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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #307A8C it is the complementary color #CF8573. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #307A8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #307A8C shade: #357A87, #468C9A, #579EAD, #68B0C0 and #79C2D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #307A8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #307A8C shade: #307A8C, #1F6879, #0E5666, #004453 and #003240

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #307A8C shade: #307A8D, #30628D, #30498D, #31308D and #49308D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #307A8C shade: #307A8D, #30628D, #30498D and #30308D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #307A8C shade matches the following richer shades: #307A8D, #21849C, #128DAB and #0296BA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #307A8C shade: #307A8D, #3F717D, #4F686E, #5E5F5F and #6D5550

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #307A8C shade: #308D6C, #308D85, #307C8D, #30638D and #304A8D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #307A8C shade: #1B454F, #26606E, #307A8D, #3B95AB and #4DABC2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #307A8C shade: #307A8C, #54308D and #8D7930

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #307A8C shade: #307A8C, #8D307C and #7C8D30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #307A8C shade: #307A8C, #54308D, #8D4130 and #698D30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #307A8C shade: #307A8C, #6F308D, #8D4130 and #4D8D30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 13 / 0 / 45

HEX #307A8C

RGB 48 122 140

HSL 191.74, 0.49%, 0.37%

LAB 47.55, -16.88, -16.56

 

Complementary color

CMYK 0 / 36 / 44 / 19

HEX #CF8573

RGB 207 133 115

HSL 11.74, 0.49%, 0.63%

LAB 62.74, 26.38, 21.52

 

CMYK 61 / 10 / 0 / 47

HEX #357A87

RGB 53 122 135

HSL 189.51, 0.44%, 0.37%

LAB 47.53, -17.53, -13.62

 

CMYK 55 / 9 / 0 / 40

HEX #468C9A

RGB 70 140 154

HSL 190, 0.38%, 0.44%

LAB 54.44, -17.9, -14.18

 

CMYK 50 / 9 / 0 / 32

HEX #579EAD

RGB 87 158 173

HSL 190.47, 0.34%, 0.51%

LAB 61.22, -18.13, -14.71

 

CMYK 46 / 8 / 0 / 25

HEX #68B0C0

RGB 104 176 192

HSL 190.91, 0.41%, 0.58%

LAB 67.87, -18.28, -15.2

 

CMYK 43 / 8 / 0 / 17

HEX #79C2D3

RGB 121 194 211

HSL 191.33, 0.51%, 0.65%

LAB 74.41, -18.38, -15.67

 

CMYK 66 / 13 / 0 / 45

HEX #307A8C

RGB 48 122 140

HSL 191.74, 0.49%, 0.37%

LAB 47.55, -16.88, -16.56

 

CMYK 74 / 14 / 0 / 53

HEX #1F6879

RGB 31 104 121

HSL 191.33, 0.59%, 0.3%

LAB 40.53, -16.04, -15.94

 

CMYK 86 / 16 / 0 / 60

HEX #0E5666

RGB 14 86 102

HSL 190.91, 0.76%, 0.23%

LAB 33.37, -14.74, -15.22

 

CMYK 100 / 18 / 0 / 67

HEX #004453

RGB 0 68 83

HSL 190.84, 1%, 0.16%

LAB 26.04, -12.83, -14.36

 

CMYK 100 / 22 / 0 / 75

HEX #003240

RGB 0 50 64

HSL 193.13, 1%, 0.13%

LAB 18.59, -9.55, -13.17

 

CMYK 66 / 13 / 0 / 45

HEX #307A8D

RGB 48 122 141

HSL 192.26, 0.49%, 0.37%

LAB 47.59, -16.55, -17.09

 

CMYK 66 / 30 / 0 / 45

HEX #30628D

RGB 48 98 141

HSL 207.74, 0.49%, 0.37%

LAB 40.06, -2.53, -28.73

 

