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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7DBC5C it is the complementary color #8243A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7DBC5C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #7DBC5C: #82BC57, #93CE6A, #A4E07D, #B5F290 and #C6FFA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7DBC5C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #7DBC5C: #7DBC5C, #6CAA49, #5B9836, #4A8623 and #397410

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 51 / 26

HEX #7DBC5C

RGB 125 188 92

HSL 99.38, 0.42%, 0.55%

LAB 70.25, -37.59, 41.94

 

Complementary color

CMYK 20 / 59 / 0 / 36

HEX #8243A3

RGB 130 67 163

HSL 279.38, 0.42%, 0.45%

LAB 40.25, 43.72, -41.19

 

CMYK 31 / 0 / 54 / 26

HEX #82BC57

RGB 130 188 87

HSL 94.46, 0.43%, 0.54%

LAB 70.46, -36.4, 44.67

 

CMYK 29 / 0 / 49 / 19

HEX #93CE6A

RGB 147 206 106

HSL 95.4, 0.51%, 0.61%

LAB 76.91, -36.37, 43.51

 

CMYK 27 / 0 / 44 / 12

HEX #A4E07D

RGB 164 224 125

HSL 96.36, 0.61%, 0.68%

LAB 83.28, -36.3, 42.35

 

CMYK 25 / 0 / 40 / 5

HEX #B5F290

RGB 181 242 144

HSL 97.35, 0.79%, 0.76%

LAB 89.55, -36.2, 41.19

 

CMYK 22 / 0 / 36 / 0

HEX #C6FFA3

RGB 198 255 163

HSL 97.17, 1%, 0.82%

LAB 94.39, -33.8, 38.29

 

CMYK 34 / 0 / 51 / 26

HEX #7DBC5C

RGB 125 188 92

HSL 99.38, 0.42%, 0.55%

LAB 70.25, -37.59, 41.94

 

CMYK 36 / 0 / 57 / 33

HEX #6CAA49

RGB 108 170 73

HSL 98.35, 0.4%, 0.48%

LAB 63.69, -37.6, 43.09

 

CMYK 40 / 0 / 64 / 40

HEX #5B9836

RGB 91 152 54

HSL 97.35, 0.48%, 0.4%

LAB 57.02, -37.49, 44.1

 

CMYK 45 / 0 / 74 / 47

HEX #4A8623

RGB 74 134 35

HSL 96.36, 0.59%, 0.33%

LAB 50.25, -37.17, 44.71

 

CMYK 51 / 0 / 86 / 55

HEX #397410

RGB 57 116 16

HSL 95.4, 0.76%, 0.26%

LAB 43.36, -36.49, 44.36

 

CMYK 34 / 0 / 51 / 26

HEX #7DBC5C

RGB 125 188 92

HSL 99.38, 0.42%, 0.55%

LAB 70.25, -37.59, 41.94

 

CMYK 42 / 0 / 51 / 26

HEX #6DBC5C

RGB 109 188 92

HSL 109.38, 0.42%, 0.55%

LAB 69.46, -42.88, 40.8

 

CMYK 51 / 0 / 51 / 26

HEX #5DBC5C

RGB 93 188 92

HSL 119.38, 0.42%, 0.55%

LAB 68.8, -47.61, 39.84

 

CMYK 51 / 0 / 44 / 26

HEX #5CBC6A

RGB 92 188 106

HSL 128.75, 0.42%, 0.55%

LAB 68.96, -45.83, 32.97

 

CMYK 51 / 0 / 35 / 26

HEX #5CBC7A

RGB 92 188 122

HSL 138.75, 0.42%, 0.55%

LAB 69.22, -43.12, 24.95

 

CMYK 34 / 0 / 51 / 26

HEX #7DBC5C

RGB 125 188 92

HSL 99.38, 0.42%, 0.55%

LAB 70.25, -37.59, 41.94

 

CMYK 33 / 0 / 51 / 6

HEX #9FEF75

RGB 159 239 117

HSL 99.34, 0.79%, 0.7%

LAB 87.19, -45.56, 50.93

 

CMYK 34 / 0 / 51 / 86

HEX #172311

RGB 23 35 17

HSL 100, 0.35%, 0.1%

LAB 12.12, -9.66, 10.18

 

CMYK 34 / 0 / 51 / 66

HEX #39562A

RGB 57 86 42

HSL 99.55, 0.34%, 0.25%

LAB 33.33, -20.04, 22.15

 

CMYK 34 / 0 / 51 / 46

HEX #5B8943

RGB 91 137 67

HSL 99.43, 0.34%, 0.4%

LAB 52.42, -29.15, 32.43

 

CMYK 34 / 0 / 51 / 26

HEX #7DBC5C

RGB 125 188 92

HSL 99.38, 0.42%, 0.55%

LAB 70.25, -37.59, 41.94

 

CMYK 51 / 0 / 8 / 26

HEX #5CBCAD

RGB 92 188 173

HSL 170.63, 0.42%, 0.55%

LAB 70.36, -32.02, -1.09

 

CMYK 0 / 51 / 13 / 26

HEX #BC5CA4

RGB 188 92 164

HSL 315, 0.42%, 0.55%

LAB 52.98, 47.84, -21.3

 

CMYK 34 / 0 / 51 / 26

HEX #7DBC5C

RGB 125 188 92

HSL 99.38, 0.42%, 0.55%

LAB 70.25, -37.59, 41.94

 

CMYK 51 / 34 / 0 / 26

HEX #5C7DBC

RGB 92 125 188

HSL 219.38, 0.42%, 0.55%

LAB 52.48, 6.26, -36.69

 

CMYK 0 / 51 / 34 / 26

HEX #BC5C7D

RGB 188 92 125

HSL 339.38, 0.42%, 0.55%

LAB 51.64, 42.2, -0.27

 

CMYK 34 / 0 / 51 / 26

HEX #7DBC5C

RGB 125 188 92

HSL 99.38, 0.42%, 0.55%

LAB 70.25, -37.59, 41.94

 

CMYK 51 / 0 / 8 / 26

HEX #5CBCAD

RGB 92 188 173

HSL 170.63, 0.42%, 0.55%

LAB 70.36, -32.02, -1.09

 

CMYK 18 / 51 / 0 / 26

HEX #9A5CBC

RGB 154 92 188

HSL 278.75, 0.42%, 0.55%

LAB 49.68, 42.41, -40.74

 

CMYK 0 / 51 / 44 / 26

HEX #BC5C6A

RGB 188 92 106

HSL 351.25, 0.42%, 0.55%

LAB 51.14, 39.98, 10.33

 

CMYK 34 / 0 / 51 / 26

HEX #7DBC5C

RGB 125 188 92

HSL 99.38, 0.42%, 0.55%

LAB 70.25, -37.59, 41.94

 

CMYK 51 / 8 / 0 / 26

HEX #5CADBC

RGB 92 173 188

HSL 189.38, 0.42%, 0.55%

LAB 66.36, -20.6, -15.31

 

CMYK 18 / 51 / 0 / 26

HEX #9A5CBC

RGB 154 92 188

HSL 278.75, 0.42%, 0.55%

LAB 49.68, 42.41, -40.74

 

CMYK 0 / 44 / 51 / 26

HEX #BC6A5C

RGB 188 106 92

HSL 8.75, 0.42%, 0.55%

LAB 53.78, 31.2, 22.19

 

Description

Color code: HEX #7DBC5C | qconv.com Color code: HEX #7DBC5C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 188 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 188 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 51 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 51% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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