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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D554F it is the complementary color #92AAB0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D554F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D554F shade: #72554A, #83675D, #947970, #A58B83 and #B69D96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D554F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D554F shade: #6D554F, #5C433C, #4B3129, #3A1F16 and #290D03

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D554F shade: #6D554F and #6D4F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D554F shade: #6D554F, #6D5D4F, #6D664F, #6D6D4F and #656D4F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D554F shade matches the following richer shades: #6D554F, #7D4C40, #8C4331, #9B3A21 and #AB3112

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D554F shade: #6D554F, #5E5E5F, #4F686E, #40717D and #307A8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D554F shade: #6D4F59, #6D4F51, #6D554F, #6D5D4F and #6D654F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D554F shade: #3E302D, #56433E, #6D554F, #856861 and #9B7C75

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D554F shade: #6D554F, #616D4F and #4F556D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D554F shade: #6D554F, #4F6D55 and #554F6D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D554F shade: #6D554F, #616D4F, #4F676D and #5B4F6D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D554F shade: #6D554F, #586D4F, #4F676D and #644F6D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 28 / 57

HEX #6D554F

RGB 109 85 79

HSL 12, 0.16%, 0.37%

LAB 38.4, 8.94, 7.29

 

Complementary color

CMYK 17 / 3 / 0 / 31

HEX #92AAB0

RGB 146 170 176

HSL 192, 0.16%, 0.63%

LAB 68.02, -6.98, -5.88

 

CMYK 0 / 25 / 35 / 55

HEX #72554A

RGB 114 85 74

HSL 16.5, 0.21%, 0.37%

LAB 38.84, 10.35, 11.09

 

CMYK 0 / 21 / 29 / 49

HEX #83675D

RGB 131 103 93

HSL 15.79, 0.17%, 0.44%

LAB 46.06, 9.63, 9.91

 

CMYK 0 / 18 / 24 / 42

HEX #947970

RGB 148 121 112

HSL 15, 0.14%, 0.51%

LAB 53.1, 9.02, 8.87

 

CMYK 0 / 16 / 21 / 35

HEX #A58B83

RGB 165 139 131

HSL 14.12, 0.16%, 0.58%

LAB 59.98, 8.5, 7.92

 

CMYK 0 / 14 / 18 / 29

HEX #B69D96

RGB 182 157 150

HSL 13.13, 0.18%, 0.65%

LAB 66.72, 8.05, 7.05

 

CMYK 0 / 22 / 28 / 57

HEX #6D554F

RGB 109 85 79

HSL 12, 0.16%, 0.37%

LAB 38.4, 8.94, 7.29

 

CMYK 0 / 27 / 35 / 64

HEX #5C433C

RGB 92 67 60

HSL 13.13, 0.21%, 0.3%

LAB 30.92, 9.69, 8.46

 

CMYK 0 / 35 / 45 / 71

HEX #4B3129

RGB 75 49 41

HSL 14.12, 0.29%, 0.23%

LAB 23.18, 10.66, 9.89

 

CMYK 0 / 47 / 62 / 77

HEX #3A1F16

RGB 58 31 22

HSL 15, 0.45%, 0.16%

LAB 15.16, 11.98, 11.73

 

CMYK 0 / 68 / 93 / 84

HEX #290D03

RGB 41 13 3

HSL 15.79, 0.86%, 0.09%

LAB 6.92, 13.44, 9.39

 

CMYK 0 / 22 / 28 / 57

HEX #6D554F

RGB 109 85 79

HSL 12, 0.16%, 0.37%

LAB 38.4, 8.94, 7.29

 

CMYK 0 / 28 / 28 / 57

HEX #6D4F4F

RGB 109 79 79

HSL 0, 0.16%, 0.37%

LAB 36.76, 12.62, 4.96

 

CMYK 0 / 22 / 28 / 57

HEX #6D554F

RGB 109 85 79

HSL 12, 0.16%, 0.37%

LAB 38.4, 8.94, 7.29

 

CMYK 0 / 15 / 28 / 57

HEX #6D5D4F

RGB 109 93 79

HSL 28, 0.16%, 0.37%

LAB 40.65, 4.08, 10.44

 

CMYK 0 / 6 / 28 / 57

HEX #6D664F

RGB 109 102 79

HSL 46, 0.16%, 0.37%

LAB 43.24, -1.28, 14.02

 

CMYK 0 / 0 / 28 / 57

HEX #6D6D4F

RGB 109 109 79

HSL 60, 0.16%, 0.37%

LAB 45.29, -5.36, 16.82

 

CMYK 7 / 0 / 28 / 57

HEX #656D4F

RGB 101 109 79

HSL 76, 0.16%, 0.37%

LAB 44.62, -8.73, 15.79

 

CMYK 0 / 22 / 28 / 57

HEX #6D554F

RGB 109 85 79

HSL 12, 0.16%, 0.37%

LAB 38.4, 8.94, 7.29

 

CMYK 0 / 39 / 49 / 51

HEX #7D4C40

RGB 125 76 64

HSL 11.8, 0.32%, 0.37%

LAB 37.66, 19.31, 15.86

 

CMYK 0 / 52 / 65 / 45

HEX #8C4331

RGB 140 67 49

HSL 11.87, 0.48%, 0.37%

LAB 37.5, 29.47, 25.24

 

CMYK 0 / 63 / 79 / 39

HEX #9B3A21

RGB 155 58 33

HSL 12.3, 0.65%, 0.37%

LAB 38.03, 39.14, 35.69

 

CMYK 0 / 71 / 89 / 33

HEX #AB3112

RGB 171 49 18

HSL 12.16, 0.81%, 0.37%

LAB 39.41, 48.31, 45.28

 

