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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 64 / 0 / 64 / 36 it is the complementary color CMYK 0 / 53 / 0 / 23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 64 / 0 / 64 / 36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 64 / 0 / 64 / 36: CMYK 61 / 0 / 67 / 36, CMYK 55 / 0 / 60 / 29, CMYK 51 / 0 / 54 / 22, CMYK 47 / 0 / 49 / 15 and CMYK 44 / 0 / 45 / 8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 64 / 0 / 64 / 36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 64 / 0 / 64 / 36: CMYK 64 / 0 / 64 / 36, CMYK 71 / 0 / 72 / 43, CMYK 80 / 0 / 83 / 50, CMYK 93 / 0 / 98 / 57 and CMYK 100 / 0 / 100 / 64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 64 / 36

HEX #3BA33B

RGB 59 163 59

HSL 120, 0.47%, 0.44%

LAB 59.38, -50.63, 44.13

 

Complementary color

CMYK 0 / 53 / 0 / 23

HEX #C45CC4

RGB 196 92 196

HSL 300, 0.47%, 0.56%

LAB 55.46, 55.61, -35.9

 

CMYK 61 / 0 / 67 / 36

HEX #40A336

RGB 64 163 54

HSL 114.5, 0.5%, 0.43%

LAB 59.48, -49.98, 46.47

 

CMYK 55 / 0 / 60 / 29

HEX #51B549

RGB 81 181 73

HSL 115.56, 0.43%, 0.5%

LAB 65.96, -50.45, 45.43

 

CMYK 51 / 0 / 54 / 22

HEX #62C75C

RGB 98 199 92

HSL 116.64, 0.49%, 0.57%

LAB 72.37, -50.65, 44.22

 

CMYK 47 / 0 / 49 / 15

HEX #73D96F

RGB 115 217 111

HSL 117.74, 0.58%, 0.64%

LAB 78.7, -50.68, 42.96

 

CMYK 44 / 0 / 45 / 8

HEX #84EB82

RGB 132 235 130

HSL 118.86, 0.72%, 0.72%

LAB 84.96, -50.59, 41.71

 

CMYK 64 / 0 / 64 / 36

HEX #3BA33B

RGB 59 163 59

HSL 120, 0.47%, 0.44%

LAB 59.38, -50.63, 44.13

 

CMYK 71 / 0 / 72 / 43

HEX #2A9128

RGB 42 145 40

HSL 118.86, 0.57%, 0.36%

LAB 52.84, -49.67, 45.04

 

CMYK 80 / 0 / 83 / 50

HEX #197F15

RGB 25 127 21

HSL 117.74, 0.72%, 0.29%

LAB 46.23, -47.97, 45.18

 

CMYK 93 / 0 / 98 / 57

HEX #086D02

RGB 8 109 2

HSL 116.64, 0.96%, 0.22%

LAB 39.57, -45.2, 44.07

 

CMYK 100 / 0 / 100 / 64

HEX #005B00

RGB 0 91 0

HSL 120, 1%, 0.18%

LAB 32.88, -40.61, 39.19

 

CMYK 64 / 0 / 64 / 36

HEX #3BA33B

RGB 59 163 59

HSL 120, 0.47%, 0.44%

LAB 59.38, -50.63, 44.13

 

CMYK 64 / 0 / 53 / 36

HEX #3BA44D

RGB 59 164 77

HSL 130.29, 0.47%, 0.44%

LAB 59.9, -48.71, 36.16

 

CMYK 64 / 0 / 43 / 36

HEX #3BA45E

RGB 59 164 94

HSL 140, 0.47%, 0.44%

LAB 60.15, -45.97, 27.66

 

CMYK 64 / 0 / 32 / 36

HEX #3BA470

RGB 59 164 112

HSL 150.29, 0.47%, 0.44%

LAB 60.47, -42.47, 18.33

 

CMYK 64 / 0 / 21 / 36

HEX #3BA481

RGB 59 164 129

HSL 160, 0.47%, 0.44%

LAB 60.84, -38.64, 9.4

 

