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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2A9028 it is the complementary color #D56FD7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2A9028. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2A9028 shade: #2F9023, #40A236, #51B449, #62C65C and #73D86F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2A9028. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2A9028 shade: #2A9028, #197E15, #086C02, #005A00 and #004800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2A9028 shade: #299027, #469027, #629027, #7E9027 and #908627

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2A9028 shade: #299027, #279042, #27905E, #27907A and #278A90

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2A9028 shade matches the following richer shades: #299027, #1B9F19 and #0DAE0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2A9028 shade: #299027, #388136, #467245, #546454 and #635563

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2A9028 shade: #639027, #479027, #2B9027, #279040 and #27905C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2A9028 shade: #174F16, #20701F, #299027, #33B130 and #42CB40

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2A9028 shade: #2A9028, #277F90 and #902755

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2A9028 shade: #2A9028, #272B90 and #90272B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2A9028 shade: #2A9028, #277F90, #8D2790 and #903927

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2A9028 shade: #2A9028, #275F90, #8D2790 and #905827

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 72 / 44

HEX #2A9028

RGB 42 144 40

HSL 118.85, 0.57%, 0.36%

LAB 52.5, -49.32, 44.69

 

Complementary color

CMYK 1 / 48 / 0 / 16

HEX #D56FD7

RGB 213 111 215

HSL 298.85, 0.57%, 0.64%

LAB 62.02, 54.55, -36.25

 

CMYK 67 / 0 / 76 / 44

HEX #2F9023

RGB 47 144 35

HSL 113.39, 0.61%, 0.35%

LAB 52.59, -48.71, 46.75

 

CMYK 60 / 0 / 67 / 36

HEX #40A236

RGB 64 162 54

HSL 114.44, 0.5%, 0.42%

LAB 59.16, -49.61, 46.12

 

CMYK 55 / 0 / 59 / 29

HEX #51B449

RGB 81 180 73

HSL 115.51, 0.42%, 0.5%

LAB 65.65, -50.06, 45.07

 

CMYK 51 / 0 / 54 / 22

HEX #62C65C

RGB 98 198 92

HSL 116.6, 0.48%, 0.57%

LAB 72.07, -50.25, 43.85

 

CMYK 47 / 0 / 49 / 15

HEX #73D86F

RGB 115 216 111

HSL 117.71, 0.57%, 0.64%

LAB 78.41, -50.27, 42.59

 

CMYK 71 / 0 / 72 / 44

HEX #2A9028

RGB 42 144 40

HSL 118.85, 0.57%, 0.36%

LAB 52.5, -49.32, 44.69

 

CMYK 80 / 0 / 83 / 51

HEX #197E15

RGB 25 126 21

HSL 117.71, 0.71%, 0.29%

LAB 45.88, -47.64, 44.86

 

CMYK 93 / 0 / 98 / 58

HEX #086C02

RGB 8 108 2

HSL 116.6, 0.96%, 0.22%

LAB 39.21, -44.89, 43.77

 

CMYK 100 / 0 / 100 / 65

HEX #005A00

RGB 0 90 0

HSL 120, 1%, 0.18%

LAB 32.51, -40.3, 38.9

 

CMYK 100 / 0 / 100 / 72

HEX #004800

RGB 0 72 0

HSL 120, 1%, 0.14%

LAB 25.67, -34.62, 33.21

 

CMYK 72 / 0 / 73 / 44

HEX #299027

RGB 41 144 39

HSL 118.86, 0.57%, 0.36%

LAB 52.47, -49.6, 45.05

 

CMYK 51 / 0 / 73 / 44

HEX #469027

RGB 70 144 39

HSL 102.29, 0.57%, 0.36%

LAB 53.38, -42.33, 46.27

 

CMYK 32 / 0 / 73 / 44

HEX #629027

RGB 98 144 39

HSL 86.29, 0.57%, 0.36%

LAB 54.75, -32.52, 48.1

 

CMYK 13 / 0 / 73 / 44

HEX #7E9027

RGB 126 144 39

HSL 70.29, 0.57%, 0.36%

LAB 56.61, -20.92, 50.57

 

CMYK 0 / 7 / 73 / 44

HEX #908627

RGB 144 134 39

HSL 54.29, 0.57%, 0.36%

LAB 55.2, -7.57, 49.7

 

CMYK 72 / 0 / 73 / 44

HEX #299027

RGB 41 144 39

HSL 118.86, 0.57%, 0.36%

LAB 52.47, -49.6, 45.05

 

CMYK 73 / 0 / 54 / 44

HEX #279042

RGB 39 144 66

HSL 135.43, 0.57%, 0.36%

LAB 52.7, -46.73, 32.83

 

CMYK 73 / 0 / 35 / 44

HEX #27905E

RGB 39 144 94

HSL 151.43, 0.57%, 0.36%

LAB 53.15, -41.58, 18.28

 

CMYK 73 / 0 / 15 / 44

HEX #27907A

RGB 39 144 122

HSL 167.43, 0.57%, 0.36%

LAB 53.8, -34.77, 3.22

 

CMYK 73 / 4 / 0 / 44

HEX #278A90

RGB 39 138 144

HSL 183.43, 0.57%, 0.36%

LAB 52.53, -25.45, -11.37

 

CMYK 72 / 0 / 73 / 44

HEX #299027

RGB 41 144 39

HSL 118.86, 0.57%, 0.36%

LAB 52.47, -49.6, 45.05

 

CMYK 83 / 0 / 84 / 38

HEX #1B9F19

RGB 27 159 25

HSL 119.1, 0.73%, 0.36%

LAB 57.17, -57.61, 54.17

 

CMYK 93 / 0 / 94 / 32

HEX #0DAE0A

RGB 13 174 10

HSL 118.9, 0.89%, 0.36%

LAB 61.98, -63.8, 61.23

 

