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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 91 137 67 it is the complementary color RGB 164 118 188. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 91 137 67. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 91 137 67: RGB 96 137 62, RGB 113 155 81, RGB 130 173 100, RGB 147 191 119 and RGB 164 209 138

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 91 137 67. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 91 137 67: RGB 91 137 67, RGB 74 119 48, RGB 57 101 29, RGB 40 83 10 and RGB 23 65 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 51 / 46

HEX #5B8943

RGB 91 137 67

HSL 99.43, 0.34%, 0.4%

LAB 52.42, -29.15, 32.43

 

Complementary color

CMYK 13 / 37 / 0 / 26

HEX #A476BC

RGB 164 118 188

HSL 279.43, 0.34%, 0.6%

LAB 56.57, 30.89, -29.88

 

CMYK 30 / 0 / 55 / 46

HEX #60893E

RGB 96 137 62

HSL 92.8, 0.38%, 0.39%

LAB 52.65, -27.88, 35.34

 

CMYK 27 / 0 / 48 / 39

HEX #719B51

RGB 113 155 81

HSL 94.05, 0.31%, 0.46%

LAB 59.48, -27.86, 34.12

 

CMYK 25 / 0 / 42 / 32

HEX #82AD64

RGB 130 173 100

HSL 95.34, 0.31%, 0.54%

LAB 66.18, -27.78, 32.89

 

CMYK 23 / 0 / 38 / 25

HEX #93BF77

RGB 147 191 119

HSL 96.67, 0.36%, 0.61%

LAB 72.76, -27.66, 31.7

 

CMYK 22 / 0 / 34 / 18

HEX #A4D18A

RGB 164 209 138

HSL 98.03, 0.44%, 0.68%

LAB 79.23, -27.54, 30.56

 

CMYK 34 / 0 / 51 / 46

HEX #5B8943

RGB 91 137 67

HSL 99.43, 0.34%, 0.4%

LAB 52.42, -29.15, 32.43

 

CMYK 38 / 0 / 60 / 53

HEX #4A7730

RGB 74 119 48

HSL 98.03, 0.43%, 0.33%

LAB 45.45, -29.17, 33.66

 

CMYK 44 / 0 / 71 / 60

HEX #39651D

RGB 57 101 29

HSL 96.67, 0.55%, 0.25%

LAB 38.32, -28.99, 34.63

 

CMYK 52 / 0 / 88 / 67

HEX #28530A

RGB 40 83 10

HSL 95.34, 0.78%, 0.18%

LAB 31.02, -28.42, 34.66

 

CMYK 65 / 0 / 100 / 75

HEX #174100

RGB 23 65 0

HSL 98.77, 1%, 0.13%

LAB 23.55, -27.03, 31.35

 

CMYK 34 / 0 / 51 / 46

HEX #5B8943

RGB 91 137 67

HSL 99.43, 0.34%, 0.4%

LAB 52.42, -29.15, 32.43

 

CMYK 41 / 0 / 51 / 47

HEX #508843

RGB 80 136 67

HSL 108.7, 0.34%, 0.4%

LAB 51.52, -32.58, 31.19

 

CMYK 50 / 0 / 51 / 47

HEX #448843

RGB 68 136 67

HSL 119.13, 0.34%, 0.4%

LAB 50.97, -36.44, 30.39

 

CMYK 51 / 0 / 43 / 47

HEX #43884D

RGB 67 136 77

HSL 128.7, 0.34%, 0.4%

LAB 51.08, -35.15, 25.13

 

CMYK 51 / 0 / 35 / 47

HEX #438859

RGB 67 136 89

HSL 139.13, 0.34%, 0.4%

LAB 51.29, -32.96, 18.72

 

CMYK 34 / 0 / 51 / 46

HEX #5B8943

RGB 91 137 67

HSL 99.43, 0.34%, 0.4%

LAB 52.42, -29.15, 32.43

 

CMYK 34 / 0 / 51 / 26

HEX #7DBC5C

RGB 125 188 92

HSL 99.38, 0.42%, 0.55%

LAB 70.25, -37.59, 41.94

 

CMYK 33 / 0 / 51 / 6

HEX #9FEF75

RGB 159 239 117

HSL 99.34, 0.79%, 0.7%

LAB 87.19, -45.56, 50.93

 

CMYK 34 / 0 / 51 / 86

HEX #172311

RGB 23 35 17

HSL 100, 0.35%, 0.1%

LAB 12.12, -9.66, 10.18

 

CMYK 34 / 0 / 51 / 66

HEX #39562A

RGB 57 86 42

HSL 99.55, 0.34%, 0.25%

LAB 33.33, -20.04, 22.15

 

CMYK 34 / 0 / 51 / 46

HEX #5B8943

RGB 91 137 67

HSL 99.43, 0.34%, 0.4%

LAB 52.42, -29.15, 32.43

 

CMYK 51 / 0 / 7 / 47

HEX #43887E

RGB 67 136 126

HSL 171.3, 0.34%, 0.4%

LAB 52.18, -24.39, -1.34

 

CMYK 0 / 51 / 13 / 47

HEX #884377

RGB 136 67 119

HSL 314.78, 0.34%, 0.4%

LAB 38.86, 36.63, -16.53

 

CMYK 34 / 0 / 51 / 46

HEX #5B8943

RGB 91 137 67

HSL 99.43, 0.34%, 0.4%

LAB 52.42, -29.15, 32.43

 

CMYK 51 / 33 / 0 / 47

HEX #435B88

RGB 67 91 136

HSL 219.13, 0.34%, 0.4%

LAB 38.64, 4.38, -27.86

 

CMYK 0 / 51 / 33 / 47

HEX #88435B

RGB 136 67 91

HSL 339.13, 0.34%, 0.4%

LAB 37.85, 32.26, -0.55

 

CMYK 34 / 0 / 51 / 46

HEX #5B8943

RGB 91 137 67

HSL 99.43, 0.34%, 0.4%

LAB 52.42, -29.15, 32.43

 

CMYK 51 / 0 / 7 / 47

HEX #43887E

RGB 67 136 126

HSL 171.3, 0.34%, 0.4%

LAB 52.18, -24.39, -1.34

 

CMYK 18 / 51 / 0 / 47

HEX #704388

RGB 112 67 136

HSL 279.13, 0.34%, 0.4%

LAB 36.44, 32.48, -31.05

 

CMYK 0 / 51 / 43 / 47

HEX #88434D

RGB 136 67 77

HSL 351.3, 0.34%, 0.4%

LAB 37.45, 30.48, 7.71

 

CMYK 34 / 0 / 51 / 46

HEX #5B8943

RGB 91 137 67

HSL 99.43, 0.34%, 0.4%

LAB 52.42, -29.15, 32.43

 

CMYK 51 / 7 / 0 / 47

HEX #437E88

RGB 67 126 136

HSL 188.7, 0.34%, 0.4%

LAB 49.37, -16.32, -11.38

 

CMYK 18 / 51 / 0 / 47

HEX #704388

RGB 112 67 136

HSL 279.13, 0.34%, 0.4%

LAB 36.44, 32.48, -31.05

 

CMYK 0 / 43 / 51 / 47

HEX #884D43

RGB 136 77 67

HSL 8.7, 0.34%, 0.4%

LAB 39.49, 23.74, 16.74

 

Description

Color code: RGB 91 137 67 | qconv.com Color code: RGB 91 137 67 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 137 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 137 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 51 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 51% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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