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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E3CAF it is the complementary color #A1C350. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E3CAF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E3CAF shade: #633CAA, #744EBD, #8560D0, #9672E3 and #A784F6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E3CAF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E3CAF shade: #5E3CAF, #4D2A9C, #3C1889, #2B0676 and #1A0063

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E3CAF shade: #5E3CAF, #7D3CAF, #9C3CAF, #AF3CA3 and #AF3C84

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E3CAF shade: #5E3CAF, #3F3CAF and #3C3CAF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E3CAF shade matches the following richer shades: #5E3CAF, #5629C2, #4E16D5 and #4703E8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E3CAF shade: #5E3CAF, #664F9C, #6D6289, #757576 and #7D8863

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E3CAF shade: #3C59AF, #3E3CAF, #5C3CAF, #7B3CAF and #9A3CAF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E3CAF shade: #3D2771, #4D3190, #5E3CAF, #7251C3 and #8B6FCE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E3CAF shade: #5E3CAF, #AF3C77 and #49AF3C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E3CAF shade: #5E3CAF, #AF5C3C and #3CAF5C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E3CAF shade: #5E3CAF, #AF3C77, #8EAF3C and #3CAF73

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E3CAF shade: #5E3CAF, #AF3C55, #8EAF3C and #3CAF96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 66 / 0 / 31

HEX #5E3CAF

RGB 94 60 175

HSL 257.74, 0.49%, 0.46%

LAB 35.41, 42.26, -56.37

 

Complementary color

CMYK 17 / 0 / 59 / 24

HEX #A1C350

RGB 161 195 80

HSL 77.74, 0.49%, 0.54%

LAB 74.31, -28.64, 52.83

 

CMYK 42 / 65 / 0 / 33

HEX #633CAA

RGB 99 60 170

HSL 261.27, 0.48%, 0.45%

LAB 35.57, 41.88, -53.11

 

CMYK 39 / 59 / 0 / 26

HEX #744EBD

RGB 116 78 189

HSL 260.54, 0.46%, 0.52%

LAB 42.51, 40.71, -53.01

 

CMYK 36 / 54 / 0 / 18

HEX #8560D0

RGB 133 96 208

HSL 259.82, 0.54%, 0.6%

LAB 49.38, 39.56, -52.86

 

CMYK 34 / 50 / 0 / 11

HEX #9672E3

RGB 150 114 227

HSL 259.12, 0.67%, 0.67%

LAB 56.15, 38.49, -52.7

 

CMYK 32 / 46 / 0 / 4

HEX #A784F6

RGB 167 132 246

HSL 258.42, 0.86%, 0.74%

LAB 62.82, 37.5, -52.56

 

CMYK 46 / 66 / 0 / 31

HEX #5E3CAF

RGB 94 60 175

HSL 257.74, 0.49%, 0.46%

LAB 35.41, 42.26, -56.37

 

CMYK 51 / 73 / 0 / 39

HEX #4D2A9C

RGB 77 42 156

HSL 258.42, 0.58%, 0.39%

LAB 28.47, 43.49, -56.33

 

CMYK 56 / 82 / 0 / 46

HEX #3C1889

RGB 60 24 137

HSL 259.12, 0.7%, 0.32%

LAB 21.65, 44.3, -55.85

 

CMYK 64 / 95 / 0 / 54

HEX #2B0676

RGB 43 6 118

HSL 259.82, 0.9%, 0.24%

LAB 15.23, 43.97, -54.45

 

CMYK 74 / 100 / 0 / 61

HEX #1A0063

RGB 26 0 99

HSL 255.76, 1%, 0.19%

LAB 9.96, 40.26, -50.81

 

CMYK 46 / 66 / 0 / 31

HEX #5E3CAF

RGB 94 60 175

HSL 257.74, 0.49%, 0.46%

LAB 35.41, 42.26, -56.37

 

CMYK 29 / 66 / 0 / 31

HEX #7D3CAF

RGB 125 60 175

HSL 273.91, 0.49%, 0.46%

LAB 39.05, 48.85, -50.31

 

