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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 20 / 0 / 28 / 57 it is the complementary color CMYK 5 / 18 / 0 / 31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 20 / 0 / 28 / 57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 20 / 0 / 28 / 57: CMYK 15 / 0 / 33 / 57, CMYK 14 / 0 / 27 / 50, CMYK 13 / 0 / 23 / 43, CMYK 12 / 0 / 20 / 36 and CMYK 12 / 0 / 18 / 29

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 20 / 0 / 28 / 57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 20 / 0 / 28 / 57: CMYK 20 / 0 / 28 / 57, CMYK 23 / 0 / 35 / 64, CMYK 27 / 0 / 45 / 71, CMYK 34 / 0 / 61 / 78 and CMYK 47 / 0 / 92 / 85

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 28 / 57

HEX #586E4F

RGB 88 110 79

HSL 102.58, 0.16%, 0.37%

LAB 43.93, -14.58, 14.69

 

Complementary color

CMYK 5 / 18 / 0 / 31

HEX #A791B0

RGB 167 145 176

HSL 282.58, 0.16%, 0.63%

LAB 63.01, 14.01, -13.17

 

CMYK 15 / 0 / 33 / 57

HEX #5D6E4A

RGB 93 110 74

HSL 88.33, 0.2%, 0.36%

LAB 44.19, -13.41, 18.04

 

CMYK 14 / 0 / 27 / 50

HEX #6E805D

RGB 110 128 93

HSL 90.86, 0.16%, 0.43%

LAB 51.32, -13.36, 16.88

 

CMYK 13 / 0 / 23 / 43

HEX #7F9270

RGB 127 146 112

HSL 93.53, 0.13%, 0.51%

LAB 58.26, -13.31, 15.82

 

CMYK 12 / 0 / 20 / 36

HEX #90A483

RGB 144 164 131

HSL 96.36, 0.15%, 0.58%

LAB 65.06, -13.26, 14.83

 

CMYK 12 / 0 / 18 / 29

HEX #A1B696

RGB 161 182 150

HSL 99.38, 0.18%, 0.65%

LAB 71.71, -13.22, 13.9

 

CMYK 20 / 0 / 28 / 57

HEX #586E4F

RGB 88 110 79

HSL 102.58, 0.16%, 0.37%

LAB 43.93, -14.58, 14.69

 

CMYK 23 / 0 / 35 / 64

HEX #475C3C

RGB 71 92 60

HSL 99.38, 0.21%, 0.3%

LAB 36.59, -14.73, 15.9

 

CMYK 27 / 0 / 45 / 71

HEX #364A29

RGB 54 74 41

HSL 96.36, 0.29%, 0.23%

LAB 29.01, -14.88, 17.23

 

CMYK 34 / 0 / 61 / 78

HEX #253816

RGB 37 56 22

HSL 93.53, 0.44%, 0.15%

LAB 21.13, -14.97, 18.66

 

CMYK 47 / 0 / 92 / 85

HEX #142603

RGB 20 38 3

HSL 90.86, 0.85%, 0.08%

LAB 12.87, -14.95, 17.45

 

CMYK 20 / 0 / 28 / 57

HEX #586E4F

RGB 88 110 79

HSL 102.58, 0.16%, 0.37%

LAB 43.93, -14.58, 14.69

 

CMYK 24 / 0 / 28 / 57

HEX #536D4F

RGB 83 109 79

HSL 112, 0.16%, 0.37%

LAB 43.27, -15.97, 13.73

 

CMYK 28 / 0 / 27 / 57

HEX #4F6D50

RGB 79 109 80

HSL 122, 0.16%, 0.37%

LAB 43.03, -17.3, 12.77

 

CMYK 28 / 0 / 22 / 57

HEX #4F6D55

RGB 79 109 85

HSL 132, 0.16%, 0.37%

LAB 43.15, -16.31, 9.95

 

CMYK 28 / 0 / 17 / 57

HEX #4F6D5A

RGB 79 109 90

HSL 142, 0.16%, 0.37%

LAB 43.27, -15.26, 7.12

 

