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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B8CAC it is the complementary color #B47353. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B8CAC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B8CAC shade: #508CA7, #619EBA, #72B0CD, #83C2E0 and #94D4F3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B8CAC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B8CAC shade: #4B8CAC, #3A7A99, #296886, #185673 and #074460

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B8CAC shade: #4B8BAA, #4B71AA, #4B57AA, #584BAA and #724BAA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B8CAC shade: #4B8BAA, #4B71AA, #4B57AA and #4B4BAA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B8CAC shade matches the following richer shades: #4B8BAA, #3791BE, #2398D2 and #0F9FE6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B8CAC shade: #4B8BAA, #5E8496, #727D83, #86766F and #9A705B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B8CAC shade: #4BAA95, #4BA5AA, #4B8CAA, #4B72AA and #4B59AA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B8CAC shade: #315C71, #3E738D, #4B8BAA, #639EBB and #80B0C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B8CAC shade: #4B8CAC, #7C4BAA and #AAA24B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B8CAC shade: #4B8CAC, #AA4B8C and #8CAA4B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B8CAC shade: #4B8CAC, #7C4BAA, #AA694B and #79AA4B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B8CAC shade: #4B8CAC, #994BAA, #AA694B and #5CAA4B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 19 / 0 / 33

HEX #4B8CAC

RGB 75 140 172

HSL 199.79, 0.39%, 0.48%

LAB 55.31, -11.34, -23.19

 

Complementary color

CMYK 0 / 36 / 54 / 29

HEX #B47353

RGB 180 115 83

HSL 19.79, 0.39%, 0.52%

LAB 54.65, 22.19, 28.25

 

CMYK 52 / 16 / 0 / 35

HEX #508CA7

RGB 80 140 167

HSL 198.62, 0.35%, 0.48%

LAB 55.33, -11.75, -20.27

 

CMYK 48 / 15 / 0 / 27

HEX #619EBA

RGB 97 158 186

HSL 198.88, 0.39%, 0.55%

LAB 62.12, -12.06, -20.61

 

CMYK 44 / 14 / 0 / 20

HEX #72B0CD

RGB 114 176 205

HSL 199.12, 0.48%, 0.63%

LAB 68.78, -12.29, -20.95

 

CMYK 42 / 13 / 0 / 12

HEX #83C2E0

RGB 131 194 224

HSL 199.35, 0.6%, 0.7%

LAB 75.32, -12.47, -21.29

 

CMYK 39 / 13 / 0 / 5

HEX #94D4F3

RGB 148 212 243

HSL 199.58, 0.8%, 0.77%

LAB 81.76, -12.61, -21.62

 

CMYK 56 / 19 / 0 / 33

HEX #4B8CAC

RGB 75 140 172

HSL 199.79, 0.39%, 0.48%

LAB 55.31, -11.34, -23.19

 

CMYK 62 / 20 / 0 / 40

HEX #3A7A99

RGB 58 122 153

HSL 199.58, 0.45%, 0.41%

LAB 48.41, -10.74, -22.86

 

CMYK 69 / 22 / 0 / 47

HEX #296886

RGB 41 104 134

HSL 199.35, 0.53%, 0.34%

LAB 41.36, -9.9, -22.5

 

CMYK 79 / 25 / 0 / 55

HEX #185673

RGB 24 86 115

HSL 199.12, 0.65%, 0.27%

LAB 34.16, -8.67, -22.09

 

CMYK 93 / 29 / 0 / 62

HEX #074460

RGB 7 68 96

HSL 198.88, 0.86%, 0.2%

LAB 26.8, -6.8, -21.59

 

CMYK 56 / 18 / 0 / 33

HEX #4B8BAA

RGB 75 139 170

HSL 199.58, 0.39%, 0.48%

LAB 54.93, -11.4, -22.62

 

CMYK 56 / 34 / 0 / 33

HEX #4B71AA

RGB 75 113 170

HSL 216, 0.39%, 0.48%

LAB 47.25, 3.82, -34.57

 

