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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 15 / 3 / 0 / 20 it is the complementary color CMYK 0 / 30 / 38 / 68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 15 / 3 / 0 / 20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 15 / 3 / 0 / 20: CMYK 11 / 1 / 0 / 22, CMYK 11 / 1 / 0 / 15, CMYK 11 / 1 / 0 / 7, CMYK 10 / 1 / 0 / 0 and CMYK 4 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 15 / 3 / 0 / 20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 15 / 3 / 0 / 20: CMYK 15 / 3 / 0 / 20, CMYK 16 / 3 / 0 / 27, CMYK 16 / 2 / 0 / 35, CMYK 17 / 2 / 0 / 42 and CMYK 18 / 2 / 0 / 50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 3 / 0 / 20

HEX #ADC6CC

RGB 173 198 204

HSL 191.61, 0.23%, 0.74%

LAB 78.25, -7.16, -5.85

 

Complementary color

CMYK 0 / 30 / 38 / 68

HEX #523933

RGB 82 57 51

HSL 11.61, 0.23%, 0.26%

LAB 26.62, 10.17, 8.14

 

CMYK 11 / 1 / 0 / 22

HEX #B2C6C7

RGB 178 198 199

HSL 182.86, 0.16%, 0.74%

LAB 78.45, -6.56, -2.82

 

CMYK 11 / 1 / 0 / 15

HEX #C3D8DA

RGB 195 216 218

HSL 185.22, 0.24%, 0.81%

LAB 84.88, -6.59, -3.38

 

CMYK 11 / 1 / 0 / 7

HEX #D4EAED

RGB 212 234 237

HSL 187.2, 0.41%, 0.88%

LAB 91.21, -6.63, -3.93

 

CMYK 10 / 1 / 0 / 0

HEX #E5FCFF

RGB 229 252 255

HSL 186.92, 1%, 0.95%

LAB 97.43, -6.87, -3.99

 

CMYK 4 / 0 / 0 / 0

HEX #F6FFFF

RGB 246 255 255

HSL 180, 1%, 0.98%

LAB 99.35, -2.94, -1.04

 

CMYK 15 / 3 / 0 / 20

HEX #ADC6CC

RGB 173 198 204

HSL 191.61, 0.23%, 0.74%

LAB 78.25, -7.16, -5.85

 

CMYK 16 / 3 / 0 / 27

HEX #9CB4B9

RGB 156 180 185

HSL 190.34, 0.17%, 0.67%

LAB 71.7, -7.14, -5.32

 

CMYK 16 / 2 / 0 / 35

HEX #8BA2A6

RGB 139 162 166

HSL 188.89, 0.13%, 0.6%

LAB 65.03, -7.13, -4.78

 

CMYK 17 / 2 / 0 / 42

HEX #7A9093

RGB 122 144 147

HSL 187.2, 0.1%, 0.53%

LAB 58.22, -7.13, -4.22

 

CMYK 18 / 2 / 0 / 50

HEX #697E80

RGB 105 126 128

HSL 185.22, 0.1%, 0.46%

LAB 51.25, -7.14, -3.64

 

CMYK 15 / 3 / 0 / 20

HEX #ADC6CC

RGB 173 198 204

HSL 191.61, 0.23%, 0.74%

LAB 78.25, -7.16, -5.85

 

CMYK 15 / 5 / 0 / 20

HEX #ADC1CB

RGB 173 193 203

HSL 200, 0.22%, 0.74%

LAB 76.88, -4.73, -7.33

 

CMYK 15 / 7 / 0 / 20

HEX #ADBCCB

RGB 173 188 203

HSL 210, 0.22%, 0.74%

LAB 75.55, -2.07, -9.3

 

CMYK 15 / 10 / 0 / 20

HEX #ADB7CB

RGB 173 183 203

HSL 220, 0.22%, 0.74%

LAB 74.23, 0.62, -11.28

 

