to HKS®

convert from #RRGGBB to HKS®-number (HKS 00)

HEX to PANTONE®

convert from #RRGGBB to Pantone®-number (Pantone 0000)

HEX to Sherwin Williams®

convert from #RRGGBB to Sherwin Williams®-number (SW 0000)

HEX to NCS®

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RAL® to RGB

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RAL® to RGBA

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RAL® to CMYK

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RAL® to HEX

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RAL® to HKS®

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RAL® to PANTONE®

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RAL® to Sherwin Williams®

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RAL® to NCS®

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HKS® to RGB

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HKS® to RGBA

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HKS® to CMYK

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HKS® to HEX

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HKS® to RAL®

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HKS® to PANTONE®

convert from HKS®-number (HKS 00) to Pantone®-number (Pantone 0000)

HKS® to Sherwin Williams®

convert from HKS®-number (HKS 00) to Sherwin Williams®-number (SW 0000)

HKS® to NCS®

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PANTONE® to RGB

convert from Pantone®-number (Pantone 0000) to RGB red green blue

PANTONE® to RGBA

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PANTONE® to CMYK

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PANTONE® to HEX

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PANTONE® to RAL®

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PANTONE® to HKS®

convert from Pantone®-number (Pantone 0000) to HKS®-number (HKS 00)

PANTONE® to Sherwin Williams®

convert from Pantone®-number (Pantone 0000) to Sherwin Williams®-number (SW 0000)

PANTONE® to NCS®

convert from Pantone®-number (Pantone 0000) to NCS-number (S0000-X00X)

nsc-logo

Sherwin Williams® to RGB

convert from Sherwin Williams®-number (SW 0000) to RGB red green blue

Sherwin Williams® to RGBA

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Sherwin Williams® to CMYK

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Sherwin Williams® to HEX

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Sherwin Williams® to RAL®

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Sherwin Williams® to HKS®

convert from Sherwin Williams®-number (SW 0000) to HKS®-number (HKS 00)

Sherwin Williams® to PANTONE®

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Sherwin Williams® to NCS®

convert from Sherwin Williams®-number (SW 0000) to NCS-number (S0000-X00X)

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NCS® to RGB

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NCS® to RGBA

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NCS® to CMYK

convert from NCS-number (S0000-X00X) to CMYK cyan / magenta / yellow / black

Icons

NCS® to HEX

convert from NCS-number (S0000-X00X) to #RRGGBB

NCS® to RAL®

convert from NCS-number (S0000-X00X) to RAL®-number (RAL 0000)

NCS® to HKS®

convert from NCS-number (S0000-X00X) to HKS®-number (HKS 00)

NCS® to PANTONE®

convert from NCS-number (S0000-X00X) to Pantone®-number (Pantone 0000)

NCS® to Sherwin Williams®

convert from NCS-number (S0000-X00X) to Sherwin Williams®-number (SW 0000)

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