CMYK 56 / 49 / 0 / 33

HEX #4B57AA

RGB 75 87 170

HSL 232.42, 0.39%, 0.48%

LAB 39.94, 20.18, -46.17

 

CMYK 48 / 56 / 0 / 33

HEX #584BAA

RGB 88 75 170

HSL 248.21, 0.39%, 0.48%

LAB 37.86, 30.62, -49.46

 

CMYK 33 / 56 / 0 / 33

HEX #724BAA

RGB 114 75 170

HSL 264.63, 0.39%, 0.48%

LAB 40.43, 36.88, -45.19

 

CMYK 56 / 18 / 0 / 33

HEX #4B8BAA

RGB 75 139 170

HSL 199.58, 0.39%, 0.48%

LAB 54.93, -11.4, -22.62

 

CMYK 56 / 34 / 0 / 33

HEX #4B71AA

RGB 75 113 170

HSL 216, 0.39%, 0.48%

LAB 47.25, 3.82, -34.57

 

CMYK 56 / 49 / 0 / 33

HEX #4B57AA

RGB 75 87 170

HSL 232.42, 0.39%, 0.48%

LAB 39.94, 20.18, -46.17

 

CMYK 56 / 56 / 0 / 33

HEX #4B4BAA

RGB 75 75 170

HSL 240, 0.39%, 0.48%

LAB 36.8, 27.85, -51.22

 

CMYK 56 / 18 / 0 / 33

HEX #4B8BAA

RGB 75 139 170

HSL 199.58, 0.39%, 0.48%

LAB 54.93, -11.4, -22.62

 

CMYK 71 / 24 / 0 / 25

HEX #3791BE

RGB 55 145 190

HSL 200, 0.55%, 0.48%

LAB 56.86, -11.81, -31.1

 

CMYK 83 / 28 / 0 / 18

HEX #2398D2

RGB 35 152 210

HSL 199.89, 0.71%, 0.48%

LAB 59.4, -10.96, -38.42

 

CMYK 93 / 31 / 0 / 10

HEX #0F9FE6

RGB 15 159 230

HSL 199.81, 0.88%, 0.48%

LAB 62.18, -8.79, -45.19

 

CMYK 56 / 18 / 0 / 33

HEX #4B8BAA

RGB 75 139 170

HSL 199.58, 0.39%, 0.48%

LAB 54.93, -11.4, -22.62

 

CMYK 37 / 12 / 0 / 41

HEX #5E8496

RGB 94 132 150

HSL 199.29, 0.23%, 0.48%

LAB 53.04, -8.49, -13.87

 

CMYK 13 / 5 / 0 / 49

HEX #727D83

RGB 114 125 131

HSL 201.18, 0.07%, 0.48%

LAB 51.71, -2.75, -4.65

 

CMYK 0 / 12 / 17 / 47

HEX #86766F

RGB 134 118 111

HSL 18.26, 0.09%, 0.48%

LAB 50.89, 4.96, 6.11

 

CMYK 0 / 27 / 41 / 40

HEX #9A705B

RGB 154 112 91

HSL 20, 0.26%, 0.48%

LAB 50.94, 13.8, 18.21

 

CMYK 56 / 0 / 12 / 33

HEX #4BAA95

RGB 75 170 149

HSL 166.74, 0.39%, 0.48%

LAB 63.68, -33.25, 2.38

 

CMYK 56 / 3 / 0 / 33

HEX #4BA5AA

RGB 75 165 170

HSL 183.16, 0.39%, 0.48%

LAB 62.77, -25.19, -10.73

 

CMYK 56 / 18 / 0 / 33

HEX #4B8CAA

RGB 75 140 170

HSL 198.95, 0.39%, 0.48%

LAB 55.23, -11.96, -22.16

 

CMYK 56 / 33 / 0 / 33

HEX #4B72AA

RGB 75 114 170

HSL 215.37, 0.39%, 0.48%

LAB 47.54, 3.21, -34.11

 

CMYK 56 / 48 / 0 / 33

HEX #4B59AA

RGB 75 89 170

HSL 231.16, 0.39%, 0.48%

LAB 40.48, 18.9, -45.3

 

