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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 93.1 198.8 97 it is the complementary color RGB 161.9 56.2 158. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 93.1 198.8 97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 93.1 198.8 97 shade: RGB 98.1 198.8 92, RGB 115.1 216.8 111, RGB 132.1 234.8 130, RGB 149.1 252.8 149 and RGB 166.1 255 168

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 93.1 198.8 97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 93.1 198.8 97 shade: RGB 93.1 198.8 97, RGB 76.1 180.8 78, RGB 59.1 162.8 59, RGB 42.1 144.8 40 and RGB 25.1 126.8 21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 93.1 198.8 97 shade: RGB 93 198 97, RGB 117 198 93, RGB 146 198 93, RGB 174 198 93 and RGB 198 194 93

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 93.1 198.8 97 shade: RGB 93 198 97, RGB 93 198 125, RGB 93 198 153, RGB 93 198 182 and RGB 93 186 198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 93.1 198.8 97 shade matches the following richer shades: RGB 93 198 97, RGB 75 216 80, RGB 57 233 64 and RGB 39 251 47

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 93.1 198.8 97 shade: RGB 93 198 97, RGB 110 180 113, RGB 128 162 129, RGB 146 145 146 and RGB 164 127 162

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 93.1 198.8 97 shade: RGB 145 198 93, RGB 117 198 93, RGB 93 198 96, RGB 93 198 124 and RGB 93 198 152

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 93.1 198.8 97 shade: RGB 54 154 58, RGB 65 185 69, RGB 93 198 97, RGB 123 209 126 and RGB 154 219 156

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 93.1 198.8 97 shade: RGB 93.1 198.8 97, RGB 93 173 198 and RGB 198 93 131

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 93.1 198.8 97 shade: RGB 93.1 198.8 97, RGB 96 93 198 and RGB 198 96 93

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 93.1 198.8 97 shade: RGB 93.1 198.8 97, RGB 93 173 198, RGB 198 93 194 and RGB 198 117 93

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 93.1 198.8 97 shade: RGB 93.1 198.8 97, RGB 93 142 198, RGB 198 93 194 and RGB 198 149 93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 51 / 22

HEX #5DC661

RGB 93.1 198.8 97

HSL 122.21, 0.48%, 0.57%

LAB 72.2, -51.23, 41.56

 

Complementary color

CMYK 0 / 65 / 2 / 37

HEX #A1389E

RGB 161.9 56.2 158

HSL 302.21, 0.48%, 0.43%

LAB 42.74, 55.98, -33.96

 

CMYK 51 / 0 / 54 / 22

HEX #62C65C

RGB 98.1 198.8 92

HSL 116.57, 0.49%, 0.57%

LAB 72.32, -50.54, 44.15

 

CMYK 47 / 0 / 49 / 15

HEX #73D86F

RGB 115.1 216.8 111

HSL 117.67, 0.58%, 0.64%

LAB 78.65, -50.57, 42.89

 

CMYK 44 / 0 / 45 / 8

HEX #84EA82

RGB 132.1 234.8 130

HSL 118.8, 0.72%, 0.72%

LAB 84.91, -50.48, 41.64

 

CMYK 41 / 0 / 41 / 1

HEX #95FC95

RGB 149.1 252.8 149

HSL 119.94, 0.96%, 0.79%

LAB 91.1, -50.33, 40.42

 

CMYK 35 / 0 / 34 / 0

HEX #A6FFA8

RGB 166.1 255 168

HSL 121.28, 1%, 0.83%

LAB 92.78, -43.38, 33.38

 

CMYK 53 / 0 / 51 / 22

HEX #5DC661

RGB 93.1 198.8 97

HSL 122.21, 0.48%, 0.57%

LAB 72.2, -51.23, 41.56

 

CMYK 58 / 0 / 57 / 29

HEX #4CB44E

RGB 76.1 180.8 78

HSL 121.09, 0.41%, 0.5%

LAB 65.79, -51.02, 42.86

 

CMYK 64 / 0 / 64 / 36

HEX #3BA23B

RGB 59.1 162.8 59

HSL 119.94, 0.47%, 0.43%

LAB 59.32, -50.53, 44.06

 

CMYK 71 / 0 / 72 / 43

HEX #2A9028

RGB 42.1 144.8 40

HSL 118.8, 0.57%, 0.36%

LAB 52.77, -49.58, 44.97

 

