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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 97 181 223 it is the complementary color RGB 158 74 32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 97 181 223. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 97 181 223: RGB 102 181 218, RGB 119 199 237, RGB 136 217 255, RGB 153 235 255 and RGB 170 253 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 97 181 223. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 97 181 223: RGB 97 181 223, RGB 80 163 204, RGB 63 145 185, RGB 46 127 166 and RGB 29 109 147

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 19 / 0 / 13

HEX #61B5DF

RGB 97 181 223

HSL 200, 0.66%, 0.63%

LAB 70.12, -13.59, -28.84

 

Complementary color

CMYK 0 / 53 / 80 / 38

HEX #9E4A20

RGB 158 74 32

HSL 20, 0.66%, 0.37%

LAB 41.64, 32.2, 40.01

 

CMYK 53 / 17 / 0 / 15

HEX #66B5DA

RGB 102 181 218

HSL 199.14, 0.61%, 0.63%

LAB 70.13, -14.04, -26.07

 

CMYK 50 / 16 / 0 / 7

HEX #77C7ED

RGB 119 199 237

HSL 199.32, 0.77%, 0.7%

LAB 76.61, -14.39, -26.39

 

CMYK 47 / 15 / 0 / 0

HEX #88D9FF

RGB 136 217 255

HSL 199.16, 1%, 0.77%

LAB 82.96, -14.95, -26.22

 

CMYK 40 / 8 / 0 / 0

HEX #99EBFF

RGB 153 235 255

HSL 191.76, 1%, 0.8%

LAB 88.64, -20, -17.53

 

CMYK 33 / 1 / 0 / 0

HEX #AAFDFF

RGB 170 253 255

HSL 181.41, 1%, 0.83%

LAB 94.32, -24.51, -8.96

 

CMYK 57 / 19 / 0 / 13

HEX #61B5DF

RGB 97 181 223

HSL 200, 0.66%, 0.63%

LAB 70.12, -13.59, -28.84

 

CMYK 61 / 20 / 0 / 20

HEX #50A3CC

RGB 80 163 204

HSL 199.84, 0.55%, 0.56%

LAB 63.56, -13, -28.53

 

CMYK 66 / 22 / 0 / 27

HEX #3F91B9

RGB 63 145 185

HSL 199.67, 0.49%, 0.49%

LAB 56.89, -12.24, -28.2

 

CMYK 72 / 23 / 0 / 35

HEX #2E7FA6

RGB 46 127 166

HSL 199.5, 0.57%, 0.42%

LAB 50.11, -11.22, -27.84

 

CMYK 80 / 26 / 0 / 42

HEX #1D6D93

RGB 29 109 147

HSL 199.32, 0.67%, 0.35%

LAB 43.22, -9.82, -27.43

 

CMYK 57 / 19 / 0 / 13

HEX #61B5DF

RGB 97 181 223

HSL 200, 0.66%, 0.63%

LAB 70.12, -13.59, -28.84

 

CMYK 56 / 28 / 0 / 13

HEX #62A0DE

RGB 98 160 222

HSL 210, 0.65%, 0.63%

LAB 64.17, -2.16, -37.5

 

CMYK 56 / 37 / 0 / 13

HEX #628BDE

RGB 98 139 222

HSL 220.16, 0.65%, 0.63%

LAB 58.35, 10.02, -46.64

 

CMYK 56 / 46 / 0 / 13

HEX #6277DE

RGB 98 119 222

HSL 229.84, 0.65%, 0.63%

LAB 53.02, 22.08, -55.13

 

CMYK 56 / 56 / 0 / 13

HEX #6262DE

RGB 98 98 222

HSL 240, 0.65%, 0.63%

LAB 47.76, 34.89, -63.6

 

CMYK 57 / 19 / 0 / 13

HEX #61B5DF

RGB 97 181 223

HSL 200, 0.66%, 0.63%

LAB 70.12, -13.59, -28.84

 

CMYK 58 / 21 / 0 / 93

HEX #080F13

RGB 8 15 19

HSL 201.82, 0.41%, 0.05%

LAB 3.98, -1.23, -2.88

 

CMYK 57 / 19 / 0 / 73

HEX #1E3946

RGB 30 57 70

HSL 199.5, 0.4%, 0.2%

LAB 22.46, -5.95, -11.19

 

CMYK 56 / 19 / 0 / 53

HEX #356279

RGB 53 98 121

HSL 200.29, 0.39%, 0.34%

LAB 39.37, -8.35, -17.66

 

CMYK 56 / 19 / 0 / 33

HEX #4B8CAC

RGB 75 140 172

HSL 199.79, 0.39%, 0.48%

LAB 55.31, -11.34, -23.19

 

CMYK 57 / 19 / 0 / 13

HEX #61B5DF

RGB 97 181 223

HSL 200, 0.66%, 0.63%

LAB 70.12, -13.59, -28.84

 

CMYK 26 / 56 / 0 / 13

HEX #A462DE

RGB 164 98 222

HSL 271.94, 0.65%, 0.63%

LAB 53.92, 49.54, -53.37

 

CMYK 0 / 4 / 56 / 13

HEX #DED662

RGB 222 214 98

HSL 56.13, 0.65%, 0.63%

LAB 84.23, -11.92, 57.19

 

CMYK 57 / 19 / 0 / 13

HEX #61B5DF

RGB 97 181 223

HSL 200, 0.66%, 0.63%

LAB 70.12, -13.59, -28.84

 

CMYK 0 / 56 / 18 / 13

HEX #DE62B5

RGB 222 98 181

HSL 319.84, 0.65%, 0.63%

LAB 59.53, 57.79, -20.7

 

CMYK 18 / 0 / 56 / 13

HEX #B5DE62

RGB 181 222 98

HSL 79.84, 0.65%, 0.63%

LAB 83.42, -32.06, 55.47

 

CMYK 57 / 19 / 0 / 13

HEX #61B5DF

RGB 97 181 223

HSL 200, 0.66%, 0.63%

LAB 70.12, -13.59, -28.84

 

CMYK 26 / 56 / 0 / 13

HEX #A462DE

RGB 164 98 222

HSL 271.94, 0.65%, 0.63%

LAB 53.92, 49.54, -53.37

 

CMYK 0 / 37 / 56 / 13

HEX #DE8B62

RGB 222 139 98

HSL 19.84, 0.65%, 0.63%

LAB 65.65, 27.56, 35.03

 

CMYK 30 / 0 / 56 / 13

HEX #9CDE62

RGB 156 222 98

HSL 91.94, 0.65%, 0.63%

LAB 81.94, -41.22, 53.39

 

CMYK 57 / 19 / 0 / 13

HEX #61B5DF

RGB 97 181 223

HSL 200, 0.66%, 0.63%

LAB 70.12, -13.59, -28.84

 

CMYK 9 / 56 / 0 / 13

HEX #CA62DE

RGB 202 98 222

HSL 290.32, 0.65%, 0.63%

LAB 58.57, 59.14, -45.69

 

CMYK 0 / 37 / 56 / 13

HEX #DE8B62

RGB 222 139 98

HSL 19.84, 0.65%, 0.63%

LAB 65.65, 27.56, 35.03

 

CMYK 46 / 0 / 56 / 13

HEX #77DE62

RGB 119 222 98

HSL 109.84, 0.65%, 0.63%

LAB 80.21, -53.14, 50.92

 

Description

Color code: RGB 97 181 223 | qconv.com Color code: RGB 97 181 223 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 181 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 181 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 19 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 19% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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