CMYK 0 / 22 / 28 / 57

HEX #6D554F

RGB 109 85 79

HSL 12, 0.16%, 0.37%

LAB 38.4, 8.94, 7.29

 

CMYK 1 / 1 / 0 / 63

HEX #5E5E5F

RGB 94 94 95

HSL 240, 0.01%, 0.37%

LAB 39.93, 0.21, -0.58

 

CMYK 28 / 5 / 0 / 57

HEX #4F686E

RGB 79 104 110

HSL 191.61, 0.16%, 0.37%

LAB 42.29, -7.67, -6.39

 

CMYK 49 / 10 / 0 / 51

HEX #40717D

RGB 64 113 125

HSL 191.8, 0.32%, 0.37%

LAB 44.77, -13.08, -11.79

 

CMYK 66 / 13 / 0 / 45

HEX #307A8C

RGB 48 122 140

HSL 191.74, 0.49%, 0.37%

LAB 47.55, -16.88, -16.56

 

CMYK 0 / 28 / 18 / 57

HEX #6D4F59

RGB 109 79 89

HSL 340, 0.16%, 0.37%

LAB 37.05, 14.3, -0.89

 

CMYK 0 / 28 / 26 / 57

HEX #6D4F51

RGB 109 79 81

HSL 356, 0.16%, 0.37%

LAB 36.81, 12.94, 3.78

 

CMYK 0 / 22 / 28 / 57

HEX #6D554F

RGB 109 85 79

HSL 12, 0.16%, 0.37%

LAB 38.4, 8.94, 7.29

 

CMYK 0 / 15 / 28 / 57

HEX #6D5D4F

RGB 109 93 79

HSL 28, 0.16%, 0.37%

LAB 40.65, 4.08, 10.44

 

CMYK 0 / 7 / 28 / 57

HEX #6D654F

RGB 109 101 79

HSL 44, 0.16%, 0.37%

LAB 42.95, -0.69, 13.63

 

CMYK 0 / 23 / 27 / 76

HEX #3E302D

RGB 62 48 45

HSL 10.59, 0.16%, 0.21%

LAB 21.31, 5.8, 4.33

 

CMYK 0 / 22 / 28 / 66

HEX #56433E

RGB 86 67 62

HSL 12.5, 0.16%, 0.29%

LAB 30.26, 7.31, 6.15

 

CMYK 0 / 22 / 28 / 57

HEX #6D554F

RGB 109 85 79

HSL 12, 0.16%, 0.37%

LAB 38.4, 8.94, 7.29

 

CMYK 0 / 22 / 27 / 48

HEX #856861

RGB 133 104 97

HSL 11.67, 0.16%, 0.45%

LAB 46.65, 10.48, 8.37

 

CMYK 0 / 20 / 25 / 39

HEX #9B7C75

RGB 155 124 117

HSL 11.05, 0.16%, 0.53%

LAB 54.73, 10.88, 8.36

 

CMYK 0 / 22 / 28 / 57

HEX #6D554F

RGB 109 85 79

HSL 12, 0.16%, 0.37%

LAB 38.4, 8.94, 7.29

 

CMYK 11 / 0 / 28 / 57

HEX #616D4F

RGB 97 109 79

HSL 84, 0.16%, 0.37%

LAB 44.29, -10.39, 15.3

 

CMYK 28 / 22 / 0 / 57

HEX #4F556D

RGB 79 85 109

HSL 228, 0.16%, 0.37%

LAB 36.49, 3.61, -14.54

 

CMYK 0 / 22 / 28 / 57

HEX #6D554F

RGB 109 85 79

HSL 12, 0.16%, 0.37%

LAB 38.4, 8.94, 7.29

 

CMYK 28 / 0 / 22 / 57

HEX #4F6D55

RGB 79 109 85

HSL 132, 0.16%, 0.37%

LAB 43.15, -16.31, 9.95

 

CMYK 22 / 28 / 0 / 57

HEX #554F6D

RGB 85 79 109

HSL 252, 0.16%, 0.37%

LAB 35.26, 9.49, -16.38

 

CMYK 0 / 22 / 28 / 57

HEX #6D554F

RGB 109 85 79

HSL 12, 0.16%, 0.37%

LAB 38.4, 8.94, 7.29

 

CMYK 11 / 0 / 28 / 57

HEX #616D4F

RGB 97 109 79

HSL 84, 0.16%, 0.37%

LAB 44.29, -10.39, 15.3

 

CMYK 28 / 6 / 0 / 57

HEX #4F676D

RGB 79 103 109

HSL 192, 0.16%, 0.37%

LAB 41.95, -7.34, -6.29

 

CMYK 17 / 28 / 0 / 57

HEX #5B4F6D

RGB 91 79 109

HSL 264, 0.16%, 0.37%

LAB 35.83, 11.61, -15.45

 

CMYK 0 / 22 / 28 / 57

HEX #6D554F

RGB 109 85 79

HSL 12, 0.16%, 0.37%

LAB 38.4, 8.94, 7.29

 

CMYK 19 / 0 / 28 / 57

HEX #586D4F

RGB 88 109 79

HSL 102, 0.16%, 0.37%

LAB 43.62, -14.03, 14.26

 

CMYK 28 / 6 / 0 / 57

HEX #4F676D

RGB 79 103 109

HSL 192, 0.16%, 0.37%

LAB 41.95, -7.34, -6.29

 

CMYK 8 / 28 / 0 / 57

HEX #644F6D

RGB 100 79 109

HSL 282, 0.16%, 0.37%

LAB 36.75, 14.88, -13.95

 

Description

Color code: HEX #6D554F | qconv.com Color code: HEX #6D554F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 85 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 85 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 28 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 28% 57% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

25% - 陈思贝个人博客-建设中-博客主页
Link: http://www.chensibei.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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