CMYK 64 / 0 / 64 / 36

HEX #3BA33B

RGB 59 163 59

HSL 120, 0.47%, 0.44%

LAB 59.38, -50.63, 44.13

 

CMYK 64 / 0 / 64 / 16

HEX #4DD64D

RGB 77 214 77

HSL 120, 0.63%, 0.57%

LAB 76.2, -62.94, 55.18

 

CMYK 60 / 0 / 60 / 96

HEX #040A04

RGB 4 10 4

HSL 120, 0.43%, 0.03%

LAB 2.27, -2.4, 1.72

 

CMYK 64 / 0 / 64 / 76

HEX #163D16

RGB 22 61 22

HSL 120, 0.47%, 0.16%

LAB 22.18, -23.29, 19.72

 

CMYK 63 / 0 / 63 / 56

HEX #297029

RGB 41 112 41

HSL 120, 0.46%, 0.3%

LAB 41.56, -37.45, 32.31

 

CMYK 64 / 0 / 64 / 36

HEX #3BA33B

RGB 59 163 59

HSL 120, 0.47%, 0.44%

LAB 59.38, -50.63, 44.13

 

CMYK 64 / 13 / 0 / 36

HEX #3B8FA4

RGB 59 143 164

HSL 192, 0.47%, 0.44%

LAB 55.33, -18.61, -18.61

 

CMYK 0 / 64 / 38 / 36

HEX #A43B65

RGB 164 59 101

HSL 336, 0.47%, 0.44%

LAB 41.15, 47.14, -1.45

 

CMYK 64 / 0 / 64 / 36

HEX #3BA33B

RGB 59 163 59

HSL 120, 0.47%, 0.44%

LAB 59.38, -50.63, 44.13

 

CMYK 64 / 64 / 0 / 36

HEX #3B3BA4

RGB 59 59 164

HSL 240, 0.47%, 0.44%

LAB 31.2, 33.12, -56.77

 

CMYK 0 / 64 / 64 / 36

HEX #A43B3B

RGB 164 59 59

HSL 0, 0.47%, 0.44%

LAB 40.14, 43.34, 23.34

 

CMYK 64 / 0 / 64 / 36

HEX #3BA33B

RGB 59 163 59

HSL 120, 0.47%, 0.44%

LAB 59.38, -50.63, 44.13

 

CMYK 64 / 13 / 0 / 36

HEX #3B8FA4

RGB 59 143 164

HSL 192, 0.47%, 0.44%

LAB 55.33, -18.61, -18.61

 

CMYK 0 / 64 / 0 / 36

HEX #A43BA4

RGB 164 59 164

HSL 300, 0.47%, 0.44%

LAB 43.8, 56.39, -35.86

 

CMYK 0 / 51 / 64 / 36

HEX #A4503B

RGB 164 80 59

HSL 12, 0.47%, 0.44%

LAB 44.15, 32.9, 28.33

 

CMYK 64 / 0 / 64 / 36

HEX #3BA33B

RGB 59 163 59

HSL 120, 0.47%, 0.44%

LAB 59.38, -50.63, 44.13

 

CMYK 64 / 32 / 0 / 36

HEX #3B70A4

RGB 59 112 164

HSL 209.71, 0.47%, 0.44%

LAB 45.9, -0.91, -33.21

 

CMYK 0 / 64 / 0 / 36

HEX #A43BA4

RGB 164 59 164

HSL 300, 0.47%, 0.44%

LAB 43.8, 56.39, -35.86

 

CMYK 0 / 32 / 64 / 36

HEX #A4703B

RGB 164 112 59

HSL 30.29, 0.47%, 0.44%

LAB 51.61, 15.09, 37.19

 

Description

Color code: CMYK 64 / 0 / 64 / 36 | qconv.com Color code: CMYK 64 / 0 / 64 / 36 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 163 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 163 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 64 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 64% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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