CMYK 66 / 48 / 0 / 45

HEX #30498D

RGB 48 73 141

HSL 223.87, 0.49%, 0.37%

LAB 32.52, 13.67, -40.7

 

CMYK 65 / 66 / 0 / 45

HEX #31308D

RGB 49 48 141

HSL 240.65, 0.49%, 0.37%

LAB 25.83, 30.57, -51.52

 

CMYK 48 / 66 / 0 / 45

HEX #49308D

RGB 73 48 141

HSL 256.13, 0.49%, 0.37%

LAB 27.99, 34.97, -47.91

 

CMYK 66 / 13 / 0 / 45

HEX #307A8D

RGB 48 122 141

HSL 192.26, 0.49%, 0.37%

LAB 47.59, -16.55, -17.09

 

CMYK 66 / 30 / 0 / 45

HEX #30628D

RGB 48 98 141

HSL 207.74, 0.49%, 0.37%

LAB 40.06, -2.53, -28.73

 

CMYK 66 / 48 / 0 / 45

HEX #30498D

RGB 48 73 141

HSL 223.87, 0.49%, 0.37%

LAB 32.52, 13.67, -40.7

 

CMYK 66 / 66 / 0 / 45

HEX #30308D

RGB 48 48 141

HSL 240, 0.49%, 0.37%

LAB 25.76, 30.42, -51.64

 

CMYK 66 / 13 / 0 / 45

HEX #307A8D

RGB 48 122 141

HSL 192.26, 0.49%, 0.37%

LAB 47.59, -16.55, -17.09

 

CMYK 79 / 15 / 0 / 39

HEX #21849C

RGB 33 132 156

HSL 191.71, 0.65%, 0.37%

LAB 50.95, -19.11, -20.76

 

CMYK 89 / 18 / 0 / 33

HEX #128DAB

RGB 18 141 171

HSL 191.76, 0.81%, 0.37%

LAB 54.15, -19.98, -24.51

 

CMYK 99 / 19 / 0 / 27

HEX #0296BA

RGB 2 150 186

HSL 191.74, 0.98%, 0.37%

LAB 57.43, -20.16, -28

 

CMYK 66 / 13 / 0 / 45

HEX #307A8D

RGB 48 122 141

HSL 192.26, 0.49%, 0.37%

LAB 47.59, -16.55, -17.09

 

CMYK 50 / 10 / 0 / 51

HEX #3F717D

RGB 63 113 125

HSL 191.61, 0.33%, 0.37%

LAB 44.73, -13.34, -11.86

 

CMYK 28 / 5 / 0 / 57

HEX #4F686E

RGB 79 104 110

HSL 191.61, 0.16%, 0.37%

LAB 42.29, -7.67, -6.39

 

CMYK 1 / 0 / 0 / 63

HEX #5E5F5F

RGB 94 95 95

HSL 180, 0.01%, 0.37%

LAB 40.23, -0.39, -0.14

 

CMYK 0 / 22 / 27 / 57

HEX #6D5550

RGB 109 85 80

HSL 10.34, 0.15%, 0.37%

LAB 38.42, 9.1, 6.7

 

CMYK 66 / 0 / 23 / 45

HEX #308D6C

RGB 48 141 108

HSL 158.71, 0.49%, 0.37%

LAB 52.69, -35.51, 9.72

 

CMYK 66 / 0 / 6 / 45

HEX #308D85

RGB 48 141 133

HSL 174.84, 0.49%, 0.37%

LAB 53.35, -28.87, -3.75

 

CMYK 66 / 12 / 0 / 45

HEX #307C8D

RGB 48 124 141

HSL 190.97, 0.49%, 0.37%

LAB 48.22, -17.65, -16.12

 

CMYK 66 / 30 / 0 / 45

HEX #30638D

RGB 48 99 141

HSL 207.1, 0.49%, 0.37%

LAB 40.37, -3.15, -28.25

 

CMYK 66 / 48 / 0 / 45

HEX #304A8D

RGB 48 74 141

HSL 223.23, 0.49%, 0.37%

LAB 32.81, 13, -40.23

 