CMYK 80 / 0 / 83 / 50

HEX #197E15

RGB 25.1 126.8 21

HSL 117.67, 0.72%, 0.29%

LAB 46.16, -47.89, 45.12

 

CMYK 53 / 0 / 51 / 22

HEX #5DC661

RGB 93 198 97

HSL 122.29, 0.48%, 0.57%

LAB 71.95, -50.94, 41.25

 

CMYK 41 / 0 / 53 / 22

HEX #75C65D

RGB 117 198 93

HSL 106.29, 0.48%, 0.57%

LAB 72.87, -44.49, 44.52

 

CMYK 26 / 0 / 53 / 22

HEX #92C65D

RGB 146 198 93

HSL 89.71, 0.48%, 0.57%

LAB 74.37, -34.53, 46.69

 

CMYK 12 / 0 / 53 / 22

HEX #AEC65D

RGB 174 198 93

HSL 73.71, 0.48%, 0.57%

LAB 76.18, -23.8, 49.26

 

CMYK 0 / 2 / 53 / 22

HEX #C6C25D

RGB 198 194 93

HSL 57.71, 0.48%, 0.57%

LAB 76.91, -12.05, 50.57

 

CMYK 53 / 0 / 51 / 22

HEX #5DC661

RGB 93 198 97

HSL 122.29, 0.48%, 0.57%

LAB 71.95, -50.94, 41.25

 

CMYK 53 / 0 / 37 / 22

HEX #5DC67D

RGB 93 198 125

HSL 138.29, 0.48%, 0.57%

LAB 72.36, -46.55, 27.58

 

CMYK 53 / 0 / 23 / 22

HEX #5DC699

RGB 93 198 153

HSL 154.29, 0.48%, 0.57%

LAB 72.9, -41.04, 13.44

 

CMYK 53 / 0 / 8 / 22

HEX #5DC6B6

RGB 93 198 182

HSL 170.86, 0.48%, 0.57%

LAB 73.61, -34.27, -1.24

 

CMYK 53 / 6 / 0 / 22

HEX #5DBAC6

RGB 93 186 198

HSL 186.86, 0.48%, 0.57%

LAB 70.54, -24.22, -14.52

 

CMYK 53 / 0 / 51 / 22

HEX #5DC661

RGB 93 198 97

HSL 122.29, 0.48%, 0.57%

LAB 71.95, -50.94, 41.25

 

CMYK 65 / 0 / 63 / 15

HEX #4BD850

RGB 75 216 80

HSL 122.13, 0.64%, 0.57%

LAB 76.79, -63.72, 54.57

 

CMYK 76 / 0 / 73 / 9

HEX #39E940

RGB 57 233 64

HSL 122.39, 0.8%, 0.57%

LAB 81.58, -73.65, 65.71

 

CMYK 84 / 0 / 81 / 2

HEX #27FB2F

RGB 39 251 47

HSL 122.26, 0.96%, 0.57%

LAB 86.82, -81.92, 75.75

 

CMYK 53 / 0 / 51 / 22

HEX #5DC661

RGB 93 198 97

HSL 122.29, 0.48%, 0.57%

LAB 71.95, -50.94, 41.25

 

CMYK 39 / 0 / 37 / 29

HEX #6EB471

RGB 110 180 113

HSL 122.57, 0.32%, 0.57%

LAB 67.39, -35.98, 27.42

 

CMYK 21 / 0 / 20 / 36

HEX #80A281

RGB 128 162 129

HSL 121.76, 0.15%, 0.57%

LAB 63.36, -18.37, 13.4

 

CMYK 0 / 1 / 0 / 43

HEX #929192

RGB 146 145 146

HSL 300, 0%, 0.57%

LAB 60.28, 0.56, -0.41

 

CMYK 0 / 23 / 1 / 36

HEX #A47FA2

RGB 164 127 162

HSL 303.24, 0.17%, 0.57%

LAB 57.73, 20.42, -13.18

 

CMYK 27 / 0 / 53 / 22

HEX #91C65D

RGB 145 198 93

HSL 90.29, 0.48%, 0.57%

LAB 74.32, -34.89, 46.6

 

CMYK 41 / 0 / 53 / 22

HEX #75C65D

RGB 117 198 93

HSL 106.29, 0.48%, 0.57%

LAB 72.87, -44.49, 44.52

 

CMYK 53 / 0 / 52 / 22

HEX #5DC660

RGB 93 198 96

HSL 121.71, 0.48%, 0.57%

LAB 71.93, -51.07, 41.72

 

