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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 94 60 175 it is the complementary color RGB 161 195 80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 94 60 175. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 94 60 175: RGB 99 60 170, RGB 116 78 189, RGB 133 96 208, RGB 150 114 227 and RGB 167 132 246

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 94 60 175. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 94 60 175: RGB 94 60 175, RGB 77 42 156, RGB 60 24 137, RGB 43 6 118 and RGB 26 0 99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 66 / 0 / 31

HEX #5E3CAF

RGB 94 60 175

HSL 257.74, 0.49%, 0.46%

LAB 35.41, 42.26, -56.37

 

Complementary color

CMYK 17 / 0 / 59 / 24

HEX #A1C350

RGB 161 195 80

HSL 77.74, 0.49%, 0.54%

LAB 74.31, -28.64, 52.83

 

CMYK 42 / 65 / 0 / 33

HEX #633CAA

RGB 99 60 170

HSL 261.27, 0.48%, 0.45%

LAB 35.57, 41.88, -53.11

 

CMYK 39 / 59 / 0 / 26

HEX #744EBD

RGB 116 78 189

HSL 260.54, 0.46%, 0.52%

LAB 42.51, 40.71, -53.01

 

CMYK 36 / 54 / 0 / 18

HEX #8560D0

RGB 133 96 208

HSL 259.82, 0.54%, 0.6%

LAB 49.38, 39.56, -52.86

 

CMYK 34 / 50 / 0 / 11

HEX #9672E3

RGB 150 114 227

HSL 259.12, 0.67%, 0.67%

LAB 56.15, 38.49, -52.7

 

CMYK 32 / 46 / 0 / 4

HEX #A784F6

RGB 167 132 246

HSL 258.42, 0.86%, 0.74%

LAB 62.82, 37.5, -52.56

 

CMYK 46 / 66 / 0 / 31

HEX #5E3CAF

RGB 94 60 175

HSL 257.74, 0.49%, 0.46%

LAB 35.41, 42.26, -56.37

 

CMYK 51 / 73 / 0 / 39

HEX #4D2A9C

RGB 77 42 156

HSL 258.42, 0.58%, 0.39%

LAB 28.47, 43.49, -56.33

 

CMYK 56 / 82 / 0 / 46

HEX #3C1889

RGB 60 24 137

HSL 259.12, 0.7%, 0.32%

LAB 21.65, 44.3, -55.85

 

CMYK 64 / 95 / 0 / 54

HEX #2B0676

RGB 43 6 118

HSL 259.82, 0.9%, 0.24%

LAB 15.23, 43.97, -54.45

 

CMYK 74 / 100 / 0 / 61

HEX #1A0063

RGB 26 0 99

HSL 255.76, 1%, 0.19%

LAB 9.96, 40.26, -50.81

 

CMYK 46 / 66 / 0 / 31

HEX #5E3CAF

RGB 94 60 175

HSL 257.74, 0.49%, 0.46%

LAB 35.41, 42.26, -56.37

 

CMYK 36 / 66 / 0 / 32

HEX #6F3BAE

RGB 111 59 174

HSL 267.13, 0.49%, 0.46%

LAB 37.05, 46.04, -53.03

 

CMYK 25 / 66 / 0 / 32

HEX #823BAE

RGB 130 59 174

HSL 277.04, 0.49%, 0.46%

LAB 39.46, 50.23, -49.01

 

CMYK 14 / 66 / 0 / 32

HEX #953BAE

RGB 149 59 174

HSL 286.96, 0.49%, 0.46%

LAB 42.11, 54.63, -44.62

 

CMYK 3 / 66 / 0 / 32

HEX #A93BAE

RGB 169 59 174

HSL 297.39, 0.49%, 0.46%

LAB 45.11, 59.36, -39.67

 

CMYK 46 / 66 / 0 / 31

HEX #5E3CAF

RGB 94 60 175

HSL 257.74, 0.49%, 0.46%

LAB 35.41, 42.26, -56.37

 

CMYK 46 / 66 / 0 / 11

HEX #794DE2

RGB 121 77 226

HSL 257.72, 0.72%, 0.59%

LAB 45.45, 52.34, -69.53

 

CMYK 45 / 64 / 0 / 91

HEX #0C0816

RGB 12 8 22

HSL 257.14, 0.47%, 0.06%

LAB 2.8, 3.64, -6.6

 

CMYK 47 / 66 / 0 / 71

HEX #271949

RGB 39 25 73

HSL 257.5, 0.49%, 0.19%

LAB 13.28, 20.23, -27.64

 

CMYK 46 / 65 / 0 / 51

HEX #432B7C

RGB 67 43 124

HSL 257.78, 0.49%, 0.33%

LAB 24.88, 31.54, -42.36

 

CMYK 46 / 66 / 0 / 31

HEX #5E3CAF

RGB 94 60 175

HSL 257.74, 0.49%, 0.46%

LAB 35.41, 42.26, -56.37

 

CMYK 0 / 66 / 32 / 32

HEX #AE3B77

RGB 174 59 119

HSL 328.7, 0.49%, 0.46%

LAB 43.45, 52.38, -9.02

 

CMYK 58 / 0 / 66 / 32

HEX #49AE3B

RGB 73 174 59

HSL 112.7, 0.49%, 0.46%

LAB 63.35, -51.34, 48.63

 

CMYK 46 / 66 / 0 / 31

HEX #5E3CAF

RGB 94 60 175

HSL 257.74, 0.49%, 0.46%

LAB 35.41, 42.26, -56.37

 

CMYK 0 / 47 / 66 / 32

HEX #AE5C3B

RGB 174 92 59

HSL 17.22, 0.49%, 0.46%

LAB 48.22, 30.52, 33.58

 

CMYK 66 / 0 / 47 / 32

HEX #3BAE5C

RGB 59 174 92

HSL 137.22, 0.49%, 0.46%

LAB 63.32, -50.21, 32.78

 

CMYK 46 / 66 / 0 / 31

HEX #5E3CAF

RGB 94 60 175

HSL 257.74, 0.49%, 0.46%

LAB 35.41, 42.26, -56.37

 

CMYK 0 / 66 / 32 / 32

HEX #AE3B77

RGB 174 59 119

HSL 328.7, 0.49%, 0.46%

LAB 43.45, 52.38, -9.02

 

CMYK 18 / 0 / 66 / 32

HEX #8EAE3B

RGB 142 174 59

HSL 76.7, 0.49%, 0.46%

LAB 66.78, -27.79, 53.32

 

CMYK 66 / 0 / 34 / 32

HEX #3BAE73

RGB 59 174 115

HSL 149.22, 0.49%, 0.46%

LAB 63.7, -45.99, 21.09

 

CMYK 46 / 66 / 0 / 31

HEX #5E3CAF

RGB 94 60 175

HSL 257.74, 0.49%, 0.46%

LAB 35.41, 42.26, -56.37

 

CMYK 0 / 66 / 52 / 32

HEX #AE3B54

RGB 174 59 84

HSL 346.96, 0.49%, 0.46%

LAB 42.41, 48.67, 11.18

 

CMYK 18 / 0 / 66 / 32

HEX #8EAE3B

RGB 142 174 59

HSL 76.7, 0.49%, 0.46%

LAB 66.78, -27.79, 53.32

 

CMYK 66 / 0 / 14 / 32

HEX #3BAE95

RGB 59 174 149

HSL 166.96, 0.49%, 0.46%

LAB 64.46, -38.13, 3.44

 

Description

Color code: RGB 94 60 175 | qconv.com Color code: RGB 94 60 175 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 60 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 60 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 66 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 66% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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