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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone SHERWIN WILLIAMS
SW 0021 - Queen Anne Lilac it is the complementary color SHERWIN WILLIAMS - SW 9645 - Big Dipper. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color SHERWIN WILLIAMS
SW 0021 - Queen Anne Lilac. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone SHERWIN WILLIAMS
SW 0021 - Queen Anne Lilac: SHERWIN WILLIAMS
SW 6072 - Versatile Gray, SHERWIN WILLIAMS
SW 6029 - White Truffle, SHERWIN WILLIAMS
SW 6042 - Hush White, SHERWIN WILLIAMS
SW 7107 - Fancy Pink and SHERWIN WILLIAMS
SW 7757 - High Reflective White

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color SHERWIN WILLIAMS
SW 0021 - Queen Anne Lilac. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone SHERWIN WILLIAMS
SW 0021 - Queen Anne Lilac: SHERWIN WILLIAMS
SW 0021 - Queen Anne Lilac, SHERWIN WILLIAMS
SW 6010 - Flexible Gray, SHERWIN WILLIAMS
SW 9159 - Auger Shell, SHERWIN WILLIAMS
SW 2818 - Renwick Heather and SHERWIN WILLIAMS
SW 9614 - Carriage Stone

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

Complementary color

CMYK 10 / 4 / 0 / 25

HEX #ADB8C0

RGB 173 184 192

HSL 205.26, 0.13%, 0.72%

LAB 74.17, -2.21, -5.36

SHERWIN WILLIAMS
SW 9683
Lakeside

Description

Color code: SHERWIN WILLIAMS<br>SW 0021 - Queen Anne Lilac | qconv.com Color code: SHERWIN WILLIAMS<br>SW 0021 - Queen Anne Lilac | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 182 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 182 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 6 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 6% 25% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

37% - It's Demistyle
Link: http://www.demisoda.co.kr

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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CMYK to PANTONE®

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HKS® to RAL®

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HKS® to PANTONE®

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HKS® to Sherwin Williams®

convert from HKS®-number (HKS 00) to Sherwin Williams®-number (SW 0000)

HKS® to NCS®

convert from HKS®-number (HKS 00) to NCS-number (S0000-X00X)

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PANTONE® to RGB

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PANTONE® to RGBA

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PANTONE® to CMYK

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Icons

PANTONE® to HEX

convert from Pantone®-number (Pantone 0000) to #RRGGBB

PANTONE® to RAL®

convert from Pantone®-number (Pantone 0000) to RAL®-number (RAL 0000)

PANTONE® to HKS®

convert from Pantone®-number (Pantone 0000) to HKS®-number (HKS 00)

PANTONE® to Sherwin Williams®

convert from Pantone®-number (Pantone 0000) to Sherwin Williams®-number (SW 0000)

PANTONE® to NCS®

convert from Pantone®-number (Pantone 0000) to NCS-number (S0000-X00X)

nsc-logo

Sherwin Williams® to RGB

convert from Sherwin Williams®-number (SW 0000) to RGB red green blue

Sherwin Williams® to RGBA

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Sherwin Williams® to CMYK

convert from Sherwin Williams®-number (SW 0000) to CMYK cyan / magenta / yellow / black

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Sherwin Williams® to HEX

convert from Sherwin Williams®-number (SW 0000) to #RRGGBB

Sherwin Williams® to RAL®

convert from Sherwin Williams®-number (SW 0000) to RAL®-number (RAL 0000)

Sherwin Williams® to HKS®

convert from Sherwin Williams®-number (SW 0000) to HKS®-number (HKS 00)

Sherwin Williams® to PANTONE®

convert from Sherwin Williams®-number (SW 0000) to Pantone®-number (Pantone 0000)

Sherwin Williams® to NCS®

convert from Sherwin Williams®-number (SW 0000) to NCS-number (S0000-X00X)

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NCS® to RGB

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NCS® to RGBA

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NCS® to CMYK

convert from NCS-number (S0000-X00X) to CMYK cyan / magenta / yellow / black

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NCS® to HEX

convert from NCS-number (S0000-X00X) to #RRGGBB

NCS® to RAL®

convert from NCS-number (S0000-X00X) to RAL®-number (RAL 0000)

NCS® to HKS®

convert from NCS-number (S0000-X00X) to HKS®-number (HKS 00)

NCS® to PANTONE®

convert from NCS-number (S0000-X00X) to Pantone®-number (Pantone 0000)

NCS® to Sherwin Williams®

convert from NCS-number (S0000-X00X) to Sherwin Williams®-number (SW 0000)

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