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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 10 / 0 / 33 / 0 it is the complementary color CMYK 70 / 100 / 0 / 67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 10 / 0 / 33 / 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 10 / 0 / 33 / 0: CMYK 8 / 0 / 35 / 0, CMYK 1 / 0 / 27 / 0, CMYK 0 / 0 / 20 / 0, CMYK 0 / 0 / 13 / 0 and CMYK 0 / 0 / 5 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 10 / 0 / 33 / 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 10 / 0 / 33 / 0: CMYK 10 / 0 / 33 / 0, CMYK 10 / 0 / 36 / 7, CMYK 11 / 0 / 39 / 14, CMYK 11 / 0 / 43 / 21 and CMYK 11 / 0 / 48 / 28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 33 / 0

HEX #E6FFAB

RGB 230 255 171

HSL 77.86, 1%, 0.84%

LAB 96.53, -21.47, 37.52

 

Complementary color

CMYK 70 / 100 / 0 / 67

HEX #190054

RGB 25 0 84

HSL 257.86, 1%, 0.16%

LAB 7.65, 36.13, -44.52

 

CMYK 8 / 0 / 35 / 0

HEX #EBFFA6

RGB 235 255 166

HSL 73.48, 1%, 0.83%

LAB 96.79, -20.27, 40.41

 

CMYK 1 / 0 / 27 / 0

HEX #FCFFB9

RGB 252 255 185

HSL 62.57, 1%, 0.86%

LAB 98.32, -11.68, 33.22

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCC

RGB 255 255 204

HSL 60, 1%, 0.9%

LAB 98.88, -8.05, 24.44

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDF

RGB 255 255 223

HSL 60, 1%, 0.94%

LAB 99.26, -5.26, 15.31

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF2

RGB 255 255 242

HSL 60, 1%, 0.97%

LAB 99.69, -2.22, 6.2

 

CMYK 10 / 0 / 33 / 0

HEX #E6FFAB

RGB 230 255 171

HSL 77.86, 1%, 0.84%

LAB 96.53, -21.47, 37.52

 

CMYK 10 / 0 / 36 / 7

HEX #D5ED98

RGB 213 237 152

HSL 76.94, 0.7%, 0.76%

LAB 90.31, -21.39, 38.61

 

CMYK 11 / 0 / 39 / 14

HEX #C4DB85

RGB 196 219 133

HSL 76.05, 0.54%, 0.69%

LAB 84.01, -21.29, 39.74

 

CMYK 11 / 0 / 43 / 21

HEX #B3C972

RGB 179 201 114

HSL 75.17, 0.45%, 0.62%

LAB 77.62, -21.15, 40.9

 

CMYK 11 / 0 / 48 / 28

HEX #A2B75F

RGB 162 183 95

HSL 74.32, 0.38%, 0.55%

LAB 71.13, -20.97, 42.07

 

CMYK 10 / 0 / 33 / 0

HEX #E6FFAB

RGB 230 255 171

HSL 77.86, 1%, 0.84%

LAB 96.53, -21.47, 37.52

 

CMYK 15 / 0 / 32 / 0

HEX #DAFFAD

RGB 218 255 173

HSL 87.07, 1%, 0.84%

LAB 95.77, -25.5, 35.38

 

CMYK 20 / 0 / 32 / 0

HEX #CCFFAD

RGB 204 255 173

HSL 97.32, 1%, 0.84%

LAB 94.9, -30.36, 34.07

 

CMYK 25 / 0 / 32 / 0

HEX #BFFFAD

RGB 191 255 173

HSL 106.83, 1%, 0.84%

LAB 94.15, -34.73, 32.93

 

CMYK 31 / 0 / 32 / 0

HEX #B1FFAD

RGB 177 255 173

HSL 117.07, 1%, 0.84%

LAB 93.4, -39.24, 31.8

 

CMYK 10 / 0 / 33 / 0

HEX #E6FFAB

RGB 230 255 171

HSL 77.86, 1%, 0.84%

LAB 96.53, -21.47, 37.52

 

CMYK 10 / 0 / 33 / 80

HEX #2E3322

RGB 46 51 34

HSL 77.65, 0.2%, 0.17%

LAB 20.3, -5.82, 10.1

 

CMYK 10 / 0 / 33 / 60

HEX #5C6644

RGB 92 102 68

HSL 77.65, 0.2%, 0.33%

LAB 41.53, -10.28, 17.99

 

CMYK 10 / 0 / 33 / 40

HEX #8A9967

RGB 138 153 103

HSL 78, 0.2%, 0.5%

LAB 60.93, -14.15, 24.56

 

CMYK 10 / 0 / 33 / 20

HEX #B8CC89

RGB 184 204 137

HSL 77.91, 0.4%, 0.67%

LAB 79.15, -17.9, 31.21

 

CMYK 10 / 0 / 33 / 0

HEX #E6FFAB

RGB 230 255 171

HSL 77.86, 1%, 0.84%

LAB 96.53, -21.47, 37.52

 

CMYK 32 / 0 / 17 / 0

HEX #ADFFD4

RGB 173 255 212

HSL 148.54, 1%, 0.84%

LAB 93.95, -33.69, 12.7

 

CMYK 4 / 32 / 0 / 0

HEX #F5ADFF

RGB 245 173 255

HSL 292.68, 1%, 0.84%

LAB 79.91, 39.53, -30.2

 

CMYK 10 / 0 / 33 / 0

HEX #E6FFAB

RGB 230 255 171

HSL 77.86, 1%, 0.84%

LAB 96.53, -21.47, 37.52

 

CMYK 32 / 9 / 0 / 0

HEX #ADE7FF

RGB 173 231 255

HSL 197.56, 1%, 0.84%

LAB 88.57, -12.81, -17.54

 

CMYK 0 / 32 / 9 / 0

HEX #FFADE7

RGB 255 173 231

HSL 317.56, 1%, 0.84%

LAB 80.13, 38.47, -16.85

 

CMYK 10 / 0 / 33 / 0

HEX #E6FFAB

RGB 230 255 171

HSL 77.86, 1%, 0.84%

LAB 96.53, -21.47, 37.52

 

CMYK 32 / 0 / 17 / 0

HEX #ADFFD4

RGB 173 255 212

HSL 148.54, 1%, 0.84%

LAB 93.95, -33.69, 12.7

 

CMYK 23 / 32 / 0 / 0

HEX #C4ADFF

RGB 196 173 255

HSL 256.83, 1%, 0.84%

LAB 75.35, 24.8, -37.61

 

CMYK 0 / 32 / 16 / 0

HEX #FFADD7

RGB 255 173 215

HSL 329.27, 1%, 0.84%

LAB 79.64, 35.91, -8.94

 

CMYK 10 / 0 / 33 / 0

HEX #E6FFAB

RGB 230 255 171

HSL 77.86, 1%, 0.84%

LAB 96.53, -21.47, 37.52

 

CMYK 32 / 0 / 7 / 0

HEX #ADFFED

RGB 173 255 237

HSL 166.83, 1%, 0.84%

LAB 94.53, -28.63, 0.66

 

CMYK 23 / 32 / 0 / 0

HEX #C4ADFF

RGB 196 173 255

HSL 256.83, 1%, 0.84%

LAB 75.35, 24.8, -37.61

 

CMYK 0 / 32 / 25 / 0

HEX #FFADBF

RGB 255 173 191

HSL 346.83, 1%, 0.84%

LAB 78.99, 32.41, 3.12

 

Description

Color code: CMYK 10 / 0 / 33 / 0 | qconv.com Color code: CMYK 10 / 0 / 33 / 0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 255 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 255 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 33 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 33% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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