CMYK 66 / 13 / 0 / 69

HEX #1B454F

RGB 27 69 79

HSL 191.54, 0.49%, 0.21%

LAB 26.89, -11.07, -10.39

 

CMYK 65 / 13 / 0 / 57

HEX #26606E

RGB 38 96 110

HSL 191.67, 0.49%, 0.29%

LAB 37.67, -14.08, -13.56

 

CMYK 66 / 13 / 0 / 45

HEX #307A8D

RGB 48 122 141

HSL 192.26, 0.49%, 0.37%

LAB 47.59, -16.55, -17.09

 

CMYK 65 / 13 / 0 / 33

HEX #3B95AB

RGB 59 149 171

HSL 191.79, 0.49%, 0.45%

LAB 57.43, -19.6, -19.42

 

CMYK 60 / 12 / 0 / 24

HEX #4DABC2

RGB 77 171 194

HSL 191.79, 0.49%, 0.53%

LAB 65.43, -20.87, -20.1

 

CMYK 66 / 13 / 0 / 45

HEX #307A8C

RGB 48 122 140

HSL 191.74, 0.49%, 0.37%

LAB 47.55, -16.88, -16.56

 

CMYK 40 / 66 / 0 / 45

HEX #54308D

RGB 84 48 141

HSL 263.23, 0.49%, 0.37%

LAB 29.21, 37.32, -45.87

 

CMYK 0 / 14 / 66 / 45

HEX #8D7930

RGB 141 121 48

HSL 47.1, 0.49%, 0.37%

LAB 51.33, -1.19, 41.69

 

CMYK 66 / 13 / 0 / 45

HEX #307A8C

RGB 48 122 140

HSL 191.74, 0.49%, 0.37%

LAB 47.55, -16.88, -16.56

 

CMYK 0 / 66 / 12 / 45

HEX #8D307C

RGB 141 48 124

HSL 310.97, 0.49%, 0.37%

LAB 36.43, 48.24, -23.34

 

CMYK 12 / 0 / 66 / 45

HEX #7C8D30

RGB 124 141 48

HSL 70.97, 0.49%, 0.37%

LAB 55.63, -19.67, 45.85

 

CMYK 66 / 13 / 0 / 45

HEX #307A8C

RGB 48 122 140

HSL 191.74, 0.49%, 0.37%

LAB 47.55, -16.88, -16.56

 

CMYK 40 / 66 / 0 / 45

HEX #54308D

RGB 84 48 141

HSL 263.23, 0.49%, 0.37%

LAB 29.21, 37.32, -45.87

 

CMYK 0 / 54 / 66 / 45

HEX #8D4130

RGB 141 65 48

HSL 10.97, 0.49%, 0.37%

LAB 37.22, 30.89, 25.53

 

CMYK 26 / 0 / 66 / 45

HEX #698D30

RGB 105 141 48

HSL 83.23, 0.49%, 0.37%

LAB 54.31, -27.65, 44.04

 

CMYK 66 / 13 / 0 / 45

HEX #307A8C

RGB 48 122 140

HSL 191.74, 0.49%, 0.37%

LAB 47.55, -16.88, -16.56

 

CMYK 21 / 66 / 0 / 45

HEX #6F308D

RGB 111 48 141

HSL 280.65, 0.49%, 0.37%

LAB 32.74, 43.65, -40.01

 

CMYK 0 / 54 / 66 / 45

HEX #8D4130

RGB 141 65 48

HSL 10.97, 0.49%, 0.37%

LAB 37.22, 30.89, 25.53

 

CMYK 45 / 0 / 66 / 45

HEX #4D8D30

RGB 77 141 48

HSL 101.29, 0.49%, 0.37%

LAB 52.77, -38.05, 41.93

 

Description

Color code: HEX #307A8C | qconv.com Color code: HEX #307A8C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 122 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 122 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 13 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 13% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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