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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADB8C0 it is the complementary color #52473F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADB8C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #ADB8C0: #B2B8BB, #C3CACE, #D4DCE1, #E5EEF4 and #F6FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADB8C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #ADB8C0: #ADB8C0, #9CA6AD, #8B949A, #7A8287 and #697074

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 4 / 0 / 25

HEX #ADB8C0

RGB 173 184 192

HSL 205.26, 0.13%, 0.72%

LAB 74.17, -2.21, -5.36

Complementary color

CMYK 0 / 13 / 23 / 68

HEX #52473F

RGB 82 71 63

HSL 25.26, 0.13%, 0.28%

LAB 31.02, 3.16, 6.52

 

CMYK 5 / 2 / 0 / 27

HEX #B2B8BB

RGB 178 184 187

HSL 200, 0.06%, 0.72%

LAB 74.4, -1.5, -2.25

 

CMYK 5 / 2 / 0 / 19

HEX #C3CACE

RGB 195 202 206

HSL 201.82, 0.1%, 0.79%

LAB 80.9, -1.63, -2.83

 

CMYK 6 / 2 / 0 / 12

HEX #D4DCE1

RGB 212 220 225

HSL 203.08, 0.18%, 0.86%

LAB 87.3, -1.75, -3.39

 

CMYK 6 / 2 / 0 / 4

HEX #E5EEF4

RGB 229 238 244

HSL 204, 0.41%, 0.93%

LAB 93.6, -1.86, -3.94

 

CMYK 4 / 0 / 0 / 0

HEX #F6FFFF

RGB 246 255 255

HSL 180, 1%, 0.98%

LAB 99.35, -2.94, -1.04

 

CMYK 10 / 4 / 0 / 25

HEX #ADB8C0

RGB 173 184 192

HSL 205.26, 0.13%, 0.72%

LAB 74.17, -2.21, -5.36

SW® 9683

CMYK 10 / 4 / 0 / 32

HEX #9CA6AD

RGB 156 166 173

HSL 204.71, 0.09%, 0.65%

LAB 67.54, -2.1, -4.83

 

CMYK 10 / 4 / 0 / 40

HEX #8B949A

RGB 139 148 154

HSL 204, 0.07%, 0.57%

LAB 60.78, -1.99, -4.28

 

CMYK 10 / 4 / 0 / 47

HEX #7A8287

RGB 122 130 135

HSL 203.08, 0.05%, 0.5%

LAB 53.87, -1.89, -3.72

 

CMYK 9 / 3 / 0 / 55

HEX #697074

RGB 105 112 116

HSL 201.82, 0.05%, 0.43%

LAB 46.78, -1.78, -3.13

 

CMYK 10 / 4 / 0 / 25

HEX #ADB8C0

RGB 173 184 192

HSL 205.26, 0.13%, 0.72%

LAB 74.17, -2.21, -5.36

SW® 9683

CMYK 9 / 5 / 0 / 25

HEX #AEB6C0

RGB 174 182 192

HSL 213.33, 0.13%, 0.72%

LAB 73.71, -0.8, -6.03

 

CMYK 9 / 7 / 0 / 25

HEX #AEB2C0

RGB 174 178 192

HSL 226.67, 0.13%, 0.72%

LAB 72.66, 1.37, -7.6

 

CMYK 9 / 9 / 0 / 25

HEX #AEAFC0

RGB 174 175 192

HSL 236.67, 0.13%, 0.72%

LAB 71.87, 3, -8.77

 

CMYK 9 / 9 / 0 / 25

HEX #AFAEC0

RGB 175 174 192

HSL 243.33, 0.13%, 0.72%

LAB 71.68, 3.88, -9.04

 

CMYK 10 / 4 / 0 / 25

HEX #ADB8C0

RGB 173 184 192

HSL 205.26, 0.13%, 0.72%

LAB 74.17, -2.21, -5.36

SW® 9683

CMYK 10 / 4 / 0 / 5

HEX #DBE9F3

RGB 219 233 243

HSL 205, 0.5%, 0.91%

LAB 91.6, -2.72, -6.44

 

CMYK 10 / 5 / 0 / 85

HEX #232527

RGB 35 37 39

HSL 210, 0.05%, 0.15%

LAB 14.55, -0.39, -1.64

 

CMYK 10 / 4 / 0 / 65

HEX #51565A

RGB 81 86 90

HSL 206.67, 0.05%, 0.34%

LAB 36.26, -1.07, -3.01

 

CMYK 10 / 4 / 0 / 45

HEX #7F878D

RGB 127 135 141

HSL 205.71, 0.06%, 0.53%

LAB 55.85, -1.66, -4.23

 

CMYK 10 / 4 / 0 / 25

HEX #ADB8C0

RGB 173 184 192

HSL 205.26, 0.13%, 0.72%

LAB 74.17, -2.21, -5.36

SW® 9683

CMYK 4 / 9 / 0 / 25

HEX #B9AEC0

RGB 185 174 192

HSL 276.67, 0.13%, 0.72%

LAB 72.49, 7.29, -7.75

 

CMYK 0 / 0 / 9 / 25

HEX #C0C0AE

RGB 192 192 174

HSL 60, 0.13%, 0.72%

LAB 77.26, -3.17, 9.07

 

CMYK 10 / 4 / 0 / 25

HEX #ADB8C0

RGB 173 184 192

HSL 205.26, 0.13%, 0.72%

LAB 74.17, -2.21, -5.36

SW® 9683

CMYK 0 / 9 / 4 / 25

HEX #C0AEB9

RGB 192 174 185

HSL 323.33, 0.13%, 0.72%

LAB 72.88, 8.41, -3.27

 

CMYK 4 / 0 / 9 / 25

HEX #B9C0AE

RGB 185 192 174

HSL 83.33, 0.13%, 0.72%

LAB 76.72, -5.69, 8.23

 

CMYK 10 / 4 / 0 / 25

HEX #ADB8C0

RGB 173 184 192

HSL 205.26, 0.13%, 0.72%

LAB 74.17, -2.21, -5.36

SW® 9683

CMYK 4 / 9 / 0 / 25

HEX #B9AEC0

RGB 185 174 192

HSL 276.67, 0.13%, 0.72%

LAB 72.49, 7.29, -7.75

 

CMYK 0 / 5 / 9 / 25

HEX #C0B6AE

RGB 192 182 174

HSL 26.67, 0.13%, 0.72%

LAB 74.65, 2.15, 5.33

 

CMYK 6 / 0 / 9 / 25

HEX #B5C0AE

RGB 181 192 174

HSL 96.67, 0.13%, 0.72%

LAB 76.42, -7.11, 7.77

 

CMYK 10 / 4 / 0 / 25

HEX #ADB8C0

RGB 173 184 192

HSL 205.26, 0.13%, 0.72%

LAB 74.17, -2.21, -5.36

SW® 9683

CMYK 1 / 9 / 0 / 25

HEX #BFAEC0

RGB 191 174 192

HSL 296.67, 0.13%, 0.72%

LAB 72.99, 9.36, -6.95

 

CMYK 0 / 5 / 9 / 25

HEX #C0B6AE

RGB 192 182 174

HSL 26.67, 0.13%, 0.72%

LAB 74.65, 2.15, 5.33

 

CMYK 9 / 0 / 9 / 25

HEX #AFC0AE

RGB 175 192 174

HSL 116.67, 0.13%, 0.72%

LAB 75.99, -9.22, 7.09

 

Description

Color code: HEX #ADB8C0 | qconv.com Color code: HEX #ADB8C0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 184 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 184 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 4 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 4% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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