CMYK 53 / 0 / 37 / 22

HEX #5DC67C

RGB 93 198 124

HSL 137.71, 0.48%, 0.57%

LAB 72.34, -46.73, 28.07

 

CMYK 53 / 0 / 23 / 22

HEX #5DC698

RGB 93 198 152

HSL 153.71, 0.48%, 0.57%

LAB 72.88, -41.26, 13.94

 

CMYK 65 / 0 / 62 / 40

HEX #369A3A

RGB 54 154 58

HSL 122.4, 0.48%, 0.41%

LAB 56.29, -48.54, 41.06

 

CMYK 65 / 0 / 63 / 27

HEX #41B945

RGB 65 185 69

HSL 122, 0.48%, 0.49%

LAB 66.71, -56.16, 47.95

 

CMYK 53 / 0 / 51 / 22

HEX #5DC661

RGB 93 198 97

HSL 122.29, 0.48%, 0.57%

LAB 71.95, -50.94, 41.25

 

CMYK 41 / 0 / 40 / 18

HEX #7BD17E

RGB 123 209 126

HSL 122.09, 0.48%, 0.65%

LAB 76.87, -42.83, 33.22

 

CMYK 30 / 0 / 29 / 14

HEX #9ADB9C

RGB 154 219 156

HSL 121.85, 0.47%, 0.73%

LAB 81.8, -32.85, 24.59

 

CMYK 53 / 0 / 51 / 22

HEX #5DC661

RGB 93.1 198.8 97

HSL 122.21, 0.48%, 0.57%

LAB 72.2, -51.23, 41.56

 

CMYK 53 / 13 / 0 / 22

HEX #5DADC6

RGB 93 173 198

HSL 194.29, 0.48%, 0.57%

LAB 66.74, -17.54, -20.27

 

CMYK 0 / 53 / 34 / 22

HEX #C65D83

RGB 198 93 131

HSL 338.29, 0.48%, 0.57%

LAB 53.46, 45.87, -0.99

 

CMYK 53 / 0 / 51 / 22

HEX #5DC661

RGB 93.1 198.8 97

HSL 122.21, 0.48%, 0.57%

LAB 72.2, -51.23, 41.56

 

CMYK 52 / 53 / 0 / 22

HEX #605DC6

RGB 96 93 198

HSL 241.71, 0.48%, 0.57%

LAB 44.79, 29.97, -54.67

 

CMYK 0 / 52 / 53 / 22

HEX #C6605D

RGB 198 96 93

HSL 1.71, 0.48%, 0.57%

LAB 53.13, 40.37, 20.98

 

CMYK 53 / 0 / 51 / 22

HEX #5DC661

RGB 93.1 198.8 97

HSL 122.21, 0.48%, 0.57%

LAB 72.2, -51.23, 41.56

 

CMYK 53 / 13 / 0 / 22

HEX #5DADC6

RGB 93 173 198

HSL 194.29, 0.48%, 0.57%

LAB 66.74, -17.54, -20.27

 

CMYK 0 / 53 / 2 / 22

HEX #C65DC2

RGB 198 93 194

HSL 302.29, 0.48%, 0.57%

LAB 55.82, 55.34, -34.17

 

CMYK 0 / 41 / 53 / 22

HEX #C6755D

RGB 198 117 93

HSL 13.71, 0.48%, 0.57%

LAB 57.58, 29.33, 26.85

 

CMYK 53 / 0 / 51 / 22

HEX #5DC661

RGB 93.1 198.8 97

HSL 122.21, 0.48%, 0.57%

LAB 72.2, -51.23, 41.56

 

CMYK 53 / 28 / 0 / 22

HEX #5D8EC6

RGB 93 142 198

HSL 212, 0.48%, 0.57%

LAB 57.8, -0.41, -34.05

 

CMYK 0 / 53 / 2 / 22

HEX #C65DC2

RGB 198 93 194

HSL 302.29, 0.48%, 0.57%

LAB 55.82, 55.34, -34.17

 

CMYK 0 / 25 / 53 / 22

HEX #C6955D

RGB 198 149 93

HSL 32, 0.48%, 0.57%

LAB 65.19, 11.83, 36.52

 

Description

Color code: RGB 93.1 198.8 97 | qconv.com Color code: RGB 93.1 198.8 97 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93.1 red, 198.8 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93.1 198.8 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 51 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 51% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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