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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 28 / 25 / 57 it is the complementary color CMYK 18 / 0 / 2 / 31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 28 / 25 / 57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 28 / 25 / 57: CMYK 0 / 31 / 33 / 55, CMYK 0 / 27 / 27 / 48, CMYK 0 / 23 / 23 / 42, CMYK 0 / 20 / 19 / 35 and CMYK 0 / 17 / 16 / 28

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 28 / 25 / 57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 28 / 25 / 57: CMYK 0 / 28 / 25 / 57, CMYK 0 / 34 / 32 / 64, CMYK 0 / 43 / 42 / 70, CMYK 0 / 58 / 58 / 77 and CMYK 0 / 83 / 86 / 84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 25 / 57

HEX #6E4F52

RGB 110 79 82

HSL 354.19, 0.16%, 0.37%

LAB 36.96, 13.52, 3.38

 

Complementary color

CMYK 18 / 0 / 2 / 31

HEX #91B0AD

RGB 145 176 173

HSL 174.19, 0.16%, 0.63%

LAB 69.53, -11.16, -1.99

 

CMYK 0 / 31 / 33 / 55

HEX #734F4D

RGB 115 79 77

HSL 3.16, 0.2%, 0.38%

LAB 37.43, 14.87, 7.26

 

CMYK 0 / 27 / 27 / 48

HEX #846160

RGB 132 97 96

HSL 1.67, 0.16%, 0.45%

LAB 44.66, 14.05, 6.13

 

CMYK 0 / 23 / 23 / 42

HEX #957373

RGB 149 115 115

HSL 0, 0.14%, 0.52%

LAB 51.71, 13.36, 5.14

 

CMYK 0 / 20 / 19 / 35

HEX #A68586

RGB 166 133 134

HSL 358.18, 0.16%, 0.59%

LAB 58.61, 12.76, 4.25

 

CMYK 0 / 17 / 16 / 28

HEX #B79799

RGB 183 151 153

HSL 356.25, 0.18%, 0.65%

LAB 65.36, 12.23, 3.42

 

CMYK 0 / 28 / 25 / 57

HEX #6E4F52

RGB 110 79 82

HSL 354.19, 0.16%, 0.37%

LAB 36.96, 13.52, 3.38

 

CMYK 0 / 34 / 32 / 64

HEX #5D3D3F

RGB 93 61 63

HSL 356.25, 0.21%, 0.3%

LAB 29.47, 14.38, 4.5

 

CMYK 0 / 43 / 42 / 70

HEX #4C2B2C

RGB 76 43 44

HSL 358.18, 0.28%, 0.23%

LAB 21.75, 15.44, 5.9

 

CMYK 0 / 58 / 58 / 77

HEX #3B1919

RGB 59 25 25

HSL 0, 0.4%, 0.16%

LAB 13.8, 16.74, 7.83

 

CMYK 0 / 83 / 86 / 84

HEX #2A0706

RGB 42 7 6

HSL 1.67, 0.75%, 0.09%

LAB 5.94, 17.28, 6.76

 

CMYK 0 / 28 / 25 / 57

HEX #6E4F52

RGB 110 79 82

HSL 354.19, 0.16%, 0.37%

LAB 36.96, 13.52, 3.38

 

CMYK 0 / 26 / 28 / 57

HEX #6D514F

RGB 109 81 79

HSL 4, 0.16%, 0.37%

LAB 37.3, 11.39, 5.73

 

CMYK 0 / 21 / 28 / 57

HEX #6D564F

RGB 109 86 79

HSL 14, 0.16%, 0.37%

LAB 38.68, 8.33, 7.68

 

CMYK 0 / 17 / 28 / 57

HEX #6D5B4F

RGB 109 91 79

HSL 24, 0.16%, 0.37%

LAB 40.08, 5.29, 9.65

 

CMYK 0 / 12 / 28 / 57

HEX #6D604F

RGB 109 96 79

HSL 34, 0.16%, 0.37%

LAB 41.5, 2.28, 11.63

 

