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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 165 226 52 0.5 it is the complementary color RGBA 90 29 203 0.5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 165 226 52 0.5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 165 226 52 0.5: RGBA 170 226 47 0.5, RGBA 187 244 66 0.5, RGBA 204 255 85 0.5, RGBA 221 255 104 0.5 and RGBA 238 255 123 0.5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 165 226 52 0.5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 165 226 52 0.5: RGBA 165 226 52 0.5, RGBA 148 208 33 0.5, RGBA 131 190 14 0.5, RGBA 114 172 0 0.5 and RGBA 97 154 0 0.5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 38 / 6

HEX #A5E2347F

RGBA 165 226 52 0.5

HSLA 81.03, 0.75%, 0.55%, 0.5

LABA 83.25, -42.99, 72.5, 0.5

 

Complementary color

CMYK 28 / 43 / 0 / 10

HEX #5A1DCB7F

RGBA 90 29 203 0.5

HSLA 261.03, 0.75%, 0.45%, 0.5

LABA 32.62, 63.21, -77.46, 0.5

 

CMYK 12 / 0 / 40 / 6

HEX #AAE22F7F

RGBA 170 226 47 0.5

HSLA 78.77, 0.76%, 0.54%, 0.5

LABA 83.52, -41.33, 74.27, 0.5

 

CMYK 12 / 0 / 36 / 2

HEX #BBF4427F

RGBA 187 244 66 0.5

HSLA 79.21, 0.89%, 0.61%, 0.5

LABA 89.7, -41.93, 74.72, 0.5

 

CMYK 10 / 0 / 33 / 0

HEX #CCFF557F

RGBA 204 255 85 0.5

HSLA 78, 1%, 0.67%, 0.5

LABA 93.89, -39.33, 72.6, 0.5

 

CMYK 7 / 0 / 30 / 0

HEX #DDFF687F

RGBA 221 255 104 0.5

HSLA 73.51, 1%, 0.7%, 0.5

LABA 95.12, -31.58, 66.75, 0.5

 

CMYK 3 / 0 / 26 / 0

HEX #EEFF7B7F

RGBA 238 255 123 0.5

HSLA 67.73, 1%, 0.74%, 0.5

LABA 96.46, -23.55, 60.38, 0.5

 

CMYK 13 / 0 / 38 / 6

HEX #A5E2347F

RGBA 165 226 52 0.5

HSLA 81.03, 0.75%, 0.55%, 0.5

LABA 83.25, -42.99, 72.5, 0.5

 

CMYK 14 / 0 / 42 / 9

HEX #94D0217F

RGBA 148 208 33 0.5

HSLA 80.57, 0.73%, 0.47%, 0.5

LABA 76.99, -42.3, 71.51, 0.5

 

CMYK 16 / 0 / 46 / 13

HEX #83BE0E7F

RGBA 131 190 14 0.5

HSLA 80.11, 0.86%, 0.4%, 0.5

LABA 70.65, -41.39, 69.31, 0.5

 

CMYK 17 / 0 / 50 / 16

HEX #72AC007F

RGBA 114 172 0 0.5

HSLA 80.23, 1%, 0.34%, 0.5

LABA 64.23, -40.25, 65.57, 0.5

 

CMYK 19 / 0 / 50 / 20

HEX #619A007F

RGBA 97 154 0 0.5

HSLA 82.21, 1%, 0.3%, 0.5

LABA 57.71, -38.86, 60.14, 0.5

 

CMYK 13 / 0 / 38 / 6

HEX #A5E2347F

RGBA 165 226 52 0.5

HSLA 81.03, 0.75%, 0.55%, 0.5

LABA 83.25, -42.99, 72.5, 0.5

 

CMYK 20 / 0 / 38 / 6

HEX #89E2367F

RGBA 137 226 54 0.5

HSLA 91.05, 0.75%, 0.55%, 0.5

LABA 81.83, -52.74, 70.05, 0.5

 

CMYK 26 / 0 / 38 / 6

HEX #6CE2367F

RGBA 108 226 54 0.5

HSLA 101.16, 0.75%, 0.55%, 0.5

LABA 80.65, -61.51, 68.51, 0.5

 

CMYK 32 / 0 / 38 / 6

HEX #50E2367F

RGBA 80 226 54 0.5

HSLA 110.93, 0.75%, 0.55%, 0.5

LABA 79.82, -68.22, 67.42, 0.5

 

CMYK 38 / 0 / 37 / 6

HEX #36E2397F

RGBA 54 226 57 0.5

HSLA 121.05, 0.75%, 0.55%, 0.5

LABA 79.31, -72.47, 65.79, 0.5

 