CMYK 15 / 12 / 0 / 20

HEX #ADB2CB

RGB 173 178 203

HSL 230, 0.22%, 0.74%

LAB 72.92, 3.34, -13.25

 

CMYK 15 / 3 / 0 / 20

HEX #ADC6CC

RGB 173 198 204

HSL 191.61, 0.23%, 0.74%

LAB 78.25, -7.16, -5.85

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 16 / 2 / 0 / 80

HEX #2B3233

RGB 43 50 51

HSL 187.5, 0.09%, 0.18%

LAB 20.18, -2.74, -1.66

 

CMYK 15 / 3 / 0 / 60

HEX #576366

RGB 87 99 102

HSL 192, 0.08%, 0.37%

LAB 41.07, -3.89, -3.26

 

CMYK 15 / 3 / 0 / 40

HEX #829599

RGB 130 149 153

HSL 190.43, 0.1%, 0.55%

LAB 60.37, -5.86, -4.39

 

CMYK 15 / 3 / 0 / 20

HEX #ADC6CC

RGB 173 198 204

HSL 191.61, 0.23%, 0.74%

LAB 78.25, -7.16, -5.85

 

CMYK 9 / 15 / 0 / 20

HEX #B9ADCB

RGB 185 173 203

HSL 264, 0.22%, 0.74%

LAB 72.57, 10.03, -13.67

 

CMYK 0 / 3 / 15 / 20

HEX #CBC5AD

RGB 203 197 173

HSL 48, 0.22%, 0.74%

LAB 79.41, -1.96, 12.79

 

CMYK 15 / 3 / 0 / 20

HEX #ADC6CC

RGB 173 198 204

HSL 191.61, 0.23%, 0.74%

LAB 78.25, -7.16, -5.85

 

CMYK 0 / 15 / 2 / 20

HEX #CBADC6

RGB 203 173 198

HSL 310, 0.22%, 0.74%

LAB 73.97, 15.18, -8.67

 

CMYK 2 / 0 / 15 / 20

HEX #C6CBAD

RGB 198 203 173

HSL 70, 0.22%, 0.74%

LAB 80.59, -6.91, 14.4

 

CMYK 15 / 3 / 0 / 20

HEX #ADC6CC

RGB 173 198 204

HSL 191.61, 0.23%, 0.74%

LAB 78.25, -7.16, -5.85

 

CMYK 9 / 15 / 0 / 20

HEX #B9ADCB

RGB 185 173 203

HSL 264, 0.22%, 0.74%

LAB 72.57, 10.03, -13.67

 

CMYK 0 / 12 / 15 / 20

HEX #CBB3AD

RGB 203 179 173

HSL 12, 0.22%, 0.74%

LAB 74.8, 7.62, 6.21

 

CMYK 5 / 0 / 15 / 20

HEX #C0CBAD

RGB 192 203 173

HSL 82, 0.22%, 0.74%

LAB 80.14, -9.08, 13.7

 

CMYK 15 / 3 / 0 / 20

HEX #ADC6CC

RGB 173 198 204

HSL 191.61, 0.23%, 0.74%

LAB 78.25, -7.16, -5.85

 

CMYK 4 / 15 / 0 / 20

HEX #C2ADCB

RGB 194 173 203

HSL 282, 0.22%, 0.74%

LAB 73.33, 13.05, -12.45

 

CMYK 0 / 12 / 15 / 20

HEX #CBB3AD

RGB 203 179 173

HSL 12, 0.22%, 0.74%

LAB 74.8, 7.62, 6.21

 

CMYK 10 / 0 / 15 / 20

HEX #B7CBAD

RGB 183 203 173

HSL 100, 0.22%, 0.74%

LAB 79.5, -12.28, 12.7

 

Description

Color code: CMYK 15 / 3 / 0 / 20 | qconv.com Color code: CMYK 15 / 3 / 0 / 20 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 198 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 198 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 3 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 3% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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