CMYK 0 / 28 / 25 / 57

HEX #6E4F52

RGB 110 79 82

HSL 354.19, 0.16%, 0.37%

LAB 36.96, 13.52, 3.38

 

CMYK 0 / 28 / 25 / 37

HEX #A17478

RGB 161 116 120

HSL 354.67, 0.19%, 0.54%

LAB 53.41, 18.3, 4.82

 

CMYK 0 / 28 / 25 / 17

HEX #D4989E

RGB 212 152 158

HSL 354, 0.41%, 0.71%

LAB 68.69, 23.33, 5.82

 

CMYK 0 / 25 / 25 / 97

HEX #080606

RGB 8 6 6

HSL 0, 0.14%, 0.03%

LAB 1.76, 0.52, 0.18

 

CMYK 0 / 29 / 25 / 77

HEX #3B2A2C

RGB 59 42 44

HSL 352.94, 0.17%, 0.2%

LAB 19.09, 8.27, 1.79

 

CMYK 0 / 28 / 25 / 57

HEX #6E4F52

RGB 110 79 82

HSL 354.19, 0.16%, 0.37%

LAB 36.96, 13.52, 3.38

 

CMYK 3 / 0 / 28 / 57

HEX #6A6D4F

RGB 106 109 79

HSL 66, 0.16%, 0.37%

LAB 45.03, -6.63, 16.42

 

CMYK 28 / 14 / 0 / 57

HEX #4F5E6D

RGB 79 94 109

HSL 210, 0.16%, 0.37%

LAB 39.19, -1.96, -10.42

 

CMYK 0 / 28 / 25 / 57

HEX #6E4F52

RGB 110 79 82

HSL 354.19, 0.16%, 0.37%

LAB 36.96, 13.52, 3.38

 

CMYK 25 / 0 / 28 / 57

HEX #526D4F

RGB 82 109 79

HSL 114, 0.16%, 0.37%

LAB 43.21, -16.36, 13.63

 

CMYK 28 / 25 / 0 / 57

HEX #4F526D

RGB 79 82 109

HSL 234, 0.16%, 0.37%

LAB 35.6, 5.51, -15.9

 

CMYK 0 / 28 / 25 / 57

HEX #6E4F52

RGB 110 79 82

HSL 354.19, 0.16%, 0.37%

LAB 36.96, 13.52, 3.38

 

CMYK 3 / 0 / 28 / 57

HEX #6A6D4F

RGB 106 109 79

HSL 66, 0.16%, 0.37%

LAB 45.03, -6.63, 16.42

 

CMYK 28 / 0 / 3 / 57

HEX #4F6D6A

RGB 79 109 106

HSL 174, 0.16%, 0.37%

LAB 43.71, -11.56, -1.86

 

CMYK 25 / 28 / 0 / 57

HEX #524F6D

RGB 82 79 109

HSL 246, 0.16%, 0.37%

LAB 34.98, 8.45, -16.82

 

CMYK 0 / 28 / 25 / 57

HEX #6E4F52

RGB 110 79 82

HSL 354.19, 0.16%, 0.37%

LAB 36.96, 13.52, 3.38

 

CMYK 11 / 0 / 28 / 57

HEX #616D4F

RGB 97 109 79

HSL 84, 0.16%, 0.37%

LAB 44.29, -10.39, 15.3

 

CMYK 28 / 0 / 3 / 57

HEX #4F6D6A

RGB 79 109 106

HSL 174, 0.16%, 0.37%

LAB 43.71, -11.56, -1.86

 

CMYK 17 / 28 / 0 / 57

HEX #5B4F6D

RGB 91 79 109

HSL 264, 0.16%, 0.37%

LAB 35.83, 11.61, -15.45

 

Description

Color code: CMYK 0 / 28 / 25 / 57 | qconv.com Color code: CMYK 0 / 28 / 25 / 57 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 79 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 79 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 25 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 25% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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