CMYK 13 / 0 / 38 / 6

HEX #A5E2347F

RGBA 165 226 52 0.5

HSLA 81.03, 0.75%, 0.55%, 0.5

LABA 83.25, -42.99, 72.5, 0.5

 

CMYK 14 / 0 / 39 / 46

HEX #1016057F

RGBA 16 22 5 0.5

HSLA 81.18, 0.63%, 0.05%, 0.5

LABA 6.28, -5.43, 7.25, 0.5

 

CMYK 14 / 0 / 38 / 36

HEX #3549117F

RGBA 53 73 17 0.5

HSLA 81.43, 0.62%, 0.18%, 0.5

LABA 28.28, -17.65, 29.54, 0.5

 

CMYK 13 / 0 / 38 / 26

HEX #5B7C1D7F

RGBA 91 124 29 0.5

HSLA 80.84, 0.62%, 0.3%, 0.5

LABA 47.92, -26.46, 45, 0.5

 

CMYK 13 / 0 / 39 / 16

HEX #80AF287F

RGBA 128 175 40 0.5

HSLA 80.89, 0.63%, 0.42%, 0.5

LABA 66.06, -35, 59.34, 0.5

 

CMYK 13 / 0 / 38 / 6

HEX #A5E2347F

RGBA 165 226 52 0.5

HSLA 81.03, 0.75%, 0.55%, 0.5

LABA 83.25, -42.99, 72.5, 0.5

 

CMYK 38 / 0 / 17 / 6

HEX #36E2947F

RGBA 54 226 148 0.5

HSLA 152.79, 0.75%, 0.55%, 0.5

LABA 80.36, -60.17, 26.21, 0.5

 

CMYK 2 / 38 / 0 / 6

HEX #D936E27F

RGBA 217 54 226 0.5

HSLA 296.86, 0.75%, 0.55%, 0.5

LABA 54.95, 79.98, -53.57, 0.5

 

CMYK 13 / 0 / 38 / 6

HEX #A5E2347F

RGBA 165 226 52 0.5

HSLA 81.03, 0.75%, 0.55%, 0.5

LABA 83.25, -42.99, 72.5, 0.5

 

CMYK 38 / 13 / 0 / 6

HEX #36A6E27F

RGBA 54 166 226 0.5

HSLA 200.93, 0.75%, 0.55%, 0.5

LABA 64.6, -11.26, -39.14, 0.5

 

CMYK 0 / 38 / 13 / 6

HEX #E236A67F

RGBA 226 54 166 0.5

HSLA 320.93, 0.75%, 0.55%, 0.5

LABA 53.56, 73.52, -21.07, 0.5

 

CMYK 13 / 0 / 38 / 6

HEX #A5E2347F

RGBA 165 226 52 0.5

HSLA 81.03, 0.75%, 0.55%, 0.5

LABA 83.25, -42.99, 72.5, 0.5

 

CMYK 38 / 0 / 17 / 6

HEX #36E2947F

RGBA 54 226 148 0.5

HSLA 152.79, 0.75%, 0.55%, 0.5

LABA 80.36, -60.17, 26.21, 0.5

 

CMYK 25 / 38 / 0 / 6

HEX #7236E27F

RGBA 114 54 226 0.5

HSLA 260.93, 0.75%, 0.55%, 0.5

LABA 40.75, 62.33, -77.25, 0.5

 

CMYK 0 / 38 / 21 / 6

HEX #E236837F

RGBA 226 54 131 0.5

HSLA 333.14, 0.75%, 0.55%, 0.5

LABA 52.34, 69.8, -2.11, 0.5

 

CMYK 13 / 0 / 38 / 6

HEX #A5E2347F

RGBA 165 226 52 0.5

HSLA 81.03, 0.75%, 0.55%, 0.5

LABA 83.25, -42.99, 72.5, 0.5

 

CMYK 38 / 0 / 6 / 6

HEX #36E2C87F

RGBA 54 226 200 0.5

HSLA 170.93, 0.75%, 0.55%, 0.5

LABA 81.48, -48.18, 0.51, 0.5

 

CMYK 25 / 38 / 0 / 6

HEX #7236E27F

RGBA 114 54 226 0.5

HSLA 260.93, 0.75%, 0.55%, 0.5

LABA 40.75, 62.33, -77.25, 0.5

 

CMYK 0 / 38 / 32 / 6

HEX #E236507F

RGBA 226 54 80 0.5

HSLA 350.93, 0.75%, 0.55%, 0.5

LABA 51.14, 66.01, 26.95, 0.5

 

Description

Color code: RGBA 165 226 52 0.5 | qconv.com Color code: RGBA 165 226 52 0.5 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 226 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 226 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 38 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 38% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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