CMYK 11 / 66 / 0 / 31

HEX #9C3CAF

RGB 156 60 175

HSL 290.09, 0.49%, 0.46%

LAB 43.35, 56.04, -43.17

 

CMYK 0 / 66 / 7 / 31

HEX #AF3CA3

RGB 175 60 163

HSL 306.26, 0.49%, 0.46%

LAB 45.62, 58.58, -32.28

 

CMYK 0 / 66 / 25 / 31

HEX #AF3C84

RGB 175 60 132

HSL 322.43, 0.49%, 0.46%

LAB 44.25, 53.94, -15.74

 

CMYK 46 / 66 / 0 / 31

HEX #5E3CAF

RGB 94 60 175

HSL 257.74, 0.49%, 0.46%

LAB 35.41, 42.26, -56.37

 

CMYK 64 / 66 / 0 / 31

HEX #3F3CAF

RGB 63 60 175

HSL 241.57, 0.49%, 0.46%

LAB 32.66, 36.84, -60.97

 

CMYK 66 / 66 / 0 / 31

HEX #3C3CAF

RGB 60 60 175

HSL 240, 0.49%, 0.46%

LAB 32.45, 36.41, -61.32

 

CMYK 46 / 66 / 0 / 31

HEX #5E3CAF

RGB 94 60 175

HSL 257.74, 0.49%, 0.46%

LAB 35.41, 42.26, -56.37

 

CMYK 56 / 79 / 0 / 24

HEX #5629C2

RGB 86 41 194

HSL 257.65, 0.65%, 0.46%

LAB 32.83, 55.88, -71.86

 

CMYK 63 / 90 / 0 / 16

HEX #4E16D5

RGB 78 22 213

HSL 257.59, 0.81%, 0.46%

LAB 31.8, 66.77, -84.67

 

CMYK 69 / 99 / 0 / 9

HEX #4703E8

RGB 71 3 232

HSL 257.82, 0.97%, 0.46%

LAB 32.33, 74.49, -94.74

 

CMYK 46 / 66 / 0 / 31

HEX #5E3CAF

RGB 94 60 175

HSL 257.74, 0.49%, 0.46%

LAB 35.41, 42.26, -56.37

 

CMYK 35 / 49 / 0 / 39

HEX #664F9C

RGB 102 79 156

HSL 257.92, 0.33%, 0.46%

LAB 39.27, 27.55, -38.76

 

CMYK 20 / 28 / 0 / 46

HEX #6D6289

RGB 109 98 137

HSL 256.92, 0.17%, 0.46%

LAB 43.93, 13, -19.99

 

CMYK 1 / 1 / 0 / 54

HEX #757576

RGB 117 117 118

HSL 240, 0%, 0.46%

LAB 49.27, 0.21, -0.56

 

CMYK 8 / 0 / 27 / 47

HEX #7D8863

RGB 125 136 99

HSL 77.84, 0.16%, 0.46%

LAB 54.94, -10.8, 18.58

 

CMYK 66 / 49 / 0 / 31

HEX #3C59AF

RGB 60 89 175

HSL 224.87, 0.49%, 0.46%

LAB 39.92, 17.74, -49.21

 

CMYK 65 / 66 / 0 / 31

HEX #3E3CAF

RGB 62 60 175

HSL 241.04, 0.49%, 0.46%

LAB 32.59, 36.7, -61.09

 

CMYK 47 / 66 / 0 / 31

HEX #5C3CAF

RGB 92 60 175

HSL 256.7, 0.49%, 0.46%

LAB 35.21, 41.87, -56.71

 

CMYK 30 / 66 / 0 / 31

HEX #7B3CAF

RGB 123 60 175

HSL 272.87, 0.49%, 0.46%

LAB 38.79, 48.4, -50.74

 

CMYK 12 / 66 / 0 / 31

HEX #9A3CAF

RGB 154 60 175

HSL 289.04, 0.49%, 0.46%

LAB 43.06, 55.56, -43.66

 