CMYK 57 / 19 / 0 / 56

HEX #315C71

RGB 49 92 113

HSL 199.69, 0.4%, 0.32%

LAB 36.93, -8.34, -16.5

 

CMYK 56 / 18 / 0 / 45

HEX #3E738D

RGB 62 115 141

HSL 199.75, 0.39%, 0.4%

LAB 45.92, -9.77, -19.59

 

CMYK 56 / 18 / 0 / 33

HEX #4B8BAA

RGB 75 139 170

HSL 199.58, 0.39%, 0.48%

LAB 54.93, -11.4, -22.62

 

CMYK 47 / 16 / 0 / 27

HEX #639EBB

RGB 99 158 187

HSL 199.77, 0.39%, 0.56%

LAB 62.25, -11.29, -20.97

 

CMYK 36 / 12 / 0 / 22

HEX #80B0C7

RGB 128 176 199

HSL 199.44, 0.39%, 0.64%

LAB 69.3, -10.2, -16.79

 

CMYK 56 / 19 / 0 / 33

HEX #4B8CAC

RGB 75 140 172

HSL 199.79, 0.39%, 0.48%

LAB 55.31, -11.34, -23.19

 

CMYK 27 / 56 / 0 / 33

HEX #7C4BAA

RGB 124 75 170

HSL 270.95, 0.39%, 0.48%

LAB 41.56, 39.46, -43.32

 

CMYK 0 / 5 / 56 / 33

HEX #AAA24B

RGB 170 162 75

HSL 54.95, 0.39%, 0.48%

LAB 65.67, -8.7, 45.53

 

CMYK 56 / 19 / 0 / 33

HEX #4B8CAC

RGB 75 140 172

HSL 199.79, 0.39%, 0.48%

LAB 55.31, -11.34, -23.19

 

CMYK 0 / 56 / 18 / 33

HEX #AA4B8C

RGB 170 75 140

HSL 318.95, 0.39%, 0.48%

LAB 46.27, 46.85, -17.57

 

CMYK 18 / 0 / 56 / 33

HEX #8CAA4B

RGB 140 170 75

HSL 78.95, 0.39%, 0.48%

LAB 65.62, -25.33, 44.87

 

CMYK 56 / 19 / 0 / 33

HEX #4B8CAC

RGB 75 140 172

HSL 199.79, 0.39%, 0.48%

LAB 55.31, -11.34, -23.19

 

CMYK 27 / 56 / 0 / 33

HEX #7C4BAA

RGB 124 75 170

HSL 270.95, 0.39%, 0.48%

LAB 41.56, 39.46, -43.32

 

CMYK 0 / 38 / 56 / 33

HEX #AA694B

RGB 170 105 75

HSL 18.95, 0.39%, 0.48%

LAB 50.87, 22.89, 27.7

 

CMYK 29 / 0 / 56 / 33

HEX #79AA4B

RGB 121 170 75

HSL 90.95, 0.39%, 0.48%

LAB 64.42, -32.69, 43.17

 

CMYK 56 / 19 / 0 / 33

HEX #4B8CAC

RGB 75 140 172

HSL 199.79, 0.39%, 0.48%

LAB 55.31, -11.34, -23.19

 

CMYK 10 / 56 / 0 / 33

HEX #994BAA

RGB 153 75 170

HSL 289.26, 0.39%, 0.48%

LAB 45.23, 47.24, -37.27

 

CMYK 0 / 38 / 56 / 33

HEX #AA694B

RGB 170 105 75

HSL 18.95, 0.39%, 0.48%

LAB 50.87, 22.89, 27.7

 

CMYK 46 / 0 / 56 / 33

HEX #5CAA4B

RGB 92 170 75

HSL 109.26, 0.39%, 0.48%

LAB 62.95, -42.64, 41.08

 

Description

Color code: HEX #4B8CAC | qconv.com Color code: HEX #4B8CAC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 140 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 140 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 19 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 19% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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