CMYK 20 / 0 / 28 / 57

HEX #586E4F

RGB 88 110 79

HSL 102.58, 0.16%, 0.37%

LAB 43.93, -14.58, 14.69

 

CMYK 20 / 0 / 28 / 37

HEX #81A174

RGB 129 161 116

HSL 102.67, 0.19%, 0.54%

LAB 62.86, -19.76, 19.91

 

CMYK 20 / 0 / 28 / 17

HEX #AAD498

RGB 170 212 152

HSL 102, 0.41%, 0.71%

LAB 80.68, -24.78, 25.31

 

CMYK 25 / 0 / 25 / 97

HEX #060806

RGB 6 8 6

HSL 120, 0.14%, 0.03%

LAB 2.04, -0.8, 0.57

 

CMYK 20 / 0 / 29 / 77

HEX #2F3B2A

RGB 47 59 42

HSL 102.35, 0.17%, 0.2%

LAB 23.34, -8.88, 8.95

 

CMYK 20 / 0 / 28 / 57

HEX #586E4F

RGB 88 110 79

HSL 102.58, 0.16%, 0.37%

LAB 43.93, -14.58, 14.69

 

CMYK 28 / 0 / 3 / 57

HEX #4F6D6A

RGB 79 109 106

HSL 174, 0.16%, 0.37%

LAB 43.71, -11.56, -1.86

 

CMYK 0 / 28 / 8 / 57

HEX #6D4F64

RGB 109 79 100

HSL 318, 0.16%, 0.37%

LAB 37.41, 16.37, -7.24

 

CMYK 20 / 0 / 28 / 57

HEX #586E4F

RGB 88 110 79

HSL 102.58, 0.16%, 0.37%

LAB 43.93, -14.58, 14.69

 

CMYK 28 / 19 / 0 / 57

HEX #4F586D

RGB 79 88 109

HSL 222, 0.16%, 0.37%

LAB 37.38, 1.74, -13.17

 

CMYK 0 / 28 / 19 / 57

HEX #6D4F58

RGB 109 79 88

HSL 342, 0.16%, 0.37%

LAB 37.02, 14.13, -0.31

 

CMYK 20 / 0 / 28 / 57

HEX #586E4F

RGB 88 110 79

HSL 102.58, 0.16%, 0.37%

LAB 43.93, -14.58, 14.69

 

CMYK 28 / 0 / 3 / 57

HEX #4F6D6A

RGB 79 109 106

HSL 174, 0.16%, 0.37%

LAB 43.71, -11.56, -1.86

 

CMYK 8 / 28 / 0 / 57

HEX #644F6D

RGB 100 79 109

HSL 282, 0.16%, 0.37%

LAB 36.75, 14.88, -13.95

 

CMYK 0 / 28 / 25 / 57

HEX #6D4F52

RGB 109 79 82

HSL 354, 0.16%, 0.37%

LAB 36.84, 13.1, 3.19

 

CMYK 20 / 0 / 28 / 57

HEX #586E4F

RGB 88 110 79

HSL 102.58, 0.16%, 0.37%

LAB 43.93, -14.58, 14.69

 

CMYK 28 / 6 / 0 / 57

HEX #4F676D

RGB 79 103 109

HSL 192, 0.16%, 0.37%

LAB 41.95, -7.34, -6.29

 

CMYK 8 / 28 / 0 / 57

HEX #644F6D

RGB 100 79 109

HSL 282, 0.16%, 0.37%

LAB 36.75, 14.88, -13.95

 

CMYK 0 / 22 / 28 / 57

HEX #6D554F

RGB 109 85 79

HSL 12, 0.16%, 0.37%

LAB 38.4, 8.94, 7.29

 

Description

Color code: CMYK 20 / 0 / 28 / 57 | qconv.com Color code: CMYK 20 / 0 / 28 / 57 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 110 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 110 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 28 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 28% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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