CMYK 46 / 65 / 0 / 56

HEX #3D2771

RGB 61 39 113

HSL 257.84, 0.49%, 0.3%

LAB 22.43, 29.28, -39.35

 

CMYK 47 / 66 / 0 / 44

HEX #4D3190

RGB 77 49 144

HSL 257.68, 0.49%, 0.38%

LAB 28.87, 36.1, -48.31

 

CMYK 46 / 66 / 0 / 31

HEX #5E3CAF

RGB 94 60 175

HSL 257.74, 0.49%, 0.46%

LAB 35.41, 42.26, -56.37

 

CMYK 42 / 58 / 0 / 24

HEX #7251C3

RGB 114 81 195

HSL 257.37, 0.49%, 0.54%

LAB 43.36, 40.18, -55.15

 

CMYK 33 / 46 / 0 / 19

HEX #8B6FCE

RGB 139 111 206

HSL 257.68, 0.49%, 0.62%

LAB 53.29, 31.92, -45.46

 

CMYK 46 / 66 / 0 / 31

HEX #5E3CAF

RGB 94 60 175

HSL 257.74, 0.49%, 0.46%

LAB 35.41, 42.26, -56.37

 

CMYK 0 / 66 / 32 / 31

HEX #AF3C77

RGB 175 60 119

HSL 329.22, 0.49%, 0.46%

LAB 43.77, 52.26, -8.52

 

CMYK 58 / 0 / 66 / 31

HEX #49AF3C

RGB 73 175 60

HSL 113.22, 0.49%, 0.46%

LAB 63.67, -51.62, 48.56

 

CMYK 46 / 66 / 0 / 31

HEX #5E3CAF

RGB 94 60 175

HSL 257.74, 0.49%, 0.46%

LAB 35.41, 42.26, -56.37

 

CMYK 0 / 47 / 66 / 31

HEX #AF5C3C

RGB 175 92 60

HSL 16.7, 0.49%, 0.46%

LAB 48.38, 30.99, 33.24

 

CMYK 66 / 0 / 47 / 31

HEX #3CAF5C

RGB 60 175 92

HSL 136.7, 0.49%, 0.46%

LAB 63.67, -50.4, 33.22

 

CMYK 46 / 66 / 0 / 31

HEX #5E3CAF

RGB 94 60 175

HSL 257.74, 0.49%, 0.46%

LAB 35.41, 42.26, -56.37

 

CMYK 0 / 66 / 32 / 31

HEX #AF3C77

RGB 175 60 119

HSL 329.22, 0.49%, 0.46%

LAB 43.77, 52.26, -8.52

 

CMYK 19 / 0 / 66 / 31

HEX #8EAF3C

RGB 142 175 60

HSL 77.22, 0.49%, 0.46%

LAB 67.08, -28.2, 53.22

 

CMYK 66 / 0 / 34 / 31

HEX #3CAF73

RGB 60 175 115

HSL 148.7, 0.49%, 0.46%

LAB 64.05, -46.21, 21.56

 

CMYK 46 / 66 / 0 / 31

HEX #5E3CAF

RGB 94 60 175

HSL 257.74, 0.49%, 0.46%

LAB 35.41, 42.26, -56.37

 

CMYK 0 / 66 / 51 / 31

HEX #AF3C55

RGB 175 60 85

HSL 346.96, 0.49%, 0.46%

LAB 42.77, 48.66, 11.08

 

CMYK 19 / 0 / 66 / 31

HEX #8EAF3C

RGB 142 175 60

HSL 77.22, 0.49%, 0.46%

LAB 67.08, -28.2, 53.22

 

CMYK 66 / 0 / 14 / 31

HEX #3CAF96

RGB 60 175 150

HSL 166.96, 0.49%, 0.46%

LAB 64.82, -38.16, 3.41

 

Description

Color code: HEX #5E3CAF | qconv.com Color code: HEX #5E3CAF | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 60 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 60 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 66 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 66% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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