CMYK 72 / 0 / 73 / 44

HEX #299027

RGB 41 144 39

HSL 118.86, 0.57%, 0.36%

LAB 52.47, -49.6, 45.05

 

CMYK 57 / 0 / 58 / 49

HEX #388136

RGB 56 129 54

HSL 118.4, 0.41%, 0.36%

LAB 48.02, -38.74, 33.43

 

CMYK 39 / 0 / 39 / 55

HEX #467245

RGB 70 114 69

HSL 118.67, 0.25%, 0.36%

LAB 43.9, -25.18, 20.28

 

CMYK 16 / 0 / 16 / 61

HEX #546454

RGB 84 100 84

HSL 120, 0.09%, 0.36%

LAB 40.64, -9.56, 7.06

 

CMYK 0 / 14 / 0 / 61

HEX #635563

RGB 99 85 99

HSL 300, 0.08%, 0.36%

LAB 37.93, 8.55, -5.95

 

CMYK 31 / 0 / 73 / 44

HEX #639027

RGB 99 144 39

HSL 85.71, 0.57%, 0.36%

LAB 54.81, -32.13, 48.18

 

CMYK 51 / 0 / 73 / 44

HEX #479027

RGB 71 144 39

HSL 101.71, 0.57%, 0.36%

LAB 53.42, -42.02, 46.32

 

CMYK 70 / 0 / 73 / 44

HEX #2B9027

RGB 43 144 39

HSL 117.71, 0.57%, 0.36%

LAB 52.52, -49.21, 45.11

 

CMYK 73 / 0 / 56 / 44

HEX #279040

RGB 39 144 64

HSL 134.29, 0.57%, 0.36%

LAB 52.67, -47.03, 33.82

 

CMYK 73 / 0 / 36 / 44

HEX #27905C

RGB 39 144 92

HSL 150.29, 0.57%, 0.36%

LAB 53.11, -42.01, 19.34

 

CMYK 71 / 0 / 72 / 69

HEX #174F16

RGB 23 79 22

HSL 118.95, 0.56%, 0.2%

LAB 28.98, -30.88, 27.46

 

CMYK 71 / 0 / 72 / 56

HEX #20701F

RGB 32 112 31

HSL 119.26, 0.57%, 0.28%

LAB 41.21, -40.68, 36.52

 

CMYK 72 / 0 / 73 / 44

HEX #299027

RGB 41 144 39

HSL 118.86, 0.57%, 0.36%

LAB 52.47, -49.6, 45.05

 

CMYK 71 / 0 / 73 / 31

HEX #33B130

RGB 51 177 48

HSL 118.6, 0.57%, 0.44%

LAB 63.64, -58.18, 53.15

 

CMYK 67 / 0 / 68 / 20

HEX #42CB40

RGB 66 203 64

HSL 119.14, 0.57%, 0.52%

LAB 72.39, -62.66, 56.25

 

CMYK 71 / 0 / 72 / 44

HEX #2A9028

RGB 42 144 40

HSL 118.85, 0.57%, 0.36%

LAB 52.5, -49.32, 44.69

 

CMYK 73 / 12 / 0 / 44

HEX #277F90

RGB 39 127 144

HSL 189.71, 0.57%, 0.36%

LAB 49.04, -19.71, -16.66

 

CMYK 0 / 73 / 41 / 44

HEX #902755

RGB 144 39 85

HSL 333.71, 0.57%, 0.36%

LAB 34.06, 47.45, -2.13

 

CMYK 71 / 0 / 72 / 44

HEX #2A9028

RGB 42 144 40

HSL 118.85, 0.57%, 0.36%

LAB 52.5, -49.32, 44.69

 

CMYK 73 / 70 / 0 / 44

HEX #272B90

RGB 39 43 144

HSL 237.71, 0.57%, 0.36%

LAB 24.23, 33.48, -56.03

 

CMYK 0 / 73 / 70 / 44

HEX #90272B

RGB 144 39 43

HSL 357.71, 0.57%, 0.36%

LAB 33.04, 44, 23.63

 

CMYK 71 / 0 / 72 / 44

HEX #2A9028

RGB 42 144 40

HSL 118.85, 0.57%, 0.36%

LAB 52.5, -49.32, 44.69

 

CMYK 73 / 12 / 0 / 44

HEX #277F90

RGB 39 127 144

HSL 189.71, 0.57%, 0.36%

LAB 49.04, -19.71, -16.66

 

CMYK 2 / 73 / 0 / 44

HEX #8D2790

RGB 141 39 144

HSL 298.29, 0.57%, 0.36%

LAB 36.23, 55.17, -36.01

 

CMYK 0 / 60 / 73 / 44

HEX #903927

RGB 144 57 39

HSL 10.29, 0.57%, 0.36%

LAB 35.99, 35.7, 29.54

 

CMYK 71 / 0 / 72 / 44

HEX #2A9028

RGB 42 144 40

HSL 118.85, 0.57%, 0.36%

LAB 52.5, -49.32, 44.69

 

CMYK 73 / 34 / 0 / 44

HEX #275F90

RGB 39 95 144

HSL 208, 0.57%, 0.36%

LAB 38.95, -1.1, -32.31

 

CMYK 2 / 73 / 0 / 44

HEX #8D2790

RGB 141 39 144

HSL 298.29, 0.57%, 0.36%

LAB 36.23, 55.17, -36.01

 

CMYK 0 / 39 / 73 / 44

HEX #905827

RGB 144 88 39

HSL 28, 0.57%, 0.36%

LAB 42.85, 18.68, 37.09

 

Description

Color code: HEX #2A9028 | qconv.com Color code: HEX #2A9028 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 144 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 144 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 72 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 72% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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